Political Implications of Violence in the Private Sphere in the Series of Tables Unland (1995-1998) and Plegaria Muda (2008-2010) by Doris Salcedo

Among the artistic productions of Doris Salcedo, prior to the peace agreement between the Colombian government and the guerrilla movement FARC (2016), two sculptural groups -Unland (1995-1998) and Plegaria muda (2008-2010)- were produced with tables as a material and conce...

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Autor principal: Torres Silva, Diana
Formato: Artículo revista
Lenguaje:Español
Publicado: ISHiR/CONICET 2020
Materias:
Doris Salcedo
Tables
Publicy/private
Unland
Plegaria muda
Art
Violence
Mesas
Público/privado
Arte
Violencia
Acceso en línea:https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/1324
Aporte de:
Revista Estudios del ISHIR (CONICET) de Universidad Nacional de Rosario
id I15-R239-article-1324
record_format ojs
spelling I15-R239-article-13242021-01-28T19:47:22Z Political Implications of Violence in the Private Sphere in the Series of Tables Unland (1995-1998) and Plegaria Muda (2008-2010) by Doris Salcedo Implicaciones políticas de la violencia en lo privado en las series de mesas Unland (1995-1998) y Plegaria muda (2008 -2010) de Doris Salcedo Torres Silva, Diana Doris Salcedo Tables Publicy/private Unland Plegaria muda Art Violence Doris Salcedo Mesas Unland Plegaria muda Público/privado Arte Violencia Among the artistic productions of Doris Salcedo, prior to the peace agreement between the Colombian government and the guerrilla movement FARC (2016), two sculptural groups -Unland (1995-1998) and Plegaria muda (2008-2010)- were produced with tables as a material and conceptual structure. This article shows how the subjection of furniture to a two-sided level of violence suggests the political nature of victimization in the private sphere. To show it, I will contextualize the works in the historical moment in which they were created. Then I will examine its symbolics by indicating common and contrasting elements. At last, I will analyze the politics in the series and give an account of how violence, while exercised in the private sphere, constitutes a public phenomenon of a political nature. De entre la producción artística de Doris Salcedo –anterior al acuerdo de paz de 2016— dos conjuntos escultóricos, Unland (1995-1998) y Plegaria muda (2008 -2010), utilizan, como estructura material y conceptual, mesas domésticas. Este artículo da cuenta de cómo el sometimiento de los muebles a un doble nivel de violencia sugiere la índole política de la victimización en lo privado. Para mostrarlo, contextualizaré las obras en el momento histórico al que obedecen; examinaré su simbólica indicando elementos comunes y de contraste; analizaré lo político en las series y daré cuenta de cómo la violencia, ejercida en lo privado, constituye un fenómeno público, de naturaleza política. ISHiR/CONICET 2020-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado por pares application/pdf text/html application/zip https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/1324 10.35305/eishir.v10i28.1324 Estudios del ISHiR; Vol. 10 Núm. 28 (2020): Estudios del ISHIR Estudios del ISHiR; Vol. 10 No. 28 (2020): Estudios del ISHIR 2250-4397 spa https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/1324/1659 https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/1324/1660 https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/1324/1662 Derechos de autor 2021 Estudios del ISHiR http://creativecommons.org/licenses/by-nc-nd/4.0
institution Universidad Nacional de Rosario
institution_str I-15
repository_str R-239
container_title_str Revista Estudios del ISHIR (CONICET)
language Español
format Artículo revista
topic Doris Salcedo
Tables
Publicy/private
Unland
Plegaria muda
Art
Violence
Doris Salcedo
Mesas
Unland
Plegaria muda
Público/privado
Arte
Violencia
spellingShingle Doris Salcedo
Tables
Publicy/private
Unland
Plegaria muda
Art
Violence
Doris Salcedo
Mesas
Unland
Plegaria muda
Público/privado
Arte
Violencia
Torres Silva, Diana
Political Implications of Violence in the Private Sphere in the Series of Tables Unland (1995-1998) and Plegaria Muda (2008-2010) by Doris Salcedo
topic_facet Doris Salcedo
Tables
Publicy/private
Unland
Plegaria muda
Art
Violence
Doris Salcedo
Mesas
Unland
Plegaria muda
Público/privado
Arte
Violencia
author Torres Silva, Diana
author_facet Torres Silva, Diana
author_sort Torres Silva, Diana
title Political Implications of Violence in the Private Sphere in the Series of Tables Unland (1995-1998) and Plegaria Muda (2008-2010) by Doris Salcedo
title_short Political Implications of Violence in the Private Sphere in the Series of Tables Unland (1995-1998) and Plegaria Muda (2008-2010) by Doris Salcedo
title_full Political Implications of Violence in the Private Sphere in the Series of Tables Unland (1995-1998) and Plegaria Muda (2008-2010) by Doris Salcedo
title_fullStr Political Implications of Violence in the Private Sphere in the Series of Tables Unland (1995-1998) and Plegaria Muda (2008-2010) by Doris Salcedo
title_full_unstemmed Political Implications of Violence in the Private Sphere in the Series of Tables Unland (1995-1998) and Plegaria Muda (2008-2010) by Doris Salcedo
title_sort political implications of violence in the private sphere in the series of tables unland (1995-1998) and plegaria muda (2008-2010) by doris salcedo
description Among the artistic productions of Doris Salcedo, prior to the peace agreement between the Colombian government and the guerrilla movement FARC (2016), two sculptural groups -Unland (1995-1998) and Plegaria muda (2008-2010)- were produced with tables as a material and conceptual structure. This article shows how the subjection of furniture to a two-sided level of violence suggests the political nature of victimization in the private sphere. To show it, I will contextualize the works in the historical moment in which they were created. Then I will examine its symbolics by indicating common and contrasting elements. At last, I will analyze the politics in the series and give an account of how violence, while exercised in the private sphere, constitutes a public phenomenon of a political nature.
publisher ISHiR/CONICET
publishDate 2020
url https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/1324
work_keys_str_mv AT torressilvadiana politicalimplicationsofviolenceintheprivatesphereintheseriesoftablesunland19951998andplegariamuda20082010bydorissalcedo
AT torressilvadiana implicacionespoliticasdelaviolenciaenloprivadoenlasseriesdemesasunland19951998yplegariamuda20082010dedorissalcedo
first_indexed 2023-06-26T22:55:24Z
last_indexed 2023-06-26T22:55:24Z
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