Sugar mill’s folklore in Tucumán: social criticism and popular
The purpose of this article is to build a corpus of folk-songs connected to the sugar mill industry developed since the arrival of the railway system, in 1876, in the province of Tucumán, in the North West of Argentina. This matrix will be related to other studies on Argentine folklore, and to the h...
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| Lenguaje: | Español |
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ISHiR/CONICET
2020
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| Acceso en línea: | https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/1140 |
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I15-R239-article-11402021-01-28T19:47:22Z Sugar mill’s folklore in Tucumán: social criticism and popular Folklore azucarero tucumano: crítica social y épica popular Orquera, Fabiola Identidad industria azucarera folklore social zafreros resistencia cultural identity sugar cane industry social folk music sugar cane peelers cultural resistance The purpose of this article is to build a corpus of folk-songs connected to the sugar mill industry developed since the arrival of the railway system, in 1876, in the province of Tucumán, in the North West of Argentina. This matrix will be related to other studies on Argentine folklore, and to the historical moment of each composition. To do this, we will first refer to popular music before industrialization, to focus then on the social lyrics authored by Atahualpa Yupanqui, whose main character is the sugar cane peeler. Then, the analysis follows other authors, highlighting the topics and particularities of their songs, as well as the social and political conditions implied by them, making references to important authors, like José Ignacio “Chango” Rodríguez, Rolando “Chivo” Valladares, Pepe and Gerardo Núñez, Luis “Pato Gentilini”, José Augusto Moreno, Lucho Diaz, Alma García, Chichi Costello, Néstor “Poli” Soria –among others- and to the famous singer Mercedes Sosa. En este artículo se propone construir un corpus de canciones folklóricas tucumanas vinculadas con la industria azucarera, desarrollado a partir de la llegada del ferrocarril a esta región, en 1876. Se pondrá a dialogar esta matriz con otros estudios existentes sobre folklore argentino, señalando algunas características de estas composiciones en relación con la historia en la que se generan. Comenzaremos por hacer referencia a la música popular en el estadio previo a la industrialización, para enfocarnos después en la emergencia de la letrística social yupanquiana y el protagonismo del pelador. En un tercer momento describiremos las composiciones y los elementos propios de la serie hasta el presente. En este trayecto haremos referencia a autores notables, como José Ignacio “Chango” Rodríguez, Rolando “Chivo” Valladares, Pepe y Gerardo Núñez, Luis “Pato Gentilini”, José Augusto Moreno, Lucho Diaz, Alma García, Chichi Costello, Néstor “Poli” Soria –entre otros- y a la reconocida cantante Mercedes Sosa. ISHiR/CONICET 2020-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado por pares application/pdf text/html application/zip https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/1140 10.35305/eishir.v10i28.1140 Estudios del ISHiR; Vol. 10 Núm. 28 (2020): Estudios del ISHIR Estudios del ISHiR; Vol. 10 No. 28 (2020): Estudios del ISHIR 2250-4397 spa https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/1140/1645 https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/1140/1646 https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/1140/1647 Derechos de autor 2021 Estudios del ISHiR http://creativecommons.org/licenses/by-nc-nd/4.0 |
| institution |
Universidad Nacional de Rosario |
| institution_str |
I-15 |
| repository_str |
R-239 |
| container_title_str |
Revista Estudios del ISHIR (CONICET) |
| language |
Español |
| format |
Artículo revista |
| topic |
Identidad industria azucarera folklore social zafreros resistencia cultural identity sugar cane industry social folk music sugar cane peelers cultural resistance |
| spellingShingle |
Identidad industria azucarera folklore social zafreros resistencia cultural identity sugar cane industry social folk music sugar cane peelers cultural resistance Orquera, Fabiola Sugar mill’s folklore in Tucumán: social criticism and popular |
| topic_facet |
Identidad industria azucarera folklore social zafreros resistencia cultural identity sugar cane industry social folk music sugar cane peelers cultural resistance |
| author |
Orquera, Fabiola |
| author_facet |
Orquera, Fabiola |
| author_sort |
Orquera, Fabiola |
| title |
Sugar mill’s folklore in Tucumán: social criticism and popular |
| title_short |
Sugar mill’s folklore in Tucumán: social criticism and popular |
| title_full |
Sugar mill’s folklore in Tucumán: social criticism and popular |
| title_fullStr |
Sugar mill’s folklore in Tucumán: social criticism and popular |
| title_full_unstemmed |
Sugar mill’s folklore in Tucumán: social criticism and popular |
| title_sort |
sugar mill’s folklore in tucumán: social criticism and popular |
| description |
The purpose of this article is to build a corpus of folk-songs connected to the sugar mill industry developed since the arrival of the railway system, in 1876, in the province of Tucumán, in the North West of Argentina. This matrix will be related to other studies on Argentine folklore, and to the historical moment of each composition. To do this, we will first refer to popular music before industrialization, to focus then on the social lyrics authored by Atahualpa Yupanqui, whose main character is the sugar cane peeler. Then, the analysis follows other authors, highlighting the topics and particularities of their songs, as well as the social and political conditions implied by them, making references to important authors, like José Ignacio “Chango” Rodríguez, Rolando “Chivo” Valladares, Pepe and Gerardo Núñez, Luis “Pato Gentilini”, José Augusto Moreno, Lucho Diaz, Alma García, Chichi Costello, Néstor “Poli” Soria –among others- and to the famous singer Mercedes Sosa. |
| publisher |
ISHiR/CONICET |
| publishDate |
2020 |
| url |
https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/1140 |
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AT orquerafabiola sugarmillsfolkloreintucumansocialcriticismandpopular AT orquerafabiola folkloreazucarerotucumanocriticasocialyepicapopular |
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2023-06-26T22:55:04Z |
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2023-06-26T22:55:04Z |
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