On the representation in Carlos Mauricio Pacheco: Approaches to historicize the “sainete criollo”
In the early 20th century, the “sainete criollo” (a one-act comedy play) was installed as one of the favourite shows for the popular sectors in the city of Buenos Aires. This genre portrayed a theatrical parody and cartoon style which described the surrounding context, aiming to resonate with the au...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Grupo Prohistoria
2023
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| Acceso en línea: | https://ojs.rosario-conicet.gov.ar/index.php/prohistoria/article/view/1782 |
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I15-R238-article-1782 |
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I15-R238-article-17822023-12-28T17:19:50Z On the representation in Carlos Mauricio Pacheco: Approaches to historicize the “sainete criollo” Sobre la representación en Carlos Mauricio Pacheco: Aproximaciones para historizar el sainete criollo Sobre representação em Carlos Mauricio Pacheco: Abordagens para historicizar o sainete crioulo Suárez, Federico Ezequiel Popular Theatre Representations Carlos Mauricio Pacheco Cultural History Teatro popular Representaciones Carlos Mauricio Pacheco Historia cultural teatro popular Representações Carlos Maurício Pacheco História cultural In the early 20th century, the “sainete criollo” (a one-act comedy play) was installed as one of the favourite shows for the popular sectors in the city of Buenos Aires. This genre portrayed a theatrical parody and cartoon style which described the surrounding context, aiming to resonate with the audience. The purpose of this study is to examine how this representation was interpreted in the case of one of the most notable playwrights at that moment: Carlos Mauricio Pacheco. For this purpose, testimonies of contemporary playwrights and different approaches to Argentine theatre are examined in order to contribute to the historiographic analysis of the popular theatre. A principios del siglo XX, el sainete criollo se constituyó como uno de los espectáculos predilectos de los sectores populares en la ciudad de Buenos Aires. Se trataba de un género teatral paródico, caricaturesco, con referencias al contexto inmediato y que pretendía la identificación del público con lo mostrado en escena. Aquí se estudia cómo se ha interpretado la representación de la realidad en el caso de uno de sus autores más relevantes, Carlos Mauricio Pacheco. Se examinan testimonios de dramaturgos coetáneos y diversos enfoques sobre el teatro argentino para contribuir al análisis historiográfico del género chico criollo. No início do século XX, o sainete crioulo tornou-se um dos espetáculos preferidos dos setores populares da cidade de Buenos Aires. Era um gênero teatral paródico, caricatural, com referências ao contexto imediato e que buscava identificar o público com o que era mostrado no palco. Estudamos aqui como tem sido interpretada a representação da realidade no caso de um de seus autores mais relevantes, Carlos Mauricio Pacheco. São examinados depoimentos de dramaturgos contemporâneos e diversas abordagens do teatro argentino para contribuir com a análise historiográfica do gênero chico criollo. Grupo Prohistoria 2023-12-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html application/zip https://ojs.rosario-conicet.gov.ar/index.php/prohistoria/article/view/1782 10.35305/prohistoria.vi40.1782 Prohistoria. Historia, políticas de la historia; No. 40 (2023); 1-23 Prohistoria. Historia, políticas de la historia; Núm. 40 (2023); 1-23 Prohistoria. Historia, políticas de la historia; n. 40 (2023); 1-23 1851-9504 1514-0032 spa https://ojs.rosario-conicet.gov.ar/index.php/prohistoria/article/view/1782/2835 https://ojs.rosario-conicet.gov.ar/index.php/prohistoria/article/view/1782/2836 https://ojs.rosario-conicet.gov.ar/index.php/prohistoria/article/view/1782/2837 Derechos de autor 2023 Federico Ezequiel Suárez https://creativecommons.org/licenses/by-nc-sa/4.0 |
| institution |
Universidad Nacional de Rosario |
| institution_str |
I-15 |
| repository_str |
R-238 |
| container_title_str |
Prohistoria. Historia, políticas de la historia (CONICET) |
| language |
Español |
| format |
Artículo revista |
| topic |
Popular Theatre Representations Carlos Mauricio Pacheco Cultural History Teatro popular Representaciones Carlos Mauricio Pacheco Historia cultural teatro popular Representações Carlos Maurício Pacheco História cultural |
| spellingShingle |
Popular Theatre Representations Carlos Mauricio Pacheco Cultural History Teatro popular Representaciones Carlos Mauricio Pacheco Historia cultural teatro popular Representações Carlos Maurício Pacheco História cultural Suárez, Federico Ezequiel On the representation in Carlos Mauricio Pacheco: Approaches to historicize the “sainete criollo” |
| topic_facet |
Popular Theatre Representations Carlos Mauricio Pacheco Cultural History Teatro popular Representaciones Carlos Mauricio Pacheco Historia cultural teatro popular Representações Carlos Maurício Pacheco História cultural |
| author |
Suárez, Federico Ezequiel |
| author_facet |
Suárez, Federico Ezequiel |
| author_sort |
Suárez, Federico Ezequiel |
| title |
On the representation in Carlos Mauricio Pacheco: Approaches to historicize the “sainete criollo” |
| title_short |
On the representation in Carlos Mauricio Pacheco: Approaches to historicize the “sainete criollo” |
| title_full |
On the representation in Carlos Mauricio Pacheco: Approaches to historicize the “sainete criollo” |
| title_fullStr |
On the representation in Carlos Mauricio Pacheco: Approaches to historicize the “sainete criollo” |
| title_full_unstemmed |
On the representation in Carlos Mauricio Pacheco: Approaches to historicize the “sainete criollo” |
| title_sort |
on the representation in carlos mauricio pacheco: approaches to historicize the “sainete criollo” |
| description |
In the early 20th century, the “sainete criollo” (a one-act comedy play) was installed as one of the favourite shows for the popular sectors in the city of Buenos Aires. This genre portrayed a theatrical parody and cartoon style which described the surrounding context, aiming to resonate with the audience. The purpose of this study is to examine how this representation was interpreted in the case of one of the most notable playwrights at that moment: Carlos Mauricio Pacheco. For this purpose, testimonies of contemporary playwrights and different approaches to Argentine theatre are examined in order to contribute to the historiographic analysis of the popular theatre. |
| publisher |
Grupo Prohistoria |
| publishDate |
2023 |
| url |
https://ojs.rosario-conicet.gov.ar/index.php/prohistoria/article/view/1782 |
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