On the History of Culture in Argentina
Born as an attempt at assessing contemporary cultural history, this work departs from the paradox of a maximum presence of the “cultural” note and a minimum of specific disciplinary consistency. It suggests that, since the nineties, and for reasons not only historiographical, the impact of the new N...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Grupo Prohistoria
2022
|
| Materias: | |
| Acceso en línea: | https://ojs.rosario-conicet.gov.ar/index.php/prohistoria/article/view/1604 |
| Aporte de: |
| Sumario: | Born as an attempt at assessing contemporary cultural history, this work departs from the paradox of a maximum presence of the “cultural” note and a minimum of specific disciplinary consistency. It suggests that, since the nineties, and for reasons not only historiographical, the impact of the new North Atlantic cultural histories encouraged a cut with prior vernacular developments, discontinuous but expressive of the prolonged integrative pretension of cultural history. And also, that the interruption it surmounts had both a formative and a projective cost, which makes it advisable to establish a tense dialogue with that legacy and to strengthen ties with the other histories. |
|---|