The Paris Commune: signs of a polyclassist photographic consciousness

This article considers a series of photographs taken during the Paris Commune, which it postulates constitute the emergence of a photographic social consciousness in the context of the formation of a revolutionary social force. To this end, we investigate the background -the photographs taken during...

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Autor principal: Pérez Fernández, Silvia
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Humanidades y Artes, UNR 2024
Acceso en línea:https://anuariodehistoria.unr.edu.ar/index.php/Anuario/article/view/435
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Anuario de la Escuela de Historia de Universidad Nacional de Rosario
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spelling I15-R230-article-4352024-12-23T19:19:50Z The Paris Commune: signs of a polyclassist photographic consciousness La Comuna de París: indicios de una conciencia fotográfica policlasista Pérez Fernández, Silvia This article considers a series of photographs taken during the Paris Commune, which it postulates constitute the emergence of a photographic social consciousness in the context of the formation of a revolutionary social force. To this end, we investigate the background -the photographs taken during the insurrection of June 1848- and the shots taken during 1870, in the context of the Franco-Prussian war. It analyses the role played by a group of photographers who had been commercially active since at least the 1850s and their participation in the events of 1871, and then examines a series of photographs produced during the Commune. The hypothesis proposed is that, as a photographic expression of social conflict, they constitute an important precedent in relation to the emergence of proletarian photography in the 1920s, and invite us to extend the concept of class struggle to the field of the image El presente artículo pone a consideración una serie de fotografías tomadas durante la Comuna de París, sobre las que se postula que constituyen el emergente de una conciencia social fotográfica en el contexto de la conformación de una fuerza social revolucionaria. Para tal fin, se reponen antecedentes -las fotografías obtenidas en la insurrección de junio de 1848- y tomas realizadas durante 1870, en el marco de la guerra franco-prusiana. Se analiza el rol que desempeñaron un grupo de fotógrafos activos comercialmente desde, al menos, la década de 1850 y su participación en los hechos de 1871, para luego examinar una serie de fotografías producidas durante la Comuna. La hipótesis propuesta es que, en tanto expresión fotográfica del conflicto social, constituyen un precedente importante en relación con el surgimiento de la fotografía proletaria en la década de 1920, e invitan a ampliar el concepto de lucha de clases al campo de la imagen. Facultad de Humanidades y Artes, UNR 2024-12-23 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion text/html application/pdf application/epub+zip https://anuariodehistoria.unr.edu.ar/index.php/Anuario/article/view/435 10.35305/aeh.vi41.435 Anuario de la Escuela de Historia; Núm. 41 (2024): Pensar las imágenes: los lazos entre fotografía, historia y política 1853-8835 0327-215X spa https://anuariodehistoria.unr.edu.ar/index.php/Anuario/article/view/435/581 https://anuariodehistoria.unr.edu.ar/index.php/Anuario/article/view/435/579 https://anuariodehistoria.unr.edu.ar/index.php/Anuario/article/view/435/580 http://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Rosario
institution_str I-15
repository_str R-230
container_title_str Anuario de la Escuela de Historia
language Español
format Artículo revista
author Pérez Fernández, Silvia
spellingShingle Pérez Fernández, Silvia
The Paris Commune: signs of a polyclassist photographic consciousness
author_facet Pérez Fernández, Silvia
author_sort Pérez Fernández, Silvia
title The Paris Commune: signs of a polyclassist photographic consciousness
title_short The Paris Commune: signs of a polyclassist photographic consciousness
title_full The Paris Commune: signs of a polyclassist photographic consciousness
title_fullStr The Paris Commune: signs of a polyclassist photographic consciousness
title_full_unstemmed The Paris Commune: signs of a polyclassist photographic consciousness
title_sort paris commune: signs of a polyclassist photographic consciousness
description This article considers a series of photographs taken during the Paris Commune, which it postulates constitute the emergence of a photographic social consciousness in the context of the formation of a revolutionary social force. To this end, we investigate the background -the photographs taken during the insurrection of June 1848- and the shots taken during 1870, in the context of the Franco-Prussian war. It analyses the role played by a group of photographers who had been commercially active since at least the 1850s and their participation in the events of 1871, and then examines a series of photographs produced during the Commune. The hypothesis proposed is that, as a photographic expression of social conflict, they constitute an important precedent in relation to the emergence of proletarian photography in the 1920s, and invite us to extend the concept of class struggle to the field of the image
publisher Facultad de Humanidades y Artes, UNR
publishDate 2024
url https://anuariodehistoria.unr.edu.ar/index.php/Anuario/article/view/435
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AT perezfernandezsilvia pariscommunesignsofapolyclassistphotographicconsciousness
first_indexed 2025-02-05T22:37:13Z
last_indexed 2025-02-05T22:37:13Z
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