The Andalusian theater and its artists in Buenos Aires. Work, gender and Atlantic connections in the mid-19th century

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This article adresses the theatrical field as a work space and, in particular, a female work place in the mid-19th century. By following the trajectory of some theater companies or actors and actresses that toured between the city of Cádiz and the city of Buenos Aires, this research approaches that...

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Autor principal: Mitidieri, Gabriela
Formato: Artículo revista
Lenguaje:Español
Publicado: Universidad Nacional de Rosario 2024
Materias:
Trabajo
Teatro
Buenos Aires
Cádiz
Siglo XIX
Work
Theater
19th Century
Acceso en línea:https://cuadernosdelciesal.unr.edu.ar/index.php/inicio/article/view/152
Aporte de:
Cuadernos del CIESAL de Universidad Nacional de Rosario
id I15-R228-article-152
record_format ojs
institution Universidad Nacional de Rosario
institution_str I-15
repository_str R-228
container_title_str Cuadernos del CIESAL
language Español
format Artículo revista
topic Trabajo
Teatro
Buenos Aires
Cádiz
Siglo XIX
Work
Theater
Buenos Aires
Cádiz
19th Century
spellingShingle Trabajo
Teatro
Buenos Aires
Cádiz
Siglo XIX
Work
Theater
Buenos Aires
Cádiz
19th Century
Mitidieri, Gabriela
The Andalusian theater and its artists in Buenos Aires. Work, gender and Atlantic connections in the mid-19th century
topic_facet Trabajo
Teatro
Buenos Aires
Cádiz
Siglo XIX
Work
Theater
Buenos Aires
Cádiz
19th Century
author Mitidieri, Gabriela
author_facet Mitidieri, Gabriela
author_sort Mitidieri, Gabriela
title The Andalusian theater and its artists in Buenos Aires. Work, gender and Atlantic connections in the mid-19th century
title_short The Andalusian theater and its artists in Buenos Aires. Work, gender and Atlantic connections in the mid-19th century
title_full The Andalusian theater and its artists in Buenos Aires. Work, gender and Atlantic connections in the mid-19th century
title_fullStr The Andalusian theater and its artists in Buenos Aires. Work, gender and Atlantic connections in the mid-19th century
title_full_unstemmed The Andalusian theater and its artists in Buenos Aires. Work, gender and Atlantic connections in the mid-19th century
title_sort andalusian theater and its artists in buenos aires. work, gender and atlantic connections in the mid-19th century
description This article adresses the theatrical field as a work space and, in particular, a female work place in the mid-19th century. By following the trajectory of some theater companies or actors and actresses that toured between the city of Cádiz and the city of Buenos Aires, this research approaches that artistic activity with questions about migrant work experiences, work contracts, payment and notions of rights and duties established with the employer in the different places where they committed their work. The attraction that zarzuela generated among the South American public – a theatrical piece of Spanish origin that included sung, recited and instrumental parts – could have functioned as an incentive for different Spanish dramatic casts dedicated to that genre to arrive. This paper plans to investigate the theater scene that was consolidated in the city of Buenos Aires in the years after the Battle of Caseros (1852), to distinguish which were the existing theater establishments, what different shows exhibited what considerations about these actresses and their scene partners were covered in the local press and how restrictive access was. Was it possible for workers to attend these plays? Were there different experiences for men and women as spectators? Through an analysis of diverse documentary collections – population censuses, periodical press, municipal documentation of Buenos Aires and Cádiz – this paper plans to address these questions and open new ones to connect worlds of work in an Atlantic key.
publisher Universidad Nacional de Rosario
publishDate 2024
url https://cuadernosdelciesal.unr.edu.ar/index.php/inicio/article/view/152
work_keys_str_mv AT mitidierigabriela theandalusiantheateranditsartistsinbuenosairesworkgenderandatlanticconnectionsinthemid19thcentury
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first_indexed 2024-08-12T21:36:48Z
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spelling I15-R228-article-1522024-07-04T15:08:04Z The Andalusian theater and its artists in Buenos Aires. Work, gender and Atlantic connections in the mid-19th century El teatro andaluz y sus artistas en Buenos Aires. Trabajo, género y conexiones atlánticas a mediados de siglo XIX Mitidieri, Gabriela Trabajo Teatro Buenos Aires Cádiz Siglo XIX Work Theater Buenos Aires Cádiz 19th Century This article adresses the theatrical field as a work space and, in particular, a female work place in the mid-19th century. By following the trajectory of some theater companies or actors and actresses that toured between the city of Cádiz and the city of Buenos Aires, this research approaches that artistic activity with questions about migrant work experiences, work contracts, payment and notions of rights and duties established with the employer in the different places where they committed their work. The attraction that zarzuela generated among the South American public – a theatrical piece of Spanish origin that included sung, recited and instrumental parts – could have functioned as an incentive for different Spanish dramatic casts dedicated to that genre to arrive. This paper plans to investigate the theater scene that was consolidated in the city of Buenos Aires in the years after the Battle of Caseros (1852), to distinguish which were the existing theater establishments, what different shows exhibited what considerations about these actresses and their scene partners were covered in the local press and how restrictive access was. Was it possible for workers to attend these plays? Were there different experiences for men and women as spectators? Through an analysis of diverse documentary collections – population censuses, periodical press, municipal documentation of Buenos Aires and Cádiz – this paper plans to address these questions and open new ones to connect worlds of work in an Atlantic key. El presente artículo se interroga acerca del ámbito teatral como un espacio de trabajo y, en particular, de trabajo femenino a mediados de siglo XIX. Al seguir la trayectoria de algunas compañías teatrales o de actores y actrices que realizaron giras entre la ciudad de Cádiz y la ciudad de Buenos Aires, esta exploración propone acercarse a dicha actividad artística con preguntas sobre experiencias laborales migrantes, contratos de trabajo, remuneraciones, nociones de derechos y deberes establecidos con el empleador en los distintos sitios donde comprometieron su labor. La afición que despertó en el público sudamericano, la zarzuela –pieza teatral de origen español que incluía partes cantadas, recitadas e instrumentales- pudo haber funcionado como incentivo para que distintos elencos dramáticos españoles dedicados a aquel género arribaran. Este escrito planea indagar en la escena teatral que se consolidó en la ciudad de Buenos Aires en los años posteriores a la Batalla de Caseros (1852), para distinguir cuáles eran los establecimientos teatrales existentes, qué distintos espectáculos exhibían qué consideraciones sobre estas actrices y sus compañeros de escena eran volcadas en la prensa local y qué tan restrictivo era el acceso. ¿Era posible para los trabajadores y trabajadoras asistir a esas piezas teatrales? ¿Había experiencias diferenciales para hombres y mujeres en tanto que espectadores? A través de un análisis de fondos documentales diversos –censos de población, prensa periódica, documentación municipal de Buenos Aires y de Cádiz- este escrito planea abordar esas preguntas y abrir otras nuevas para conectar mundos del trabajo en clave atlántica. Universidad Nacional de Rosario 2024-07-04 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://cuadernosdelciesal.unr.edu.ar/index.php/inicio/article/view/152 10.35305/cc.v1i23.152 Cuadernos del Ciesal; Vol. 1 Núm. 23 (2024); 1-27 1853-8827 spa https://cuadernosdelciesal.unr.edu.ar/index.php/inicio/article/view/152/191 https://cuadernosdelciesal.unr.edu.ar/index.php/inicio/article/view/152/176 Derechos de autor 2024 Cuadernos del Ciesal https://creativecommons.org/licenses/by-nc-sa/4.0

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