“Graphic emancipation”: experiences of popular and migrant feminist artistic activism. The case of the graphic cooperative La Voz de la Mujer
In this lecture we seek to have more insight on the experiences of migrant women that compose the graphic cooperative "La Voz de la Mujer” which originates from the 2001 crisis as a social and political context that enables the encounter with popular feminisms and artistic practices.Through a s...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Humanidades y Artes. UNR
2018
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| Acceso en línea: | https://zonafranca.unr.edu.ar/index.php/ZonaFranca/article/view/49 |
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I15-R214-article-492021-06-22T19:07:36Z “Graphic emancipation”: experiences of popular and migrant feminist artistic activism. The case of the graphic cooperative La Voz de la Mujer “Emancipación gráfica”: experiencias de activismo artístico feminista popular y migrante. El caso de la cooperativa gráfica La Voz de la Mujer Maure, Gabriela Encinas, Natalia feminismos populares migración arte feminista Popular feminisms - migration - feminist art In this lecture we seek to have more insight on the experiences of migrant women that compose the graphic cooperative "La Voz de la Mujer” which originates from the 2001 crisis as a social and political context that enables the encounter with popular feminisms and artistic practices.Through a series of interviews conducted on the women workers of the cooperative we tried to give an account for the trajectories of migrant women and their encounter with feminism and art.The premise that guides our inquiries is that through the political organization and the artistic production of the women in the cooperative, a presence is configured that defies the socially assigned place to migrants which revolves around manual labour and precarious work. It is our understanding that the framework of art and feminism not only enables these women to assume the role of creators -and not that of mere objects of artistic representation-but it also enables a political critique of the dominant systems of representation, of racism, of heteropatriarchy and of capitalism. En este trabajo buscamos acercarnos a las experiencias de mujeres migrantes que integran la cooperativa gráfica La Voz de la Mujer, cuya organización surge a partir de la crisis del 2001 como contexto político y social que posibilita el encuentro con los feminismos populares y las prácticas artísticas.A través de una serie de entrevistas a trabajadoras de la cooperativa buscamos dar cuenta de las trayectorias de las mujeres migrantes y de su encuentro con el feminismo y el arte. El supuesto que guía nuestras indagaciones es que, a través de la organización política y la producción artística de las mujeres en la cooperativa, se configura una presencia que desafía el lugar socialmente asignado a los/as migrantes en torno al trabajo manual y precarizado. Entendemos, asimismo, que el entramado de arte y feminismo no sólo habilita a estas mujeres a ocupar el lugar de creadoras -y no de meros(as) objetos de la representación artística-, sino que posibilita una crítica política a los sistemas de representación dominantes, al racismo, al heteropatriarcado y al capitalismo. Facultad de Humanidades y Artes. UNR 2018-01-16 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg https://zonafranca.unr.edu.ar/index.php/ZonaFranca/article/view/49 10.35305/zf.v0i25.49 Zona Franca; No. 25 (2017); 62-88 Zona Franca; Núm. 25 (2017); 62-88 Zona Franca; Núm. 25 (2017); 62-88 2545-6504 0329-8019 spa https://zonafranca.unr.edu.ar/index.php/ZonaFranca/article/view/49/54 https://zonafranca.unr.edu.ar/index.php/ZonaFranca/article/view/49/138 https://zonafranca.unr.edu.ar/index.php/ZonaFranca/article/view/49/139 https://zonafranca.unr.edu.ar/index.php/ZonaFranca/article/view/49/140 https://zonafranca.unr.edu.ar/index.php/ZonaFranca/article/view/49/141 https://zonafranca.unr.edu.ar/index.php/ZonaFranca/article/view/49/142 https://zonafranca.unr.edu.ar/index.php/ZonaFranca/article/view/49/143 https://zonafranca.unr.edu.ar/index.php/ZonaFranca/article/view/49/144 |
| institution |
Universidad Nacional de Rosario |
| institution_str |
I-15 |
| repository_str |
R-214 |
| container_title_str |
Zona Franca |
| language |
Español |
| format |
Artículo revista |
| topic |
feminismos populares migración arte feminista Popular feminisms - migration - feminist art |
| spellingShingle |
feminismos populares migración arte feminista Popular feminisms - migration - feminist art Maure, Gabriela Encinas, Natalia “Graphic emancipation”: experiences of popular and migrant feminist artistic activism. The case of the graphic cooperative La Voz de la Mujer |
| topic_facet |
feminismos populares migración arte feminista Popular feminisms - migration - feminist art |
| author |
Maure, Gabriela Encinas, Natalia |
| author_facet |
Maure, Gabriela Encinas, Natalia |
| author_sort |
Maure, Gabriela |
| title |
“Graphic emancipation”: experiences of popular and migrant feminist artistic activism. The case of the graphic cooperative La Voz de la Mujer |
| title_short |
“Graphic emancipation”: experiences of popular and migrant feminist artistic activism. The case of the graphic cooperative La Voz de la Mujer |
| title_full |
“Graphic emancipation”: experiences of popular and migrant feminist artistic activism. The case of the graphic cooperative La Voz de la Mujer |
| title_fullStr |
“Graphic emancipation”: experiences of popular and migrant feminist artistic activism. The case of the graphic cooperative La Voz de la Mujer |
| title_full_unstemmed |
“Graphic emancipation”: experiences of popular and migrant feminist artistic activism. The case of the graphic cooperative La Voz de la Mujer |
| title_sort |
“graphic emancipation”: experiences of popular and migrant feminist artistic activism. the case of the graphic cooperative la voz de la mujer |
| description |
In this lecture we seek to have more insight on the experiences of migrant women that compose the graphic cooperative "La Voz de la Mujer” which originates from the 2001 crisis as a social and political context that enables the encounter with popular feminisms and artistic practices.Through a series of interviews conducted on the women workers of the cooperative we tried to give an account for the trajectories of migrant women and their encounter with feminism and art.The premise that guides our inquiries is that through the political organization and the artistic production of the women in the cooperative, a presence is configured that defies the socially assigned place to migrants which revolves around manual labour and precarious work. It is our understanding that the framework of art and feminism not only enables these women to assume the role of creators -and not that of mere objects of artistic representation-but it also enables a political critique of the dominant systems of representation, of racism, of heteropatriarchy and of capitalism. |
| publisher |
Facultad de Humanidades y Artes. UNR |
| publishDate |
2018 |
| url |
https://zonafranca.unr.edu.ar/index.php/ZonaFranca/article/view/49 |
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