Fantasy Genre on Post-Pandemic Telly: Fissures in (Neo)Liberal Feminism of the House of the Dragon
This article is framed within the analysis of post-pandemic feminist narratives in serialized platform fictions, considering them as part of the social discourse. Particularly, we selected as a case study the first season of the series House of the Dragon, released in 2022. Our research uses a quali...
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| Autores principales: | , |
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Humanidades y Artes. UNR
2024
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| Materias: | |
| Acceso en línea: | https://zonafranca.unr.edu.ar/index.php/ZonaFranca/article/view/384 |
| Aporte de: |
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I15-R214-article-384 |
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Universidad Nacional de Rosario |
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Zona Franca |
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Español |
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Artículo revista |
| topic |
narrativas feministas discurso social ficciones serializadas feminismo neoliberal La casa del dragón Feminist Narratives Social Discourse Serialized Fictions Neoliberal Feminism House of the Dragon |
| spellingShingle |
narrativas feministas discurso social ficciones serializadas feminismo neoliberal La casa del dragón Feminist Narratives Social Discourse Serialized Fictions Neoliberal Feminism House of the Dragon Martín Varela, Milagros Marín, María Jimena Fantasy Genre on Post-Pandemic Telly: Fissures in (Neo)Liberal Feminism of the House of the Dragon |
| topic_facet |
narrativas feministas discurso social ficciones serializadas feminismo neoliberal La casa del dragón Feminist Narratives Social Discourse Serialized Fictions Neoliberal Feminism House of the Dragon |
| author |
Martín Varela, Milagros Marín, María Jimena |
| author_facet |
Martín Varela, Milagros Marín, María Jimena |
| author_sort |
Martín Varela, Milagros |
| title |
Fantasy Genre on Post-Pandemic Telly: Fissures in (Neo)Liberal Feminism of the House of the Dragon |
| title_short |
Fantasy Genre on Post-Pandemic Telly: Fissures in (Neo)Liberal Feminism of the House of the Dragon |
| title_full |
Fantasy Genre on Post-Pandemic Telly: Fissures in (Neo)Liberal Feminism of the House of the Dragon |
| title_fullStr |
Fantasy Genre on Post-Pandemic Telly: Fissures in (Neo)Liberal Feminism of the House of the Dragon |
| title_full_unstemmed |
Fantasy Genre on Post-Pandemic Telly: Fissures in (Neo)Liberal Feminism of the House of the Dragon |
| title_sort |
fantasy genre on post-pandemic telly: fissures in (neo)liberal feminism of the house of the dragon |
| description |
This article is framed within the analysis of post-pandemic feminist narratives in serialized platform fictions, considering them as part of the social discourse. Particularly, we selected as a case study the first season of the series House of the Dragon, released in 2022. Our research uses a qualitative methodology, focused on the analysis of the narrative dimension of the series: construction of characters, script, dialogues, plots and subplots. In order to do so, we considered the social analysis of the discourse, the analysis of cinematic storytelling and the study of the thematic audiovisual dimension. The anticipation of meaning, guiding our queries, was that the main plot of House of the Dragon constructs a (neo)liberal feminist discourse, which also prevails in its prequel Game of Thrones, but with certain fissures that imply ruptures and perpetuations of the myth of motherhood, of being sexually passive and of romantic love. The conclusions of our analysis show that the series we are working on discusses topics on the feminist agenda that are far from the (neo)liberal perspective: the criticism of marriage as an institution, pacifism and mourning. In addition, the feminist interpretation of this series, in which the demand of women's pleasure is the core story of the protagonist, led us to conclude that it is difficult to relate it with neoliberal feminism since this perspective does not have a language of desire. |
| publisher |
Facultad de Humanidades y Artes. UNR |
| publishDate |
2024 |
| url |
https://zonafranca.unr.edu.ar/index.php/ZonaFranca/article/view/384 |
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I15-R214-article-3842024-12-17T13:54:46Z Fantasy Genre on Post-Pandemic Telly: Fissures in (Neo)Liberal Feminism of the House of the Dragon El género fantástico en la pantalla chica de la pospandemia: Fisuras en el feminismo (neo)liberal de La casa del dragón Martín Varela, Milagros Marín, María Jimena narrativas feministas discurso social ficciones serializadas feminismo neoliberal La casa del dragón Feminist Narratives Social Discourse Serialized Fictions Neoliberal Feminism House of the Dragon This article is framed within the analysis of post-pandemic feminist narratives in serialized platform fictions, considering them as part of the social discourse. Particularly, we selected as a case study the first season of the series House of the Dragon, released in 2022. Our research uses a qualitative methodology, focused on the analysis of the narrative dimension of the series: construction of characters, script, dialogues, plots and subplots. In order to do so, we considered the social analysis of the discourse, the analysis of cinematic storytelling and the study of the thematic audiovisual dimension. The anticipation of meaning, guiding our queries, was that the main plot of House of the Dragon constructs a (neo)liberal feminist discourse, which also prevails in its prequel Game of Thrones, but with certain fissures that imply ruptures and perpetuations of the myth of motherhood, of being sexually passive and of romantic love. The conclusions of our analysis show that the series we are working on discusses topics on the feminist agenda that are far from the (neo)liberal perspective: the criticism of marriage as an institution, pacifism and mourning. In addition, the feminist interpretation of this series, in which the demand of women's pleasure is the core story of the protagonist, led us to conclude that it is difficult to relate it with neoliberal feminism since this perspective does not have a language of desire. Este artículo se enmarca en el análisis de las narrativas feministas de la pospandemia en las ficciones serializadas de plataformas entendiendo a éstas como parte del discurso social. Particularmente, tomamos como caso de estudio la primera temporada de la serie La casa del dragón, estrenada en 2022. Nuestra investigación se vale de una metodología de carácter cualitativa, enfocada en el análisis de la dimensión narrativa de la serie: construcción de personajes, guion, diálogos, tramas y subtramas. Para ello apelamos al análisis social del discurso, al análisis cinematográfico de la narración y al estudio de la dimensión temática del audiovisual. La anticipación de sentido, guía de nuestras indagaciones, fue que la trama principal de La casa del dragón construye un discurso feminista (neo)liberal, que prevalecía también en su precuela Juego de tronos, pero con ciertas fisuras que implican rupturas y continuidades de los mitos de la mujer-madre, la pasividad erótica y del amor romántico. Las conclusiones de nuestro análisis arrojan que la serie trabajada pone en discusión temas de la agenda feminista que se alejan de la perspectiva (neo)liberal: la crítica al matrimonio como institución, el pacifismo y el duelo. Además, la lectura feminista de esta serie, en la que la reivindicación del placer de las mujeres es el núcleo narrativo de la protagonista, nos llevó a concluir que es difícil hacerla dialogar con el feminismo neoliberal en tanto esta perspectiva no tiene un lenguaje para el deseo. Este artigo se enquadra na análise das narrativas feministas da pós-pandemia nas ficções seriadas de plataformas, entendendo estas como parte do discurso social. Especificamente, tomamos como estudo de caso a primeira temporada da série A Casa do Dragão, lançada em 2022. Nossa pesquisa utiliza uma metodologia de caráter qualitativo, focada na análise da dimensão narrativa da série: construção de personagens, roteiro, diálogos, tramas e subtramas. Para isso, utilizamos categorias da análise social do discurso, da análise cinematográfica da narrativa e do estudo da dimensão temática do audiovisual. A antecipação de sentido que guia nossas investigações foi que a trama principal de A Casa do Dragão constrói um discurso feminista (neo)liberal, que também prevalecia na sua prequela Game of Thrones, mas com certas fissuras que implicam rupturas e continuidades dos mitos da mulher-mãe, da passividade erótica e do amor romântico. As conclusões de nossa análise revelaram, também, que a série aborda temas da agenda feminista que se afastam da perspectiva (neo)liberal: a crítica ao casamento como instituição, o pacifismo e o luto. Além disso, a leitura feminista desta série, na qual a reivindicação do prazer das mulheres é o núcleo narrativo da protagonista, nos levou a concluir que é difícil fazê-la dialogar com o feminismo neoliberal, já que esta perspectiva não tem uma linguagem para o desejo. Facultad de Humanidades y Artes. UNR 2024-12-17 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://zonafranca.unr.edu.ar/index.php/ZonaFranca/article/view/384 10.35305/zf.vi32.384 Zona Franca; No. 32 (2024); 78-112 Zona Franca; Núm. 32 (2024); 78-112 Zona Franca; Núm. 32 (2024); 78-112 2545-6504 0329-8019 spa https://zonafranca.unr.edu.ar/index.php/ZonaFranca/article/view/384/397 https://zonafranca.unr.edu.ar/index.php/ZonaFranca/article/view/384/398 Derechos de autor 2024 Milagros Martín Varela, María Jimena Marín http://creativecommons.org/licenses/by-nc-nd/4.0 |