Female writers, between the canon and the quota: a short journey through Argentine literature histories
The purpose of this work is to analyze the sexual difference among versions of the stories of Argentine literature, focusing on the means of exclusion and the conditions of inclusion in the literature of women writers in the early decades of the 20th century. The critical tradition of literary histo...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Humanidades y Artes. UNR
2020
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| Acceso en línea: | https://zonafranca.unr.edu.ar/index.php/ZonaFranca/article/view/161 |
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I15-R214-article-161 |
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I15-R214-article-1612020-12-17T16:21:04Z Female writers, between the canon and the quota: a short journey through Argentine literature histories Escritoras, entre el canon y el cupo: un breve recorrido por las historias de la literatura argentina Charrúa, Clara Literary canon Argentine literature histories female writers Intervention Canon literario Historias de la literatura argentina Escritoras Intervención The purpose of this work is to analyze the sexual difference among versions of the stories of Argentine literature, focusing on the means of exclusion and the conditions of inclusion in the literature of women writers in the early decades of the 20th century. The critical tradition of literary historiography and interventions over the canons of literature was developed by Pollock (2019) and Maradei (2012). Although this literature were studied by the feminist literary critics, the “women” category will continue to be both key for reading as well as a condition of exclusion in narratives from the highest authorities in literature. In spite of that, women’s literature still appears to be a letter of intention and a pending matter in literary criticism, as stories goes by. En este trabajo me propongo analizar la diferencia sexual en las historias de la literatura argentina, atendiendo a las formas de exclusión y a las condiciones de inclusión de la literatura de escritoras pertenecientes a las primeras décadas del siglo XX. La tradición crítica de historiografía literaria e intervenciones sobre el canon literario fue articulada en los trabajos de Pollock (2019) y Maradei (2012). Si bien esta producción fue estudiada por la crítica literaria feminista, la categoría “mujer” seguirá siendo tanto clave de lectura como condición de exclusión en los relatos de máxima autoridad del canon literario. A pesar de eso la literatura producida por mujeres no deja de aparecer como carta de intención y asunto pendiente de la crítica literaria, historia tras historia de la literatura. Facultad de Humanidades y Artes. UNR 2020-12-14 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://zonafranca.unr.edu.ar/index.php/ZonaFranca/article/view/161 10.35305/zf.vi28.161 Zona Franca; No. 28 (2020); 456-482 Zona Franca; Núm. 28 (2020); 456-482 Zona Franca; Núm. 28 (2020); 456-482 2545-6504 0329-8019 spa https://zonafranca.unr.edu.ar/index.php/ZonaFranca/article/view/161/193 https://zonafranca.unr.edu.ar/index.php/ZonaFranca/article/view/161/194 Derechos de autor 2020 Clara Charrúa |
| institution |
Universidad Nacional de Rosario |
| institution_str |
I-15 |
| repository_str |
R-214 |
| container_title_str |
Zona Franca |
| language |
Español |
| format |
Artículo revista |
| topic |
Literary canon Argentine literature histories female writers Intervention Canon literario Historias de la literatura argentina Escritoras Intervención |
| spellingShingle |
Literary canon Argentine literature histories female writers Intervention Canon literario Historias de la literatura argentina Escritoras Intervención Charrúa, Clara Female writers, between the canon and the quota: a short journey through Argentine literature histories |
| topic_facet |
Literary canon Argentine literature histories female writers Intervention Canon literario Historias de la literatura argentina Escritoras Intervención |
| author |
Charrúa, Clara |
| author_facet |
Charrúa, Clara |
| author_sort |
Charrúa, Clara |
| title |
Female writers, between the canon and the quota: a short journey through Argentine literature histories |
| title_short |
Female writers, between the canon and the quota: a short journey through Argentine literature histories |
| title_full |
Female writers, between the canon and the quota: a short journey through Argentine literature histories |
| title_fullStr |
Female writers, between the canon and the quota: a short journey through Argentine literature histories |
| title_full_unstemmed |
Female writers, between the canon and the quota: a short journey through Argentine literature histories |
| title_sort |
female writers, between the canon and the quota: a short journey through argentine literature histories |
| description |
The purpose of this work is to analyze the sexual difference among versions of the stories of Argentine literature, focusing on the means of exclusion and the conditions of inclusion in the literature of women writers in the early decades of the 20th century. The critical tradition of literary historiography and interventions over the canons of literature was developed by Pollock (2019) and Maradei (2012). Although this literature were studied by the feminist literary critics, the “women” category will continue to be both key for reading as well as a condition of exclusion in narratives from the highest authorities in literature. In spite of that, women’s literature still appears to be a letter of intention and a pending matter in literary criticism, as stories goes by. |
| publisher |
Facultad de Humanidades y Artes. UNR |
| publishDate |
2020 |
| url |
https://zonafranca.unr.edu.ar/index.php/ZonaFranca/article/view/161 |
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AT charruaclara femalewritersbetweenthecanonandthequotaashortjourneythroughargentineliteraturehistories AT charruaclara escritorasentreelcanonyelcupounbreverecorridoporlashistoriasdelaliteraturaargentina |
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2023-05-11T18:53:53Z |
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2023-05-11T18:53:53Z |
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