I, cinematic: Cecilia Szperling and her childhood vignettes

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Taking a feminist look at Argentine literature implies retracing a path built on a dynamic of readings and re-appropriations, of deviated citations, of silences and some oversights. It is already a fact that feminism has occupied a leading role in a present where literature and women writers occupy...

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Autor principal: Punte, María José
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Humanidades y Artes. UNR 2020
Materias:
argentine literature
childhood
canon
feminism
Cecilia Szperling
literatura argentina
infancia
feminismo
Acceso en línea:https://zonafranca.unr.edu.ar/index.php/ZonaFranca/article/view/145
Aporte de:
Zona Franca de Universidad Nacional de Rosario
id I15-R214-article-145
record_format ojs
spelling I15-R214-article-1452020-12-17T16:21:10Z I, cinematic: Cecilia Szperling and her childhood vignettes Yo, cinemática: Cecilia Szperling y sus viñetas de infancia Punte, María José argentine literature childhood canon feminism Cecilia Szperling literatura argentina infancia canon feminismo Cecilia Szperling Taking a feminist look at Argentine literature implies retracing a path built on a dynamic of readings and re-appropriations, of deviated citations, of silences and some oversights. It is already a fact that feminism has occupied a leading role in a present where literature and women writers occupy the streets and public spaces. In this scenario, emerges this text with a tendency to miniaturization. It serves the purpose of asking once again who writes the canon, understood as selective and hierarchy-making system. Cecilia Szperling’s "autobiographical fable", La máquina de proyectar sueños (2006), is a breviary of childhood vignettes, rooted in a tradition including several examples, but mainly Norah Lange’s Cuadernos de infancia (1937). This analysis concentrates on two elements: on the one hand, the construction of a counter-canonical “library” from which other minority voices are legitimized (women and feminized subjects, children); on the other, the use of audiovisual devices as an inseparable element for the construction of both individual and collective memory. Echar una mirada feminista sobre la literatura argentina implica desandar un camino construido a partir de una dinámica de lecturas y reapropiaciones, de citas desviadas o interceptadas, así como de silencios y algunos olvidos programáticos. Ya es un hecho que el feminismo ha ocupado una escena protagónica en un presente en donde la literatura y sus creadoras ocupan las calles y los espacios públicos. En ese escenario, asoma un texto que retoma ciertas dinámicas de miniaturización, pero que sirve al objetivo de preguntarse una vez más quién escribe el canon, ese sistema selectivo y productor de jerarquías, y cómo se lo delimita. Se trata de Cecilia Szperling y su “fábula autobiográfica” La máquina de proyectar sueños (2006), un breviario de viñetas de infancia que se entronca en una tradición cultivada, entre otras, por Norah Lange. Este análisis se concentrará en dos elementos: por un lado, la construcción de una biblioteca contra-canónica desde la cual se legitiman otras voces minoritarias (mujeres y sujetos feminizados, infantes); por el otro, el uso de los dispositivos audiovisuales como elemento inseparable para la construcción de una memoria tanto individual como colectiva. Facultad de Humanidades y Artes. UNR 2020-12-14 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://zonafranca.unr.edu.ar/index.php/ZonaFranca/article/view/145 10.35305/zf.vi28.145 Zona Franca; No. 28 (2020); 387-411 Zona Franca; Núm. 28 (2020); 387-411 Zona Franca; Núm. 28 (2020); 387-411 2545-6504 0329-8019 spa https://zonafranca.unr.edu.ar/index.php/ZonaFranca/article/view/145/187 https://zonafranca.unr.edu.ar/index.php/ZonaFranca/article/view/145/188 Derechos de autor 2020 María José Punte
institution Universidad Nacional de Rosario
institution_str I-15
repository_str R-214
container_title_str Zona Franca
language Español
format Artículo revista
topic argentine literature
childhood
canon
feminism
Cecilia Szperling
literatura argentina
infancia
canon
feminismo
Cecilia Szperling
spellingShingle argentine literature
childhood
canon
feminism
Cecilia Szperling
literatura argentina
infancia
canon
feminismo
Cecilia Szperling
Punte, María José
I, cinematic: Cecilia Szperling and her childhood vignettes
topic_facet argentine literature
childhood
canon
feminism
Cecilia Szperling
literatura argentina
infancia
canon
feminismo
Cecilia Szperling
author Punte, María José
author_facet Punte, María José
author_sort Punte, María José
title I, cinematic: Cecilia Szperling and her childhood vignettes
title_short I, cinematic: Cecilia Szperling and her childhood vignettes
title_full I, cinematic: Cecilia Szperling and her childhood vignettes
title_fullStr I, cinematic: Cecilia Szperling and her childhood vignettes
title_full_unstemmed I, cinematic: Cecilia Szperling and her childhood vignettes
title_sort i, cinematic: cecilia szperling and her childhood vignettes
description Taking a feminist look at Argentine literature implies retracing a path built on a dynamic of readings and re-appropriations, of deviated citations, of silences and some oversights. It is already a fact that feminism has occupied a leading role in a present where literature and women writers occupy the streets and public spaces. In this scenario, emerges this text with a tendency to miniaturization. It serves the purpose of asking once again who writes the canon, understood as selective and hierarchy-making system. Cecilia Szperling’s "autobiographical fable", La máquina de proyectar sueños (2006), is a breviary of childhood vignettes, rooted in a tradition including several examples, but mainly Norah Lange’s Cuadernos de infancia (1937). This analysis concentrates on two elements: on the one hand, the construction of a counter-canonical “library” from which other minority voices are legitimized (women and feminized subjects, children); on the other, the use of audiovisual devices as an inseparable element for the construction of both individual and collective memory.
publisher Facultad de Humanidades y Artes. UNR
publishDate 2020
url https://zonafranca.unr.edu.ar/index.php/ZonaFranca/article/view/145
work_keys_str_mv AT puntemariajose icinematicceciliaszperlingandherchildhoodvignettes
AT puntemariajose yocinematicaceciliaszperlingysusvinetasdeinfancia
first_indexed 2023-05-11T18:53:52Z
last_indexed 2023-05-11T18:53:52Z
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