Subjectivity cartographies in the novels La mujer desnuda (1950) and Viaje al corazón del día (1986) by Armonía Somers (1914-1994)

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In this article, I intend to explore the construction of literary subjectivities in the first and in the almost last novel by the Uruguayan writer Armonia Somers (1914-1994), based on the mapping of contingent subjective cartographies that articulate the visual and linguistic language. The objective...

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Autor principal: Szaszak Bongartz, Ulla
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Humanidades y Artes. UNR 2020
Materias:
subjetividad
identidad
cartografía subjetiva
literatura
género
subjectivity
identity
literature
gender
mapping of subjectivities
Acceso en línea:https://zonafranca.unr.edu.ar/index.php/ZonaFranca/article/view/141
Aporte de:
Zona Franca de Universidad Nacional de Rosario
id I15-R214-article-141
record_format ojs
spelling I15-R214-article-1412020-12-17T16:21:14Z Subjectivity cartographies in the novels La mujer desnuda (1950) and Viaje al corazón del día (1986) by Armonía Somers (1914-1994) Cartografías subjetivas en las novelas La mujer desnuda (1950) y Viaje al corazón del día (1986) de Armonía Somers (1914-1994)) Szaszak Bongartz, Ulla subjetividad identidad cartografía subjetiva literatura género subjectivity identity literature gender mapping of subjectivities In this article, I intend to explore the construction of literary subjectivities in the first and in the almost last novel by the Uruguayan writer Armonia Somers (1914-1994), based on the mapping of contingent subjective cartographies that articulate the visual and linguistic language. The objective is to consider how the “delusional subjectivities” (Guattari, 1986) that Somers manufactures have the potential to undermine the dominant subjectivity of each of the narrative universes and, on the other hand, consider to what extent the plasticity of the characters elaborates a mobile identity map. The characters transform themselves into new positions in relation to gender, desire, morality, and religion, and then, it is possible to consider how, based on the idea of ​​Judith Butler of   “rethinking what is possible as such” (1990 [2007: 24]), new forms of identity are enabled, which escape (at least momentarily) of the repressive forms of power. En este artículo me propongo explorar la construcción de subjetividades literarias en la primera y en la anteúltima novela de la escritora uruguaya Armonía Somers (1914-1994), a partir del trazado de cartografías subjetivas de carácter contingente que articulen el lenguaje visual y el lingüístico. Se trata de ver cómo las “subjetividades delirantes” (Guattari, 1986) que fabrica Somers portan un potencial de minar la subjetividad dominante en cada uno de sus universos narrativos y, por otra parte, considerar en qué medida la plasticidad de los personajes elabora un mapa identitario móvil, que se transforma junto con ellos, ensayando nuevos posicionamientos en relación al género, al deseo, a la moral y a la religión. De este modo, y a partir de la idea de Judith Butler de “replantear lo posible en cuanto tal” (1990 [2007: 24]), consideraré cómo se reconfiguran y ensayan nuevas formas de identidad(es) posibles que escapen (al menos momentáneamente) a las mallas represivas del poder. Facultad de Humanidades y Artes. UNR 2020-12-14 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://zonafranca.unr.edu.ar/index.php/ZonaFranca/article/view/141 10.35305/zf.vi28.141 Zona Franca; No. 28 (2020); 412-435 Zona Franca; Núm. 28 (2020); 412-435 Zona Franca; Núm. 28 (2020); 412-435 2545-6504 0329-8019 spa https://zonafranca.unr.edu.ar/index.php/ZonaFranca/article/view/141/189 https://zonafranca.unr.edu.ar/index.php/ZonaFranca/article/view/141/190 Derechos de autor 2020 Ulla Szaszak Bongartz
institution Universidad Nacional de Rosario
institution_str I-15
repository_str R-214
container_title_str Zona Franca
language Español
format Artículo revista
topic subjetividad
identidad
cartografía subjetiva
literatura
género
subjectivity
identity
literature
gender
mapping of subjectivities
spellingShingle subjetividad
identidad
cartografía subjetiva
literatura
género
subjectivity
identity
literature
gender
mapping of subjectivities
Szaszak Bongartz, Ulla
Subjectivity cartographies in the novels La mujer desnuda (1950) and Viaje al corazón del día (1986) by Armonía Somers (1914-1994)
topic_facet subjetividad
identidad
cartografía subjetiva
literatura
género
subjectivity
identity
literature
gender
mapping of subjectivities
author Szaszak Bongartz, Ulla
author_facet Szaszak Bongartz, Ulla
author_sort Szaszak Bongartz, Ulla
title Subjectivity cartographies in the novels La mujer desnuda (1950) and Viaje al corazón del día (1986) by Armonía Somers (1914-1994)
title_short Subjectivity cartographies in the novels La mujer desnuda (1950) and Viaje al corazón del día (1986) by Armonía Somers (1914-1994)
title_full Subjectivity cartographies in the novels La mujer desnuda (1950) and Viaje al corazón del día (1986) by Armonía Somers (1914-1994)
title_fullStr Subjectivity cartographies in the novels La mujer desnuda (1950) and Viaje al corazón del día (1986) by Armonía Somers (1914-1994)
title_full_unstemmed Subjectivity cartographies in the novels La mujer desnuda (1950) and Viaje al corazón del día (1986) by Armonía Somers (1914-1994)
title_sort subjectivity cartographies in the novels la mujer desnuda (1950) and viaje al corazón del día (1986) by armonía somers (1914-1994)
description In this article, I intend to explore the construction of literary subjectivities in the first and in the almost last novel by the Uruguayan writer Armonia Somers (1914-1994), based on the mapping of contingent subjective cartographies that articulate the visual and linguistic language. The objective is to consider how the “delusional subjectivities” (Guattari, 1986) that Somers manufactures have the potential to undermine the dominant subjectivity of each of the narrative universes and, on the other hand, consider to what extent the plasticity of the characters elaborates a mobile identity map. The characters transform themselves into new positions in relation to gender, desire, morality, and religion, and then, it is possible to consider how, based on the idea of ​​Judith Butler of   “rethinking what is possible as such” (1990 [2007: 24]), new forms of identity are enabled, which escape (at least momentarily) of the repressive forms of power.
publisher Facultad de Humanidades y Artes. UNR
publishDate 2020
url https://zonafranca.unr.edu.ar/index.php/ZonaFranca/article/view/141
work_keys_str_mv AT szaszakbongartzulla subjectivitycartographiesinthenovelslamujerdesnuda1950andviajealcorazondeldia1986byarmoniasomers19141994
AT szaszakbongartzulla cartografiassubjetivasenlasnovelaslamujerdesnuda1950yviajealcorazondeldia1986dearmoniasomers19141994
first_indexed 2023-05-11T18:53:51Z
last_indexed 2023-05-11T18:53:51Z
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