Many Flowers, Few Colors. The Transfer Printing Decoration Technique In Archaeological Earthenwares From Rosario, Argentina (1870-1920)

In Rosario archaeological sites it is common to find fragments of pottery with a decorative techniquespecific: the transfer of a design engraved in metal to certain industrial objects. These fragments are found in all urban sites in the country and have been analyzed by numerous urban archeology wor...

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Autor principal: Fernetti, Gustavo
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Estudios de Arqueología Histórica (CEAH) de la Universidad Nacional de Rosario 2022
Materias:
arqueología urbana
Loza
Rosario
Urban Archaeology
Stoneware
Arqueologia Urbana
Rosarío
Acceso en línea:https://teoriaypracticaah.unr.edu.ar/index.php/tpahl/article/view/193
Aporte de:
Revista Teoría y Práctica de la Arqueología Histórica Latinoamericana de Universidad Nacional de Rosario
id I15-R210-article-193
record_format ojs
spelling I15-R210-article-1932023-02-28T16:45:56Z Many Flowers, Few Colors. The Transfer Printing Decoration Technique In Archaeological Earthenwares From Rosario, Argentina (1870-1920) Muchas flores, pocos colores. La técnica de decoración por trasferencia en lozas arqueológicas de Rosario, Argentina (1870-1920) Muitas Flores, Poucas Cores. A Técnica de Decoração por Impressão por Transfer em Faianças Arqueológicas de Rosario, Argentina (1870-1920) Fernetti, Gustavo arqueología urbana Loza Rosario Urban Archaeology Stoneware Rosario Arqueologia Urbana Loza Rosarío In Rosario archaeological sites it is common to find fragments of pottery with a decorative techniquespecific: the transfer of a design engraved in metal to certain industrial objects. These fragments are found in all urban sites in the country and have been analyzed by numerous urban archeology works. However, the method itself has been little studied as a process or as a technological evolution. The study of the technique made it possible to consider the ceramics with transfer decoration (transfer printing) as a sign of the consolidation and expansion of European industrial capitalism in the 19th century and, also,as an imported product of the insertion of Rosario in a world capitalist system. The objective of this work was to analyze this technique to decorate pottery, describe its evolution and establish its significance. En los sitios arqueológicos rosarinos es frecuente hallar fragmentos de lozas con una técnica decorativaespecífica: la transferencia de un diseño grabado en metal a ciertos objetos industriales. Estos fragmentos se hallan en todos los sitios urbanos del país y han sido analizados por numerosos trabajos de arqueología urbana. Sin embargo, el método en sí ha sido poco estudiado como proceso o como evolución tecnológica. El estudio de la técnica permitió considerar a las lozas con decoración por transferencia (transfer printing) como un signo de la consolidación y expansión capitalista industrial europea del siglo XIX y, también,como producto importado de la inserción de Rosario en un sistema capitalista mundial. El presente trabajo tuvo como objetivo analizar esta técnica para decorar lozas, describir su evolución y establecer la significación de la misma. Nos sítios arqueológicos de Rosario é comum encontrar fragmentos de cerâmica com técnica decorativaespecífico: a transferência de um desenho gravado em metal para certos objetos industriais. Esses fragmentos são encontrados em todos os sítios urbanos do país e foram analisados ​​por inúmeros trabalhos de arqueologia urbana. Porém, o método em si tem sido pouco estudado como processo ou como evolução tecnológica. O estudo da técnica permitiu considerar a cerâmica com decoração por transfer (impressão por transfer) como um sinal da consolidação e expansão do capitalismo industrial europeu no século XIX e, também,como produto importado da inserção de Rosário no sistema capitalista mundial. O objetivo deste trabalho foi analisar esta técnica de decoração de cerâmica, descrever a sua evolução e estabelecer o seu significado. Centro de Estudios de Arqueología Histórica (CEAH) de la Universidad Nacional de Rosario 2022-12-22 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares application/pdf https://teoriaypracticaah.unr.edu.ar/index.php/tpahl/article/view/193 10.35305/tpahl.v16i1.193 Teoría y Práctica de la Arqueología Histórica Latinoamericana; Vol. 16 Núm. 1 (2022): Teoría y Práctica de la Arqueología Histórica Latinoamericana; 93 - 118 2591-2801 2250-866X spa https://teoriaypracticaah.unr.edu.ar/index.php/tpahl/article/view/193/177
institution Universidad Nacional de Rosario
institution_str I-15
repository_str R-210
container_title_str Revista Teoría y Práctica de la Arqueología Histórica Latinoamericana
language Español
format Artículo revista
topic arqueología urbana
Loza
Rosario
Urban Archaeology
Stoneware
Rosario
Arqueologia Urbana
Loza
Rosarío
spellingShingle arqueología urbana
Loza
Rosario
Urban Archaeology
Stoneware
Rosario
Arqueologia Urbana
Loza
Rosarío
Fernetti, Gustavo
Many Flowers, Few Colors. The Transfer Printing Decoration Technique In Archaeological Earthenwares From Rosario, Argentina (1870-1920)
topic_facet arqueología urbana
Loza
Rosario
Urban Archaeology
Stoneware
Rosario
Arqueologia Urbana
Loza
Rosarío
author Fernetti, Gustavo
author_facet Fernetti, Gustavo
author_sort Fernetti, Gustavo
title Many Flowers, Few Colors. The Transfer Printing Decoration Technique In Archaeological Earthenwares From Rosario, Argentina (1870-1920)
title_short Many Flowers, Few Colors. The Transfer Printing Decoration Technique In Archaeological Earthenwares From Rosario, Argentina (1870-1920)
title_full Many Flowers, Few Colors. The Transfer Printing Decoration Technique In Archaeological Earthenwares From Rosario, Argentina (1870-1920)
title_fullStr Many Flowers, Few Colors. The Transfer Printing Decoration Technique In Archaeological Earthenwares From Rosario, Argentina (1870-1920)
title_full_unstemmed Many Flowers, Few Colors. The Transfer Printing Decoration Technique In Archaeological Earthenwares From Rosario, Argentina (1870-1920)
title_sort many flowers, few colors. the transfer printing decoration technique in archaeological earthenwares from rosario, argentina (1870-1920)
description In Rosario archaeological sites it is common to find fragments of pottery with a decorative techniquespecific: the transfer of a design engraved in metal to certain industrial objects. These fragments are found in all urban sites in the country and have been analyzed by numerous urban archeology works. However, the method itself has been little studied as a process or as a technological evolution. The study of the technique made it possible to consider the ceramics with transfer decoration (transfer printing) as a sign of the consolidation and expansion of European industrial capitalism in the 19th century and, also,as an imported product of the insertion of Rosario in a world capitalist system. The objective of this work was to analyze this technique to decorate pottery, describe its evolution and establish its significance.
publisher Centro de Estudios de Arqueología Histórica (CEAH) de la Universidad Nacional de Rosario
publishDate 2022
url https://teoriaypracticaah.unr.edu.ar/index.php/tpahl/article/view/193
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AT fernettigustavo muchasflorespocoscoloreslatecnicadedecoracionportrasferenciaenlozasarqueologicasderosarioargentina18701920
AT fernettigustavo muitasflorespoucascoresatecnicadedecoracaoporimpressaoportransferemfaiancasarqueologicasderosarioargentina18701920
first_indexed 2023-05-11T18:49:27Z
last_indexed 2023-05-11T18:49:27Z
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