Evidence of religious practices and witchcraft in the rock art of the Tulum Valley (San Juan)

In this article, twenty-six cave representations from five sites in San Juan closely linked to references of Christian iconography are identified and analyzed. In order to understand its production, an attempt is made to specify its agency and social context of production. To examine this last aspec...

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Autores principales: García, Alejando, Domeneghini, Gina, Varas, Fredi
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Estudios de Arqueología Histórica (CEAH) de la Universidad Nacional de Rosario 2022
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Acceso en línea:https://teoriaypracticaah.unr.edu.ar/index.php/tpahl/article/view/178
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id I15-R210-article-178
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spelling I15-R210-article-1782022-11-03T18:43:11Z Evidence of religious practices and witchcraft in the rock art of the Tulum Valley (San Juan) Evidencias de prácticas religiosas y de brujería en el arte rupestre del valle de Tulum (San Juan) Evidências de práticas religiosas e feitiçaria na arte rupestre do Vale de Tulum (San Juan) García, Alejando Domeneghini, Gina Varas, Fredi Arte rupestre religión brujería Valle de Tulum San Juan Rock art religion witchcraft Tulum Valley San Juan Arte rupestre religião feitiçaria Vale de Tulum são João In this article, twenty-six cave representations from five sites in San Juan closely linked to references of Christian iconography are identified and analyzed. In order to understand its production, an attempt is made to specify its agency and social context of production. To examine this last aspect, the possible development of ritual activities is explored by applying the principles enunciated by Ross and Davidson (2006) for their detection in sites with rock art. As a result, it is proposed that the framework for understanding the distribution and creation of the analyzed record would be given by the development of religious and witchcraft activities, in some cases in the struggle for control of certain spaces. En el presente artículo se identifican y analizan veintiséis representaciones rupestres de cinco sitios de San Juan estrechamente vinculables con referentes de la iconografía cristiana. Con el objeto de comprender su producción, se intenta precisar su agencia y contexto social de realización. Para examinar este último aspecto se explora el posible desarrollo de actividades rituales aplicando los principios enunciados por Ross y Davidson (2006) para su detección en sitios con arte rupestre. Como resultado, se propone que el marco para entender la distribución y creación del registro analizado estaría dado por el desarrollo de actividades religiosas y de brujería, en algunos casos en lucha por el control de determinados espacios. Neste artigo, são identificadas e analisadas vinte e seis representações rupestres de cinco sítios de San Juan intimamente ligados a referências da iconografia cristã. Para compreender sua produção, procura-se especificar sua agência e seu contexto social de produção. Para examinar este último aspecto, explora-se o possível desenvolvimento de atividades rituais aplicando os princípios enunciados por Ross e Davidson (2006) para sua detecção em sítios com arte rupestre. Como resultado, propõe-se que o arcabouço para a compreensão da distribuição e criação do registro analisado se daria pelo desenvolvimento das atividades religiosas e de feitiçaria, em alguns casos na luta pelo controle de determinados espaços. Centro de Estudios de Arqueología Histórica (CEAH) de la Universidad Nacional de Rosario 2022-11-03 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares application/pdf https://teoriaypracticaah.unr.edu.ar/index.php/tpahl/article/view/178 10.35305/tpahl.v15i1.178 Teoría y Práctica de la Arqueología Histórica Latinoamericana; Vol. 15 Núm. 1 (2022): Teoría y Práctica de la Arqueología Histórica Latinoamericana; 33-54 2591-2801 2250-866X spa https://teoriaypracticaah.unr.edu.ar/index.php/tpahl/article/view/178/166 Derechos de autor 2022 Teoría y Práctica de la Arqueología Histórica Latinoamericana https://creativecommons.org/licenses/by-nc-sa/4.0/deed.es
institution Universidad Nacional de Rosario
institution_str I-15
repository_str R-210
container_title_str Revista Teoría y Práctica de la Arqueología Histórica Latinoamericana
language Español
format Artículo revista
topic Arte rupestre
religión
brujería
Valle de Tulum
San Juan
Rock art
religion
witchcraft
Tulum Valley
San Juan
Arte rupestre religião feitiçaria Vale de Tulum são João
spellingShingle Arte rupestre
religión
brujería
Valle de Tulum
San Juan
Rock art
religion
witchcraft
Tulum Valley
San Juan
Arte rupestre religião feitiçaria Vale de Tulum são João
García, Alejando
Domeneghini, Gina
Varas, Fredi
Evidence of religious practices and witchcraft in the rock art of the Tulum Valley (San Juan)
topic_facet Arte rupestre
religión
brujería
Valle de Tulum
San Juan
Rock art
religion
witchcraft
Tulum Valley
San Juan
Arte rupestre religião feitiçaria Vale de Tulum são João
author García, Alejando
Domeneghini, Gina
Varas, Fredi
author_facet García, Alejando
Domeneghini, Gina
Varas, Fredi
author_sort García, Alejando
title Evidence of religious practices and witchcraft in the rock art of the Tulum Valley (San Juan)
title_short Evidence of religious practices and witchcraft in the rock art of the Tulum Valley (San Juan)
title_full Evidence of religious practices and witchcraft in the rock art of the Tulum Valley (San Juan)
title_fullStr Evidence of religious practices and witchcraft in the rock art of the Tulum Valley (San Juan)
title_full_unstemmed Evidence of religious practices and witchcraft in the rock art of the Tulum Valley (San Juan)
title_sort evidence of religious practices and witchcraft in the rock art of the tulum valley (san juan)
description In this article, twenty-six cave representations from five sites in San Juan closely linked to references of Christian iconography are identified and analyzed. In order to understand its production, an attempt is made to specify its agency and social context of production. To examine this last aspect, the possible development of ritual activities is explored by applying the principles enunciated by Ross and Davidson (2006) for their detection in sites with rock art. As a result, it is proposed that the framework for understanding the distribution and creation of the analyzed record would be given by the development of religious and witchcraft activities, in some cases in the struggle for control of certain spaces.
publisher Centro de Estudios de Arqueología Histórica (CEAH) de la Universidad Nacional de Rosario
publishDate 2022
url https://teoriaypracticaah.unr.edu.ar/index.php/tpahl/article/view/178
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first_indexed 2023-05-11T18:49:25Z
last_indexed 2023-05-11T18:49:25Z
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