Murga and carnival in cultural politics
Since the end of the last century, carnival groups called murgas spread abroad the country, giving rise to the formation of new identities that had a strong youth participation. In this article, we locate some spaces of transformation of the murguero gender, its teaching and practice, and some effec...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Escuela de Antropología - FHyA
2019
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| Acceso en línea: | https://revistadeantropologia.unr.edu.ar/index.php/revistadeantropologia/article/view/100 |
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I15-R207-article-1002022-11-22T23:28:46Z Murga and carnival in cultural politics Murga y carnaval en las políticas culturales Martín, Alicia Políticas culturales Patrimonio intangible murgas de carnaval gestión cultural Intangible heritage Cultural Policies carnival mugas cultural management Since the end of the last century, carnival groups called murgas spread abroad the country, giving rise to the formation of new identities that had a strong youth participation. In this article, we locate some spaces of transformation of the murguero gender, its teaching and practice, and some effects of its incorporation in diverse agendas, both official and community. Various actors that activated these lines of cultural action entered the murga in the cultural dynamics of the new century; on the one hand, they promoted official recognition and claimed resources, on the other, they crossed the carnival genre with the cultural industries, - recording discs, publishing books, filling theaters, creating new murgueros and new festivities. In this article, we analyze the relationship of these carnival arts with the cultural policies that promoted their safeguard within the patrimonialist paradigm. Desde fines del siglo pasado, las agrupaciones de carnaval llamadas murgas se difundieron por todo el país, dando lugar a la conformación de nuevas identidades sociales que contaron con marcada participación juvenil. En este artículo, ubicamos algunos espacios de transformación del género murguero, su enseñanza y práctica, y algunos efectos de su incorporación en diversas agendas, tanto oficiales como comunitarias. Variados actores que activaron estas líneas de acción cultural ingresaron a la murga en las dinámicas culturales del nuevo siglo: por un lado, impulsaron reconocimiento oficial y reclamaron recursos, y por otro cruzaron al género carnavalesco con las industrias culturales, - grabando discos, publicando libros, llenando teatros, creando nuevos murgueros y nuevos festejos-. Analizamos la relación de estas artes carnavalescas con las políticas culturales que promovieron su salvaguarda en el marco del paradigma patrimonialista. Escuela de Antropología - FHyA 2019-04-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistadeantropologia.unr.edu.ar/index.php/revistadeantropologia/article/view/100 10.35305/revistadeantropologia.v0iXXV.90 Revista de la Escuela de Antropología; Núm. XXV (2019); 15 2618-2998 1852-1576 spa https://revistadeantropologia.unr.edu.ar/index.php/revistadeantropologia/article/view/100/Martin Derechos de autor 2019 Alicia Martín https://creativecommons.org/licenses/by-nc-sa/4.0 |
| institution |
Universidad Nacional de Rosario |
| institution_str |
I-15 |
| repository_str |
R-207 |
| container_title_str |
Revista de la Escuela de Antropología |
| language |
Español |
| format |
Artículo revista |
| topic |
Políticas culturales Patrimonio intangible murgas de carnaval gestión cultural Intangible heritage Cultural Policies carnival mugas cultural management |
| spellingShingle |
Políticas culturales Patrimonio intangible murgas de carnaval gestión cultural Intangible heritage Cultural Policies carnival mugas cultural management Martín, Alicia Murga and carnival in cultural politics |
| topic_facet |
Políticas culturales Patrimonio intangible murgas de carnaval gestión cultural Intangible heritage Cultural Policies carnival mugas cultural management |
| author |
Martín, Alicia |
| author_facet |
Martín, Alicia |
| author_sort |
Martín, Alicia |
| title |
Murga and carnival in cultural politics |
| title_short |
Murga and carnival in cultural politics |
| title_full |
Murga and carnival in cultural politics |
| title_fullStr |
Murga and carnival in cultural politics |
| title_full_unstemmed |
Murga and carnival in cultural politics |
| title_sort |
murga and carnival in cultural politics |
| description |
Since the end of the last century, carnival groups called murgas spread abroad the country, giving rise to the formation of new identities that had a strong youth participation.
In this article, we locate some spaces of transformation of the murguero gender, its teaching and practice, and some effects of its incorporation in diverse agendas, both official and community. Various actors that activated these lines of cultural action entered the murga in the cultural dynamics of the new century; on the one hand, they promoted official recognition and claimed resources, on the other, they crossed the carnival genre with the cultural industries, - recording discs, publishing books, filling theaters, creating new murgueros and new festivities. In this article, we analyze the relationship of these carnival arts with the cultural policies that promoted their safeguard within the patrimonialist paradigm. |
| publisher |
Escuela de Antropología - FHyA |
| publishDate |
2019 |
| url |
https://revistadeantropologia.unr.edu.ar/index.php/revistadeantropologia/article/view/100 |
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AT martinalicia murgaandcarnivalinculturalpolitics AT martinalicia murgaycarnavalenlaspoliticasculturales |
| first_indexed |
2023-05-11T18:46:32Z |
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2023-05-11T18:46:32Z |
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