Hold me, I’m going to make a scandal: the TRASHic humor of Waly Salomão

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Incarcerated during the last Brazilian military dictatorship, Waly Salomão began to write his first book, Me Segura qu’eu vou dar um troço (1972), in which he inaugurated procedures that run through his entire writing. In this article we will analyze how he uses humor to establish relations, in orde...

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Autor principal: Santi Kremer, Paola
Formato: Artículo revista
Lenguaje:Español
Publicado: CETYCLI 2022
Materias:
Waly Salomão
Poesía
Humor
Brasil
Poetry
Brazil
Acceso en línea:https://badebec.unr.edu.ar/index.php/badebec/article/view/538
Aporte de:
Badebec de Universidad Nacional de Rosario
id I15-R206-article-538
record_format ojs
spelling I15-R206-article-5382022-04-01T21:44:10Z Hold me, I’m going to make a scandal: the TRASHic humor of Waly Salomão Agarrame que voy a hacer un escándalo: el humor TRASHico de Waly Salomão Santi Kremer, Paola Waly Salomão Poesía Humor Brasil Waly Salomão Poetry Humor Brazil Incarcerated during the last Brazilian military dictatorship, Waly Salomão began to write his first book, Me Segura qu’eu vou dar um troço (1972), in which he inaugurated procedures that run through his entire writing. In this article we will analyze how he uses humor to establish relations, in order to put in tension the separation between literature and life, opening possibilities for both. Salomão sets limits only to disarm them, driven by the seductive power of his humor. Builds ways of locating himself on the border between a self and others, on the border of any limit, in order not only to surpass, but to dissolve them. Preso durante la última dictadura militar brasileña, Waly Salomão inició la escritura de su primer libro, Me segura qu’eu vou dar um troço (1972), en el que inauguró procedimientos que atraviesan toda su obra. En este artículo analizaremos cómo utiliza el humor para establecer las relaciones que atraviesan su escritura a fin de poner en tensión la separación entre literatura y vida, abriendo posibilidades para ambas. Salomão marca límites solo para desarmarlos, impulsado por la potencia seductora de su humor. Construye formas de ubicarse en la frontera entre un yo y otros, en la frontera de cualquier límite, para, más que ultrapasarlas, disolverlas. CETYCLI 2022-03-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares application/pdf https://badebec.unr.edu.ar/index.php/badebec/article/view/538 10.35305/b.v11i22.538 Badebec; Vol. 11 Núm. 22 (2022): Marzo (2022); 22-45 1853-9580 spa https://badebec.unr.edu.ar/index.php/badebec/article/view/538/488
institution Universidad Nacional de Rosario
institution_str I-15
repository_str R-206
container_title_str Badebec
language Español
format Artículo revista
topic Waly Salomão
Poesía
Humor
Brasil
Waly Salomão
Poetry
Humor
Brazil
spellingShingle Waly Salomão
Poesía
Humor
Brasil
Waly Salomão
Poetry
Humor
Brazil
Santi Kremer, Paola
Hold me, I’m going to make a scandal: the TRASHic humor of Waly Salomão
topic_facet Waly Salomão
Poesía
Humor
Brasil
Waly Salomão
Poetry
Humor
Brazil
author Santi Kremer, Paola
author_facet Santi Kremer, Paola
author_sort Santi Kremer, Paola
title Hold me, I’m going to make a scandal: the TRASHic humor of Waly Salomão
title_short Hold me, I’m going to make a scandal: the TRASHic humor of Waly Salomão
title_full Hold me, I’m going to make a scandal: the TRASHic humor of Waly Salomão
title_fullStr Hold me, I’m going to make a scandal: the TRASHic humor of Waly Salomão
title_full_unstemmed Hold me, I’m going to make a scandal: the TRASHic humor of Waly Salomão
title_sort hold me, i’m going to make a scandal: the trashic humor of waly salomão
description Incarcerated during the last Brazilian military dictatorship, Waly Salomão began to write his first book, Me Segura qu’eu vou dar um troço (1972), in which he inaugurated procedures that run through his entire writing. In this article we will analyze how he uses humor to establish relations, in order to put in tension the separation between literature and life, opening possibilities for both. Salomão sets limits only to disarm them, driven by the seductive power of his humor. Builds ways of locating himself on the border between a self and others, on the border of any limit, in order not only to surpass, but to dissolve them.
publisher CETYCLI
publishDate 2022
url https://badebec.unr.edu.ar/index.php/badebec/article/view/538
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first_indexed 2023-05-11T18:51:01Z
last_indexed 2023-05-11T18:51:01Z
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