El pensamiento, el juego y lo terrible de la escritura
This article reflects upon the relationship between thinking, playing and writing. It starts from the reflection around the apparent contrast between the innocence of the poetic game and the dangerousness of language, to interrogate two considerations that, although closely related, are usually form...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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CETYCLI
2021
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| Acceso en línea: | https://badebec.unr.edu.ar/index.php/badebec/article/view/522 |
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I15-R206-article-5222021-10-26T14:51:27Z El pensamiento, el juego y lo terrible de la escritura González, Darío Escritura Juego Filosofía Lo terrible Poesía Writing Game Philosophy The terrible Poetry This article reflects upon the relationship between thinking, playing and writing. It starts from the reflection around the apparent contrast between the innocence of the poetic game and the dangerousness of language, to interrogate two considerations that, although closely related, are usually formulated differently: on the one hand, poetry as an innocent activity that is unfolds in the realm of the dangerous; on the other, writing as a vain game in which something terrible is put into play. Poetry is approached as an eccentric logos, which resists the becoming-reason of the word. The question about the relationship between art and the seriousness of life is addressed. Finally, it proposes a consideration about the time of the game in poetry, or even, of the time considered as game. Este artículo vuelve sobre la relación entre pensamiento, juego y escritura. Se parte de la reflexión en torno al aparente contraste entre la inocencia del juego poético y la peligrosidad del lenguaje, para interrogar dos consideraciones que, aunque íntimamente relacionadas, suelen formularse de modo diferente: por un lado, la poesía como una actividad inocente que se despliega en el ámbito de lo peligroso; por otro, la escritura como un juego vano en el que se pone en juego algo terrible. La poesía es abordada como un logos excéntrico, que se resiste al devenir-razón de la palabra. Se aborda la pregunta acerca de la relación entre el arte y la seriedad de la vida. Por último, se ensaya una consideración acerca del tiempo del juego en la poesía, o incluso, del tiempo considerado como juego. CETYCLI 2021-10-25 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://badebec.unr.edu.ar/index.php/badebec/article/view/522 10.35305/b.v11i21.522 Badebec; Vol. 11 Núm. 21 (2021): Septiembre (2021); 234-257 1853-9580 spa https://badebec.unr.edu.ar/index.php/badebec/article/view/522/471 |
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Universidad Nacional de Rosario |
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I-15 |
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R-206 |
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Badebec |
| language |
Español |
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Artículo revista |
| topic |
Escritura Juego Filosofía Lo terrible Poesía Writing Game Philosophy The terrible Poetry |
| spellingShingle |
Escritura Juego Filosofía Lo terrible Poesía Writing Game Philosophy The terrible Poetry González, Darío El pensamiento, el juego y lo terrible de la escritura |
| topic_facet |
Escritura Juego Filosofía Lo terrible Poesía Writing Game Philosophy The terrible Poetry |
| author |
González, Darío |
| author_facet |
González, Darío |
| author_sort |
González, Darío |
| title |
El pensamiento, el juego y lo terrible de la escritura |
| title_short |
El pensamiento, el juego y lo terrible de la escritura |
| title_full |
El pensamiento, el juego y lo terrible de la escritura |
| title_fullStr |
El pensamiento, el juego y lo terrible de la escritura |
| title_full_unstemmed |
El pensamiento, el juego y lo terrible de la escritura |
| title_sort |
el pensamiento, el juego y lo terrible de la escritura |
| description |
This article reflects upon the relationship between thinking, playing and writing. It starts from the reflection around the apparent contrast between the innocence of the poetic game and the dangerousness of language, to interrogate two considerations that, although closely related, are usually formulated differently: on the one hand, poetry as an innocent activity that is unfolds in the realm of the dangerous; on the other, writing as a vain game in which something terrible is put into play. Poetry is approached as an eccentric logos, which resists the becoming-reason of the word. The question about the relationship between art and the seriousness of life is addressed. Finally, it proposes a consideration about the time of the game in poetry, or even, of the time considered as game. |
| publisher |
CETYCLI |
| publishDate |
2021 |
| url |
https://badebec.unr.edu.ar/index.php/badebec/article/view/522 |
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