El hacedor o la paratopía creadora

Throughout the 1950s, especially from 1955 onwards, Borges consolidated his status as the core of the Argentine literary field, by holding official positions (as the Director of the National Library, as a lecturer at the University of Buenos Aires) and by increasing his visibility in the public sphe...

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Guardado en:
Detalles Bibliográficos
Autor principal: Adur Nobile, Lucas Martín
Formato: Artículo revista
Lenguaje:Español
Publicado: CETYCLI 2021
Materias:
Borges
El hacedor
Canonización
Paratopía
Canonization
Paratopy
Acceso en línea:https://badebec.unr.edu.ar/index.php/badebec/article/view/517
Aporte de:
Badebec de Universidad Nacional de Rosario
id I15-R206-article-517
record_format ojs
spelling I15-R206-article-5172021-10-26T14:51:27Z El hacedor o la paratopía creadora Adur Nobile, Lucas Martín Borges El hacedor Canonización Paratopía Borges El hacedor Canonization Paratopy Throughout the 1950s, especially from 1955 onwards, Borges consolidated his status as the core of the Argentine literary field, by holding official positions (as the Director of the National Library, as a lecturer at the University of Buenos Aires) and by increasing his visibility in the public sphere, both national and internationally. El hacedor (1960) was the first book to be published after his canonization and, for that matter, it can be thought of as a way of reacting to a frequent problem for writers with a long-standing career, which is not often stated explicitly: how to keep on writing after reaching consecration? El hacedor focuses on building an authorship figure that recovers biographical information from his context, introducing and reframing it for the volume. These kinds of elements that participate simultaneously in the text and its context were called paratopic shifters by Maingueneau. Borges’ Blindness and Fame, two of the most recurring motifs of this work, operates precisely as paratopic shifters, for they create an unsteady ground that allows a de-centered position for the writer to stand on, a position where the highest power coexists with the greatest weakness. This paradoxical/paratopical locus of enunciation is what makes it possible for him to continue writing after accomplishing success.  A lo largo de la década del cincuenta, y especialmente a partir de 1955, la figura de Borges se consolida como centro del campo literario argentino, con cargos oficiales (director de la Biblioteca Nacional, profesor de la Universidad de Buenos Aires) y una cada vez mayor notoriedad pública, dentro y fuera del país. El hacedor (1960) es el primer libro que el escritor publica después de su canonización y, en este sentido, puede pensarse como una respuesta a un problema recurrente en la trayectoria de muchos escritores, aunque rara vez planteado de modo explícito: ¿cómo seguir escribiendo después de la consagración? El hacedor tematiza la construcción de una figura de autor —como es evidente desde el título y en textos como “Poema de los dones” y “Borges y yo”—, a partir de la recuperación de datos biográfico-contextuales que se inscriben y reelaboran en la obra. Estos elementos que participan, a la vez, del texto y del contexto han sido denominados por Maingueneau embragues paratópicos. La ceguera y la fama, dos de los motivos más recurrentes en el volumen, funcionan como embragues paratópicos, que posibilitan un des-centramiento del escritor, la construcción de un posicionamiento inestable, donde el máximo poder coexiste con la máxima debilidad. Este lugar de enunciación paradójico-paratópico es lo que le permite seguir escribiendo después del éxito. CETYCLI 2021-10-15 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares application/pdf https://badebec.unr.edu.ar/index.php/badebec/article/view/517 10.35305/b.v11i21.517 Badebec; Vol. 11 Núm. 21 (2021): Septiembre (2021); 110-133 1853-9580 spa https://badebec.unr.edu.ar/index.php/badebec/article/view/517/466
institution Universidad Nacional de Rosario
institution_str I-15
repository_str R-206
container_title_str Badebec
language Español
format Artículo revista
topic Borges
El hacedor
Canonización
Paratopía
Borges
El hacedor
Canonization
Paratopy
spellingShingle Borges
El hacedor
Canonización
Paratopía
Borges
El hacedor
Canonization
Paratopy
Adur Nobile, Lucas Martín
El hacedor o la paratopía creadora
topic_facet Borges
El hacedor
Canonización
Paratopía
Borges
El hacedor
Canonization
Paratopy
author Adur Nobile, Lucas Martín
author_facet Adur Nobile, Lucas Martín
author_sort Adur Nobile, Lucas Martín
title El hacedor o la paratopía creadora
title_short El hacedor o la paratopía creadora
title_full El hacedor o la paratopía creadora
title_fullStr El hacedor o la paratopía creadora
title_full_unstemmed El hacedor o la paratopía creadora
title_sort el hacedor o la paratopía creadora
description Throughout the 1950s, especially from 1955 onwards, Borges consolidated his status as the core of the Argentine literary field, by holding official positions (as the Director of the National Library, as a lecturer at the University of Buenos Aires) and by increasing his visibility in the public sphere, both national and internationally. El hacedor (1960) was the first book to be published after his canonization and, for that matter, it can be thought of as a way of reacting to a frequent problem for writers with a long-standing career, which is not often stated explicitly: how to keep on writing after reaching consecration? El hacedor focuses on building an authorship figure that recovers biographical information from his context, introducing and reframing it for the volume. These kinds of elements that participate simultaneously in the text and its context were called paratopic shifters by Maingueneau. Borges’ Blindness and Fame, two of the most recurring motifs of this work, operates precisely as paratopic shifters, for they create an unsteady ground that allows a de-centered position for the writer to stand on, a position where the highest power coexists with the greatest weakness. This paradoxical/paratopical locus of enunciation is what makes it possible for him to continue writing after accomplishing success. 
publisher CETYCLI
publishDate 2021
url https://badebec.unr.edu.ar/index.php/badebec/article/view/517
work_keys_str_mv AT adurnobilelucasmartin elhacedorolaparatopiacreadora
first_indexed 2023-05-11T18:50:58Z
last_indexed 2023-05-11T18:50:58Z
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