Autobiografías ajenas: sobre Barthes y Piglia

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Starting from Roland Barthes’ notion of « biographem », a notion he puts forward in the book Sade, Fourier, Loyola (1971) and in the course The Preparation of the Novel (1978-1980), this article aims at studying a contemporary work: Los diarios de Emilio Renzi (2015-2017), by Ricardo Piglia. In the...

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Autor principal: Bergonzoni, Gisela
Formato: Artículo revista
Lenguaje:Español
Publicado: CETYCLI 2019
Materias:
Autobiografía
Diario
Ricardo Piglia
Roland Barthes
Biografema
Acceso en línea:https://badebec.unr.edu.ar/index.php/badebec/article/view/422
Aporte de:
Badebec de Universidad Nacional de Rosario
id I15-R206-article-422
record_format ojs
spelling I15-R206-article-4222019-09-29T14:10:56Z Autobiografías ajenas: sobre Barthes y Piglia Bergonzoni, Gisela Autobiografía Diario Ricardo Piglia Roland Barthes Biografema Starting from Roland Barthes’ notion of « biographem », a notion he puts forward in the book Sade, Fourier, Loyola (1971) and in the course The Preparation of the Novel (1978-1980), this article aims at studying a contemporary work: Los diarios de Emilio Renzi (2015-2017), by Ricardo Piglia. In the three volumes of his diaries, edited just before his death, the Argentinian author does not provide an accurate record of the events of his life; instead, these diaries point towards a real future by way of a narrative of some events that would lead him to write his oeuvre. This article seeks to analyze how Piglia, through his diaries, constructs his autobiography as if it were that of someone else, in a project similar to Barthes’ own autobiographical writings, such as Roland Barthes by Roland Barthes. A partir de la noción de “biografema”, que Roland Barthes presenta en el libro Sade, Fourier, Loyola (1971) y en el curso La preparación de la novela (1978-1980), este artículo pretende estudiar una obra contemporánea: Los diarios de Emilio Renzi (2015-2017), de Ricardo Piglia. En los tres volúmenes de sus diarios, editados antes de su muerte, el autor argentino no proporciona un registro preciso de los acontecimientos de su vida; en cambio, estos diarios apuntan hacia un futuro real a través de una narración de algunos eventos que lo llevarían a escribir su obra. Este artículo busca analizar cómo Piglia, a través de sus diarios, construye su autobiografía como si fuera la de otra persona, en un proyecto similar a los escritos autobiográficos de Barthes, como Roland Barthes por Roland Barthes. CETYCLI 2019-09-24 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://badebec.unr.edu.ar/index.php/badebec/article/view/422 10.35305/b.v9i17.422 Badebec; Vol. 9 Núm. 17 (2019): Septiembre 2019; 242-261 1853-9580 spa https://badebec.unr.edu.ar/index.php/badebec/article/view/422/383
institution Universidad Nacional de Rosario
institution_str I-15
repository_str R-206
container_title_str Badebec
language Español
format Artículo revista
topic Autobiografía
Diario
Ricardo Piglia
Roland Barthes
Biografema
spellingShingle Autobiografía
Diario
Ricardo Piglia
Roland Barthes
Biografema
Bergonzoni, Gisela
Autobiografías ajenas: sobre Barthes y Piglia
topic_facet Autobiografía
Diario
Ricardo Piglia
Roland Barthes
Biografema
author Bergonzoni, Gisela
author_facet Bergonzoni, Gisela
author_sort Bergonzoni, Gisela
title Autobiografías ajenas: sobre Barthes y Piglia
title_short Autobiografías ajenas: sobre Barthes y Piglia
title_full Autobiografías ajenas: sobre Barthes y Piglia
title_fullStr Autobiografías ajenas: sobre Barthes y Piglia
title_full_unstemmed Autobiografías ajenas: sobre Barthes y Piglia
title_sort autobiografías ajenas: sobre barthes y piglia
description Starting from Roland Barthes’ notion of « biographem », a notion he puts forward in the book Sade, Fourier, Loyola (1971) and in the course The Preparation of the Novel (1978-1980), this article aims at studying a contemporary work: Los diarios de Emilio Renzi (2015-2017), by Ricardo Piglia. In the three volumes of his diaries, edited just before his death, the Argentinian author does not provide an accurate record of the events of his life; instead, these diaries point towards a real future by way of a narrative of some events that would lead him to write his oeuvre. This article seeks to analyze how Piglia, through his diaries, constructs his autobiography as if it were that of someone else, in a project similar to Barthes’ own autobiographical writings, such as Roland Barthes by Roland Barthes.
publisher CETYCLI
publishDate 2019
url https://badebec.unr.edu.ar/index.php/badebec/article/view/422
work_keys_str_mv AT bergonzonigisela autobiografiasajenassobrebarthesypiglia
first_indexed 2023-05-11T18:50:47Z
last_indexed 2023-05-11T18:50:47Z
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