Siempre me ha gustado mucho el teatro

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These notes intend to systematize the thought of Barthes about theater, from the study of texts published in Lettres nouvelles, France Observateur and Théatre populaire in the 50s, gathered by Jean-Loup Rivière Writings on Theater of 2002. These ideas can also be found in the later works of the auth...

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Detalles Bibliográficos
Autor principal: Conde, Laura
Formato: Artículo revista
Lenguaje:Español
Publicado: CETYCLI 2019
Materias:
Barthes
Teatro
Brecht
Cuerpo
Escritura
Acceso en línea:https://badebec.unr.edu.ar/index.php/badebec/article/view/411
Aporte de:
Badebec de Universidad Nacional de Rosario
id I15-R206-article-411
record_format ojs
spelling I15-R206-article-4112019-09-29T14:10:56Z Siempre me ha gustado mucho el teatro Conde, Laura Barthes Teatro Brecht Cuerpo Escritura These notes intend to systematize the thought of Barthes about theater, from the study of texts published in Lettres nouvelles, France Observateur and Théatre populaire in the 50s, gathered by Jean-Loup Rivière Writings on Theater of 2002. These ideas can also be found in the later works of the author, despite the fact that their object is not theater but other forms of art such as literature —the trace of theatrical experience, always contradictory, is gathered in the figure of Barthes actor, spectator and reader of theatre. We are interested in Barthes's “fascination” with avant-garde theatre, especially Bretch, as well as his decision to stop going to the theatre. Our aim is to stress Barthes's writings concerning the anecdotal and contingent of theatre, taking into account that his conceptualizations go beyond the theatrical event he refers to. Estas notas intentan aproximarse al pensamiento de Barthes respecto del teatro, a partir de la lectura de textos publicados en Lettres nouvelles, France observateur y Théatre populaire en la década del 50, reunidos por Jean-Loup Riviére en Escritos sobre el teatro de 2002, que resuenan en escrituras (contemporáneas y posteriores) centrales en la producción del autor, donde —a pesar de que el objeto de reflexión no sea el teatro— se observa la huella de una experiencia teatral siempre contradictoria, condensada en la figura del Barthes actor, lector de teatro y espectador. Interesa aquí especialmente el “deslumbramiento” que le provoca la vanguardia y el contacto con la obra de Brecht, así como su decisión de no volver a ver teatro. Lo que sigue, entonces, es un registro de algunas señales que ponen de manifiesto la trascendencia de su escritura respecto de lo anecdótico o contingente, es decir, el tenor crítico-teórico de lo que conceptualiza más allá del carácter inmediato de estos escritos en torno del acontecimiento teatral específico de su tiempo. CETYCLI 2019-09-24 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://badebec.unr.edu.ar/index.php/badebec/article/view/411 10.35305/b.v9i17.411 Badebec; Vol. 9 Núm. 17 (2019): Septiembre 2019; 183-196 1853-9580 spa https://badebec.unr.edu.ar/index.php/badebec/article/view/411/378
institution Universidad Nacional de Rosario
institution_str I-15
repository_str R-206
container_title_str Badebec
language Español
format Artículo revista
topic Barthes
Teatro
Brecht
Cuerpo
Escritura
spellingShingle Barthes
Teatro
Brecht
Cuerpo
Escritura
Conde, Laura
Siempre me ha gustado mucho el teatro
topic_facet Barthes
Teatro
Brecht
Cuerpo
Escritura
author Conde, Laura
author_facet Conde, Laura
author_sort Conde, Laura
title Siempre me ha gustado mucho el teatro
title_short Siempre me ha gustado mucho el teatro
title_full Siempre me ha gustado mucho el teatro
title_fullStr Siempre me ha gustado mucho el teatro
title_full_unstemmed Siempre me ha gustado mucho el teatro
title_sort siempre me ha gustado mucho el teatro
description These notes intend to systematize the thought of Barthes about theater, from the study of texts published in Lettres nouvelles, France Observateur and Théatre populaire in the 50s, gathered by Jean-Loup Rivière Writings on Theater of 2002. These ideas can also be found in the later works of the author, despite the fact that their object is not theater but other forms of art such as literature —the trace of theatrical experience, always contradictory, is gathered in the figure of Barthes actor, spectator and reader of theatre. We are interested in Barthes's “fascination” with avant-garde theatre, especially Bretch, as well as his decision to stop going to the theatre. Our aim is to stress Barthes's writings concerning the anecdotal and contingent of theatre, taking into account that his conceptualizations go beyond the theatrical event he refers to.
publisher CETYCLI
publishDate 2019
url https://badebec.unr.edu.ar/index.php/badebec/article/view/411
work_keys_str_mv AT condelaura siempremehagustadomuchoelteatro
first_indexed 2023-05-11T18:50:45Z
last_indexed 2023-05-11T18:50:45Z
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