La poeta menor
In the horizon of Argentine objectivist poetry, also called “objectivist calligraphy” or “objectivity criteria,” the poetry of Gabriela Saccone sews its pacts and dissents. Since her first book, Half Birthday, published in 2000, through the yet unpublished volumes Anxiety Notebook and Other Poems, D...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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CETYCLI
2015
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| Acceso en línea: | https://badebec.unr.edu.ar/index.php/badebec/article/view/304 |
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I15-R206-article-304 |
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I15-R206-article-3042018-03-28T21:21:38Z La poeta menor Avaro, Nora Saccone poesía objetivismo realismo romanticismo Saccone poetry objectivism realism romanticism In the horizon of Argentine objectivist poetry, also called “objectivist calligraphy” or “objectivity criteria,” the poetry of Gabriela Saccone sews its pacts and dissents. Since her first book, Half Birthday, published in 2000, through the yet unpublished volumes Anxiety Notebook and Other Poems, Diary of the Dacha and Of the Corridor, Saccone sketches the constants of her lyrics, in which three paradigmatic series of themes prevail: the series of the house, the series of nature, and the series of the potent poets. What follows is an analysis of how those series function and their connections with two canonical aesthetic traditions: realism and romanticism. En el horizonte de la poesía objetivista argentina, también llamada “caligrafía objetivista” o “criterio de objetividad”, la poesía de Gabriela Saccone teje sus acuerdos y diferencias. Desde su primer libro de 2000 Medio cumpleaños hasta los, hasta el momento inéditos, Cuaderno de la angustia y otros poemas, Diario de la dacha y Del pasillo, Saccone traza sus constantes líricas en las que prevalecen, paradigmáticas, tres series de motivos: la serie de la casa, la de la naturaleza y la de los poetas potentes. En lo que sigue se analizará el funcionamiento de esas series y sus vínculos con dos tradiciones estéticas canónicas: la del realismo y la del romanticismo. CETYCLI 2015-03-21 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://badebec.unr.edu.ar/index.php/badebec/article/view/304 10.35305/b.v4i08.304 Badebec; Vol. 4 Núm. 08 (2015): Marzo 2015 1853-9580 spa https://badebec.unr.edu.ar/index.php/badebec/article/view/304/283 |
| institution |
Universidad Nacional de Rosario |
| institution_str |
I-15 |
| repository_str |
R-206 |
| container_title_str |
Badebec |
| language |
Español |
| format |
Artículo revista |
| topic |
Saccone poesía objetivismo realismo romanticismo Saccone poetry objectivism realism romanticism |
| spellingShingle |
Saccone poesía objetivismo realismo romanticismo Saccone poetry objectivism realism romanticism Avaro, Nora La poeta menor |
| topic_facet |
Saccone poesía objetivismo realismo romanticismo Saccone poetry objectivism realism romanticism |
| author |
Avaro, Nora |
| author_facet |
Avaro, Nora |
| author_sort |
Avaro, Nora |
| title |
La poeta menor |
| title_short |
La poeta menor |
| title_full |
La poeta menor |
| title_fullStr |
La poeta menor |
| title_full_unstemmed |
La poeta menor |
| title_sort |
la poeta menor |
| description |
In the horizon of Argentine objectivist poetry, also called “objectivist calligraphy” or “objectivity criteria,” the poetry of Gabriela Saccone sews its pacts and dissents. Since her first book, Half Birthday, published in 2000, through the yet unpublished volumes Anxiety Notebook and Other Poems, Diary of the Dacha and Of the Corridor, Saccone sketches the constants of her lyrics, in which three paradigmatic series of themes prevail: the series of the house, the series of nature, and the series of the potent poets. What follows is an analysis of how those series function and their connections with two canonical aesthetic traditions: realism and romanticism. |
| publisher |
CETYCLI |
| publishDate |
2015 |
| url |
https://badebec.unr.edu.ar/index.php/badebec/article/view/304 |
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2023-05-11T18:50:35Z |
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2023-05-11T18:50:35Z |
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