La imposibilidad y la idea. Aproximaciones al imaginario cinematográfico de César Aira
The present work proposes to think the relationships that César Aira's work establishes with cinema. The reading goes, in the first place, through the explicit mentions of cinema in his novels (in his historical, genealogical, anecdotal, aesthetic and narrative variants) to demonstrate the fecu...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
CETYCLI
2015
|
| Materias: | |
| Acceso en línea: | https://badebec.unr.edu.ar/index.php/badebec/article/view/288 |
| Aporte de: |
| id |
I15-R206-article-288 |
|---|---|
| record_format |
ojs |
| spelling |
I15-R206-article-2882018-03-28T19:33:40Z La imposibilidad y la idea. Aproximaciones al imaginario cinematográfico de César Aira Grossi, Bruno Cine y literatura Aira MCGuffin Hitchcock Godard Procedimientos narrativos MCGuffin Hitchcock Godard Film and literature Aira Narrative procedures The present work proposes to think the relationships that César Aira's work establishes with cinema. The reading goes, in the first place, through the explicit mentions of cinema in his novels (in his historical, genealogical, anecdotal, aesthetic and narrative variants) to demonstrate the fecundity of the cinematographic imaginary in Aira’s oeuvre. The second instance focuses on the cinematographic origin of some literary procedures in his work, with emphasis on two directors admired by Aira: Alfred Hitchcock and Jean-Luc Godard. El presente trabajo propone pensar las relaciones que la obra de César Aira establece con el cine. La lectura recorre en un primer momento las menciones explícitas al cine en sus novelas (ya sea en sus variantes histórico / genealógicas, anecdóticas, estéticas y narrativas) para demostrar lo fecundo de su imaginario cinematográfico. En segunda instancia se intenta pensar la raigambre cinematográfica de algunos procedimientos literarios en su obra a partir de las relaciones con dos cineastas admirados por el propio Aira: Alfred Hitchcok y Jean-Luc Godard. CETYCLI 2015-03-21 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares application/pdf https://badebec.unr.edu.ar/index.php/badebec/article/view/288 10.35305/b.v4i08.288 Badebec; Vol. 4 Núm. 08 (2015): Marzo 2015 1853-9580 spa https://badebec.unr.edu.ar/index.php/badebec/article/view/288/266 |
| institution |
Universidad Nacional de Rosario |
| institution_str |
I-15 |
| repository_str |
R-206 |
| container_title_str |
Badebec |
| language |
Español |
| format |
Artículo revista |
| topic |
Cine y literatura Aira MCGuffin Hitchcock Godard Procedimientos narrativos MCGuffin Hitchcock Godard Film and literature Aira Narrative procedures |
| spellingShingle |
Cine y literatura Aira MCGuffin Hitchcock Godard Procedimientos narrativos MCGuffin Hitchcock Godard Film and literature Aira Narrative procedures Grossi, Bruno La imposibilidad y la idea. Aproximaciones al imaginario cinematográfico de César Aira |
| topic_facet |
Cine y literatura Aira MCGuffin Hitchcock Godard Procedimientos narrativos MCGuffin Hitchcock Godard Film and literature Aira Narrative procedures |
| author |
Grossi, Bruno |
| author_facet |
Grossi, Bruno |
| author_sort |
Grossi, Bruno |
| title |
La imposibilidad y la idea. Aproximaciones al imaginario cinematográfico de César Aira |
| title_short |
La imposibilidad y la idea. Aproximaciones al imaginario cinematográfico de César Aira |
| title_full |
La imposibilidad y la idea. Aproximaciones al imaginario cinematográfico de César Aira |
| title_fullStr |
La imposibilidad y la idea. Aproximaciones al imaginario cinematográfico de César Aira |
| title_full_unstemmed |
La imposibilidad y la idea. Aproximaciones al imaginario cinematográfico de César Aira |
| title_sort |
la imposibilidad y la idea. aproximaciones al imaginario cinematográfico de césar aira |
| description |
The present work proposes to think the relationships that César Aira's work establishes with cinema. The reading goes, in the first place, through the explicit mentions of cinema in his novels (in his historical, genealogical, anecdotal, aesthetic and narrative variants) to demonstrate the fecundity of the cinematographic imaginary in Aira’s oeuvre. The second instance focuses on the cinematographic origin of some literary procedures in his work, with emphasis on two directors admired by Aira: Alfred Hitchcock and Jean-Luc Godard. |
| publisher |
CETYCLI |
| publishDate |
2015 |
| url |
https://badebec.unr.edu.ar/index.php/badebec/article/view/288 |
| work_keys_str_mv |
AT grossibruno laimposibilidadylaideaaproximacionesalimaginariocinematograficodecesaraira |
| first_indexed |
2023-05-11T18:50:32Z |
| last_indexed |
2023-05-11T18:50:32Z |
| _version_ |
1765624808822800384 |