“El arte (visual) de la fuga”: Pedro Lemebel por Verónica Qüense

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I examine in this work the critical potentialities that a documentary filmed in 2009 enables with regard to the life and work of the Chilean performer, chronicler, and narrator Pedro Lemebel (1952-2015). The flight as a movement of displacement –between frontiers, between genders and genres, between...

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Detalles Bibliográficos
Autor principal: Gómez, Juan Ariel
Formato: Artículo revista
Lenguaje:Español
Publicado: CETYCLI 2016
Materias:
Performance
Memoria
Desidentificación
Fuga
Lemebel
Memory
Disidentification
Flight
Acceso en línea:https://badebec.unr.edu.ar/index.php/badebec/article/view/223
Aporte de:
Badebec de Universidad Nacional de Rosario
id I15-R206-article-223
record_format ojs
spelling I15-R206-article-2232018-03-26T07:12:37Z “El arte (visual) de la fuga”: Pedro Lemebel por Verónica Qüense Gómez, Juan Ariel Performance Memoria Desidentificación Fuga Lemebel Performance Memory Disidentification Flight Lemebel I examine in this work the critical potentialities that a documentary filmed in 2009 enables with regard to the life and work of the Chilean performer, chronicler, and narrator Pedro Lemebel (1952-2015). The flight as a movement of displacement –between frontiers, between genders and genres, between performativities– establishes an epistemology of difficulty recontextualized in Pedro Lemebel, corazón en fuga, Verónica Qüense’s documentary. My proposal for reading this documentary decidedly circulates throughout questions of images, signs, and historicization, or memorialization. Not only does it purport the refiguration of flight as an identitary slippage, both generic and sexual, but it also understands it as a productive epistemological difficulty. What is more, it assesses discussions on the performative act of disidentification and both its aesthetic and political implications. Este trabajo examina las potencialidades críticas que admite un documental de 2009 sobre la vida y obra del performer, cronista y narrador chileno Pedro Lemebel (1952-2015). La fuga como movimiento de desplazamiento, entre fronteras, entre géneros, entre performatividades, establece una epistemología de la dificultad recontextualizada en Pedro Lemebel, corazón en fuga, el documental de Verónica Qüense. Es en torno a cuestiones de imágenes, de signos y de historización, o memorialización, que transita mi propuesta de lectura del documental. No solamente propone la refiguración de la fuga como deslizamiento identitario, genérico y sexual, sino que la entiende también como productiva dificultad epistemológica. Examina asimismo discusiones relativas al acto performático de desidentificación y sus implicancias estéticas y políticas CETYCLI 2016-09-21 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://badebec.unr.edu.ar/index.php/badebec/article/view/223 10.35305/b.v6i11.223 Badebec; Vol. 6 Núm. 11 (2016): Septiembre 2016 1853-9580 spa https://badebec.unr.edu.ar/index.php/badebec/article/view/223/203
institution Universidad Nacional de Rosario
institution_str I-15
repository_str R-206
container_title_str Badebec
language Español
format Artículo revista
topic Performance
Memoria
Desidentificación
Fuga
Lemebel
Performance
Memory
Disidentification
Flight
Lemebel
spellingShingle Performance
Memoria
Desidentificación
Fuga
Lemebel
Performance
Memory
Disidentification
Flight
Lemebel
Gómez, Juan Ariel
“El arte (visual) de la fuga”: Pedro Lemebel por Verónica Qüense
topic_facet Performance
Memoria
Desidentificación
Fuga
Lemebel
Performance
Memory
Disidentification
Flight
Lemebel
author Gómez, Juan Ariel
author_facet Gómez, Juan Ariel
author_sort Gómez, Juan Ariel
title “El arte (visual) de la fuga”: Pedro Lemebel por Verónica Qüense
title_short “El arte (visual) de la fuga”: Pedro Lemebel por Verónica Qüense
title_full “El arte (visual) de la fuga”: Pedro Lemebel por Verónica Qüense
title_fullStr “El arte (visual) de la fuga”: Pedro Lemebel por Verónica Qüense
title_full_unstemmed “El arte (visual) de la fuga”: Pedro Lemebel por Verónica Qüense
title_sort “el arte (visual) de la fuga”: pedro lemebel por verónica qüense
description I examine in this work the critical potentialities that a documentary filmed in 2009 enables with regard to the life and work of the Chilean performer, chronicler, and narrator Pedro Lemebel (1952-2015). The flight as a movement of displacement –between frontiers, between genders and genres, between performativities– establishes an epistemology of difficulty recontextualized in Pedro Lemebel, corazón en fuga, Verónica Qüense’s documentary. My proposal for reading this documentary decidedly circulates throughout questions of images, signs, and historicization, or memorialization. Not only does it purport the refiguration of flight as an identitary slippage, both generic and sexual, but it also understands it as a productive epistemological difficulty. What is more, it assesses discussions on the performative act of disidentification and both its aesthetic and political implications.
publisher CETYCLI
publishDate 2016
url https://badebec.unr.edu.ar/index.php/badebec/article/view/223
work_keys_str_mv AT gomezjuanariel elartevisualdelafugapedrolemebelporveronicaquense
first_indexed 2023-05-11T18:50:21Z
last_indexed 2023-05-11T18:50:21Z
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