Novela (perdida) dentro de novela: escritura, olvido y testimonio en Miriam de Berdichevsky

This article considers the crisis of memory in Berdichevsky's novel, Miriam. Here I propose that, unlike Berdichevsky's early work, Miriam is a novel that does not represent what has been preserved in the text or in memory, but what has been lost. This being its distinctive feature, the no...

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Detalles Bibliográficos
Autor principal: Ronel1, Yoav
Formato: Artículo revista
Lenguaje:Español
Publicado: CETYCLI 2017
Materias:
Berdichevsky
Testimonio
Monumento
Olvido
Narrador
Testimony
Monument
Forgotten
Narrator
Acceso en línea:https://badebec.unr.edu.ar/index.php/badebec/article/view/131
Aporte de:
Badebec de Universidad Nacional de Rosario
id I15-R206-article-131
record_format ojs
spelling I15-R206-article-1312018-03-21T09:17:57Z Novela (perdida) dentro de novela: escritura, olvido y testimonio en Miriam de Berdichevsky Ronel1, Yoav Berdichevsky Testimonio Monumento Olvido Narrador Berdichevsky Testimony Monument Forgotten Narrator This article considers the crisis of memory in Berdichevsky's novel, Miriam. Here I propose that, unlike Berdichevsky's early work, Miriam is a novel that does not represent what has been preserved in the text or in memory, but what has been lost. This being its distinctive feature, the novel revolves around the impossible testimony of the forgotten as will be seen in the narrative analysis and, mainly, of the different figures of narration. Thus, this article emphasizes the fact that the novel, as a broken knitted, is not only composed of the preserved textual fragments, but also, and perhaps above all, of the spaces that occur in the fissures of the text. Este artículo aborda la crisis de la memoria en la novela de Berdichevsky, Miriam. Aquí propongo que, a diferencia de la obra temprana de Berdichevsky, Miriam es una novela que no representa lo que ha sido conservado en el texto o en la memoria, sino lo que se ha perdido. Siendo este su rasgo distintivo, la novela gira en torno al testimonio imposible de lo olvidado como se verá en el análisis narrativo y, principalmente, de las diversas figuras narrativas de Miriam. Así, este artículo hace hincapié en el hecho de que la novela, como un tejido roto, no se compone solamente de los fragmentos textuales conservados, sino también, y acaso sobre todo, de los espacios que se producen en las fisuras del texto. CETYCLI 2017-09-21 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://badebec.unr.edu.ar/index.php/badebec/article/view/131 10.35305/b.v7i13.131 Badebec; Vol. 7 Núm. 13 (2017): Septiembre 2017 1853-9580 spa https://badebec.unr.edu.ar/index.php/badebec/article/view/131/121
institution Universidad Nacional de Rosario
institution_str I-15
repository_str R-206
container_title_str Badebec
language Español
format Artículo revista
topic Berdichevsky
Testimonio
Monumento
Olvido
Narrador
Berdichevsky
Testimony
Monument
Forgotten
Narrator
spellingShingle Berdichevsky
Testimonio
Monumento
Olvido
Narrador
Berdichevsky
Testimony
Monument
Forgotten
Narrator
Ronel1, Yoav
Novela (perdida) dentro de novela: escritura, olvido y testimonio en Miriam de Berdichevsky
topic_facet Berdichevsky
Testimonio
Monumento
Olvido
Narrador
Berdichevsky
Testimony
Monument
Forgotten
Narrator
author Ronel1, Yoav
author_facet Ronel1, Yoav
author_sort Ronel1, Yoav
title Novela (perdida) dentro de novela: escritura, olvido y testimonio en Miriam de Berdichevsky
title_short Novela (perdida) dentro de novela: escritura, olvido y testimonio en Miriam de Berdichevsky
title_full Novela (perdida) dentro de novela: escritura, olvido y testimonio en Miriam de Berdichevsky
title_fullStr Novela (perdida) dentro de novela: escritura, olvido y testimonio en Miriam de Berdichevsky
title_full_unstemmed Novela (perdida) dentro de novela: escritura, olvido y testimonio en Miriam de Berdichevsky
title_sort novela (perdida) dentro de novela: escritura, olvido y testimonio en miriam de berdichevsky
description This article considers the crisis of memory in Berdichevsky's novel, Miriam. Here I propose that, unlike Berdichevsky's early work, Miriam is a novel that does not represent what has been preserved in the text or in memory, but what has been lost. This being its distinctive feature, the novel revolves around the impossible testimony of the forgotten as will be seen in the narrative analysis and, mainly, of the different figures of narration. Thus, this article emphasizes the fact that the novel, as a broken knitted, is not only composed of the preserved textual fragments, but also, and perhaps above all, of the spaces that occur in the fissures of the text.
publisher CETYCLI
publishDate 2017
url https://badebec.unr.edu.ar/index.php/badebec/article/view/131
work_keys_str_mv AT ronel1yoav novelaperdidadentrodenovelaescrituraolvidoytestimonioenmiriamdeberdichevsky
first_indexed 2023-05-11T18:50:08Z
last_indexed 2023-05-11T18:50:08Z
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