La (im)propiedad del nombre y del libro: performance literaria
In this text we will analyze some aspects related to the link between performance and writing in Kiki (2008) and Kiki 2 (2012) by writer, tarotist and visual artist Cuqui. Keeping in mind the idea that performance is vanishing and writing, durability, our proposal approaches a work that explores emp...
Guardado en:
| Autores principales: | , |
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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CETYCLI
2014
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| Acceso en línea: | https://badebec.unr.edu.ar/index.php/badebec/article/view/101 |
| Aporte de: |
| Sumario: | In this text we will analyze some aspects related to the link between performance and writing in Kiki (2008) and Kiki 2 (2012) by writer, tarotist and visual artist Cuqui. Keeping in mind the idea that performance is vanishing and writing, durability, our proposal approaches a work that explores emptiness as place where both, performance and writing, converge and become a subjectivation strategy after the deletion of the proper name which implicates heteronyms proliferation. Kiki´s assumption of subjectivity during performance and what is registered by Cuqui through her “sentential performance” supposes failures and disagreements between what is said and named that allows a space of subjective, aesthetic and performatic experimentation. |
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