3D Animation, Democracy and White Suprematism in relation to Latinos

In this article, we discuss themes relating to the social and political context surrounding the development and initial release of the 3D animated movie Coco (2017). As part of a doctoral study concerning the social history of Coco’s principal character, this article focuses on the political climate...

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Autor principal: Echenique Lima, Luis David
Formato: Artículo revista
Lenguaje:Español
Publicado: Universidad Nacional de Rosario 2024
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Acceso en línea:https://relasp.unr.edu.ar/index.php/revista/article/view/132
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spelling I15-R205-article-1322024-05-24T15:01:10Z 3D Animation, Democracy and White Suprematism in relation to Latinos Animación 3D, democracia y suprematismo blanco relacionado con los latinos Echenique Lima, Luis David Racismo Historia social Migración Animación 3D Ciencias y Artes para el Diseño Racism Social history Migration 3D animation Sciences and Arts for Design In this article, we discuss themes relating to the social and political context surrounding the development and initial release of the 3D animated movie Coco (2017). As part of a doctoral study concerning the social history of Coco’s principal character, this article focuses on the political climate which placed the themes of migration in the minds of a wide variety of audiences across the world. We can understand Disney-Pixar’s selection of certain themes associated with migration, and their subsequent positive embellishment of them, in light of the broader trends in America political culture, expressed developmentally in the position on the ‘Hispanic immigrant question’ espoused over time by different American presidents. This emphasis on the political climate surrounding the release of Coco prompts us to embark on a brief historical review of American presidencies, beginning with the presidency of George W. Bush up to the presidency of Donald Trump, who was incumbent when the movie initially screened in 2017. En este artículo tratamos algunos temas relacionados con el contexto social y político alrededor de la elaboración y estreno de la película de animación 3D Coco (2017). Como parte de un estudio doctoral sobre la historia social de su personaje principal, en este artículo nos centramos en el clima político que colocó la temática de la migración en la mente de las amplias audiencias disgregadas por el mundo. Podemos comprender la selección por parte de Disney-Pixar de ciertos temas relacionados con la migración y su posterior edulcoramiento a la luz de tendencias más amplias en la cultura política norteamericana, expresadas de forma evolutiva respecto a su posición sobre la “cuestión de los inmigrantes hispanos” adoptada a lo largo del tiempo por diferentes presidencias americanas. Ello nos llevará a realizar un breve repaso histórico que conduce desde la presidencia estadounidense de George W. Bush, hasta la presidencia de Donald Trump, vigente en el momento del estreno del audiovisual en 2017. Universidad Nacional de Rosario 2024-05-21 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://relasp.unr.edu.ar/index.php/revista/article/view/132 10.35305/rr.v4i8.132 Revista Euro latinoamericana de Análisis Social y Político (RELASP); Vol. 4 Núm. 8 (2024); 196-218 2683-7420 spa https://relasp.unr.edu.ar/index.php/revista/article/view/132/194 https://creativecommons.org/licenses/by-sa/4.0/deed.es
institution Universidad Nacional de Rosario
institution_str I-15
repository_str R-205
container_title_str RELASP
language Español
format Artículo revista
topic Racismo
Historia social
Migración
Animación 3D
Ciencias y Artes para el Diseño
Racism
Social history
Migration
3D animation
Sciences and Arts for Design
spellingShingle Racismo
Historia social
Migración
Animación 3D
Ciencias y Artes para el Diseño
Racism
Social history
Migration
3D animation
Sciences and Arts for Design
Echenique Lima, Luis David
3D Animation, Democracy and White Suprematism in relation to Latinos
topic_facet Racismo
Historia social
Migración
Animación 3D
Ciencias y Artes para el Diseño
Racism
Social history
Migration
3D animation
Sciences and Arts for Design
author Echenique Lima, Luis David
author_facet Echenique Lima, Luis David
author_sort Echenique Lima, Luis David
title 3D Animation, Democracy and White Suprematism in relation to Latinos
title_short 3D Animation, Democracy and White Suprematism in relation to Latinos
title_full 3D Animation, Democracy and White Suprematism in relation to Latinos
title_fullStr 3D Animation, Democracy and White Suprematism in relation to Latinos
title_full_unstemmed 3D Animation, Democracy and White Suprematism in relation to Latinos
title_sort 3d animation, democracy and white suprematism in relation to latinos
description In this article, we discuss themes relating to the social and political context surrounding the development and initial release of the 3D animated movie Coco (2017). As part of a doctoral study concerning the social history of Coco’s principal character, this article focuses on the political climate which placed the themes of migration in the minds of a wide variety of audiences across the world. We can understand Disney-Pixar’s selection of certain themes associated with migration, and their subsequent positive embellishment of them, in light of the broader trends in America political culture, expressed developmentally in the position on the ‘Hispanic immigrant question’ espoused over time by different American presidents. This emphasis on the political climate surrounding the release of Coco prompts us to embark on a brief historical review of American presidencies, beginning with the presidency of George W. Bush up to the presidency of Donald Trump, who was incumbent when the movie initially screened in 2017.
publisher Universidad Nacional de Rosario
publishDate 2024
url https://relasp.unr.edu.ar/index.php/revista/article/view/132
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first_indexed 2024-08-12T21:40:56Z
last_indexed 2024-08-12T21:40:56Z
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