Fugu and cinetization in the Cinema of Ang Lee
In this text a portion of cinema in the Chinese world is studied. The subject of study is the trilogy of Ang Lee (李安 Li An) known as Father knows better. Several topics are touched on to contextually place food as a polysemic articulating metaphor of social relations. Lee's cinema, at least tha...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Universidad Nacional de Rosario
2019
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| Acceso en línea: | https://perspectivasrcs.unr.edu.ar/index.php/PRCS/article/view/73 |
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I15-R203-article-732022-07-09T04:19:41Z Fugu and cinetization in the Cinema of Ang Lee Fugu y cinetización de las relaciones sociales en el cine de Ang Lee Haro Navejas, Francisco Javier Ang Lee Cinema Taiwán Cinetization Chinese identity Ang Lee Taiwán Cine Cinetización Identidad china In this text a portion of cinema in the Chinese world is studied. The subject of study is the trilogy of Ang Lee (李安 Li An) known as Father knows better. Several topics are touched on to contextually place food as a polysemic articulating metaphor of social relations. Lee's cinema, at least that of these pages, is a defense of fugu (复古), literally the return to ancient customs and traditions. The conceptual support is cinetization, instrument of analysis of the films proposed with the aim of strengthening the research agenda of Asian cinema. En este texto se estudia una porción del cine en el mundo chino. El sujeto de estudio es la trilogía de Ang Lee (李安Li An) conocida como Papá sabe más. Se tocan varios temas para ubicar contextualmente a la comida como metáfora poliséemica articuladora de las relaciones sociales. El cine de Lee, al menos el de estas páginas, es una defensa del fugu (复古), literalmente el regreso a costumbres y tradiciones antiguas. El apoyo conceptual es la cinetización, instrumento de análisis de los filmes propuesto con el objetivo de fortalecer la agenda de investigación del cine asiático. Universidad Nacional de Rosario 2019-12-20 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://perspectivasrcs.unr.edu.ar/index.php/PRCS/article/view/73 10.35305/prcs.v0i8.73 Perspectivas Revista de Ciencias Sociales; Vol. 4 No. 8 (2019): Perspectivas Revista de Ciencias Sociales No. 8 Julio-Diciembre 2019; 466-477 Perspectivas Revista de Ciencias Sociales; Vol. 4 Núm. 8 (2019): Perspectivas Revista de Ciencias Sociales No. 8 Julio-Diciembre 2019; 466-477 2525-1112 spa https://perspectivasrcs.unr.edu.ar/index.php/PRCS/article/view/73/59 Derechos de autor 2019 Perspectivas Revista de Ciencias Sociales |
| institution |
Universidad Nacional de Rosario |
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I-15 |
| repository_str |
R-203 |
| container_title_str |
Perspectivas – Revista de Ciencias Sociales |
| language |
Español |
| format |
Artículo revista |
| topic |
Ang Lee Cinema Taiwán Cinetization Chinese identity Ang Lee Taiwán Cine Cinetización Identidad china |
| spellingShingle |
Ang Lee Cinema Taiwán Cinetization Chinese identity Ang Lee Taiwán Cine Cinetización Identidad china Haro Navejas, Francisco Javier Fugu and cinetization in the Cinema of Ang Lee |
| topic_facet |
Ang Lee Cinema Taiwán Cinetization Chinese identity Ang Lee Taiwán Cine Cinetización Identidad china |
| author |
Haro Navejas, Francisco Javier |
| author_facet |
Haro Navejas, Francisco Javier |
| author_sort |
Haro Navejas, Francisco Javier |
| title |
Fugu and cinetization in the Cinema of Ang Lee |
| title_short |
Fugu and cinetization in the Cinema of Ang Lee |
| title_full |
Fugu and cinetization in the Cinema of Ang Lee |
| title_fullStr |
Fugu and cinetization in the Cinema of Ang Lee |
| title_full_unstemmed |
Fugu and cinetization in the Cinema of Ang Lee |
| title_sort |
fugu and cinetization in the cinema of ang lee |
| description |
In this text a portion of cinema in the Chinese world is studied. The subject of study is the trilogy of Ang Lee (李安 Li An) known as Father knows better. Several topics are touched on to contextually place food as a polysemic articulating metaphor of social relations. Lee's cinema, at least that of these pages, is a defense of fugu (复古), literally the return to ancient customs and traditions. The conceptual support is cinetization, instrument of analysis of the films proposed with the aim of strengthening the research agenda of Asian cinema. |
| publisher |
Universidad Nacional de Rosario |
| publishDate |
2019 |
| url |
https://perspectivasrcs.unr.edu.ar/index.php/PRCS/article/view/73 |
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AT haronavejasfranciscojavier fuguandcinetizationinthecinemaofanglee AT haronavejasfranciscojavier fuguycinetizaciondelasrelacionessocialesenelcinedeanglee |
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2023-05-11T18:44:53Z |
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2023-05-11T18:44:53Z |
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