The documentary comic as an aesthetic-political resource to address institutional violence

The purpose of this article is to recover two lines of work in the field of human rights activism.Firstly, we aim at describing the aesthetic-political practice that the Editorial Group Aguará carries out through the production of comics that narrate real stories of human rights violations and their...

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Autores principales: Gullino Valenzuela, Sabrina, Gómez, Matías, Schiffino, Beatriz
Formato: Artículo revista
Lenguaje:Español
Publicado: Universidad Nacional de Rosario 2022
Materias:
Comic
Human Rights
Institutional Violence
Historiera
Derechos Humanos
Violencia Institucional
Acceso en línea:https://perspectivasrcs.unr.edu.ar/index.php/PRCS/article/view/532
Aporte de:
Perspectivas – Revista de Ciencias Sociales de Universidad Nacional de Rosario
id I15-R203-article-532
record_format ojs
spelling I15-R203-article-5322022-07-09T04:20:27Z The documentary comic as an aesthetic-political resource to address institutional violence La historieta documental como recurso estético-político para abordar la problemática de la violencia institucional Gullino Valenzuela, Sabrina Gómez, Matías Schiffino, Beatriz Comic Human Rights Institutional Violence Historiera Derechos Humanos Violencia Institucional The purpose of this article is to recover two lines of work in the field of human rights activism.Firstly, we aim at describing the aesthetic-political practice that the Editorial Group Aguará carries out through the production of comics that narrate real stories of human rights violations and their collective struggles (all of which took place in the Litoral region of our country), having previously made a brief but rich tour through the history of the documentary comic in Argentina. Secondly, an analysis of the research process done for the production of the comic We all knew is provided. This production reconstructs, by means of interviews and documentary research, the web of institutional violence which made the kidnapping, disappearance and murder of Franco Casco possible. Lastly, conclusions are presented, focusing on the ethical and political value of the proposal, as it constitutes a contribution in the construction of “popular paradigms of justice’’. El presente artículo tiene como finalidad recuperar dos líneas de trabajo en el campo de la militancia por los derechos humanos. En primer lugar, nos proponemos describir la práctica estético-política que el Colectivo Editorial Aguará lleva adelante a través de la producción de historietas que narran historias de violaciones a los derechos humanos y sus luchas colectivas, sucedidas en la región Litoral de nuestro país, realizando previamente, un breve, pero nutrido recorrido por los antecedentes de la historieta documental en Argentina. En segundo lugar, presentamos un análisis del proceso de investigación realizado para la producción de la historieta “Todos Sabíamos”. Producción donde se reconstruye a través de entrevistas e investigación documental la trama de violencia institucional que hizo posible el secuestro, la desaparición y el asesinato de Franco Casco. Por último, se presentan las conclusiones, rescatándose el valor ético y político de la propuesta, en tanto, constituye un aporte en la construcción de “paradigmas populares de justicia”. Universidad Nacional de Rosario 2022-01-07 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://perspectivasrcs.unr.edu.ar/index.php/PRCS/article/view/532 10.35305/prcs.vi12.532 Perspectivas Revista de Ciencias Sociales; Vol. 6 No. 12 (2021): Perspectivas Revista de Ciencias Sociales No. 12 Julio-Diciembre 2021; 498-511 Perspectivas Revista de Ciencias Sociales; Vol. 6 Núm. 12 (2021): Perspectivas Revista de Ciencias Sociales No. 12 Julio-Diciembre 2021; 498-511 2525-1112 spa https://perspectivasrcs.unr.edu.ar/index.php/PRCS/article/view/532/311 Derechos de autor 2021 Autor https://creativecommons.org/licenses/by-nc-sa/4.0/deed.es
institution Universidad Nacional de Rosario
institution_str I-15
repository_str R-203
container_title_str Perspectivas – Revista de Ciencias Sociales
language Español
format Artículo revista
topic Comic
Human Rights
Institutional Violence
Historiera
Derechos Humanos
Violencia Institucional
spellingShingle Comic
Human Rights
Institutional Violence
Historiera
Derechos Humanos
Violencia Institucional
Gullino Valenzuela, Sabrina
Gómez, Matías
Schiffino, Beatriz
The documentary comic as an aesthetic-political resource to address institutional violence
topic_facet Comic
Human Rights
Institutional Violence
Historiera
Derechos Humanos
Violencia Institucional
author Gullino Valenzuela, Sabrina
Gómez, Matías
Schiffino, Beatriz
author_facet Gullino Valenzuela, Sabrina
Gómez, Matías
Schiffino, Beatriz
author_sort Gullino Valenzuela, Sabrina
title The documentary comic as an aesthetic-political resource to address institutional violence
title_short The documentary comic as an aesthetic-political resource to address institutional violence
title_full The documentary comic as an aesthetic-political resource to address institutional violence
title_fullStr The documentary comic as an aesthetic-political resource to address institutional violence
title_full_unstemmed The documentary comic as an aesthetic-political resource to address institutional violence
title_sort documentary comic as an aesthetic-political resource to address institutional violence
description The purpose of this article is to recover two lines of work in the field of human rights activism.Firstly, we aim at describing the aesthetic-political practice that the Editorial Group Aguará carries out through the production of comics that narrate real stories of human rights violations and their collective struggles (all of which took place in the Litoral region of our country), having previously made a brief but rich tour through the history of the documentary comic in Argentina. Secondly, an analysis of the research process done for the production of the comic We all knew is provided. This production reconstructs, by means of interviews and documentary research, the web of institutional violence which made the kidnapping, disappearance and murder of Franco Casco possible. Lastly, conclusions are presented, focusing on the ethical and political value of the proposal, as it constitutes a contribution in the construction of “popular paradigms of justice’’.
publisher Universidad Nacional de Rosario
publishDate 2022
url https://perspectivasrcs.unr.edu.ar/index.php/PRCS/article/view/532
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first_indexed 2023-05-11T18:45:24Z
last_indexed 2023-05-11T18:45:24Z
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