The struggle for the radio. Government, unions and spectacle in the origins of peronism (1943-1946)

Until mid XXth Century, radio played a fundamental role in shaping hegemony, and was almost the only source of information and cultural reference point for the popular sector. It was a fundamental part in the media policy during the first peronism. However, the military government where Perón constr...

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Autor principal: Lindenboim, Federico Mario
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Ciencia Política y Relaciones Internacionales, Universidad Nacional de Rosario 2020
Materias:
radio
peronism
spectacle
hegemony
unions
radiofonía
peronismo
espectáculo
hegemonía
gremios
Acceso en línea:https://latrama.unr.edu.ar/index.php/trama/article/view/741
Aporte de:
La Trama de la Comunicación de Universidad Nacional de Rosario
id I15-R200-article-741
record_format ojs
spelling I15-R200-article-7412021-07-13T13:23:53Z The struggle for the radio. Government, unions and spectacle in the origins of peronism (1943-1946) La disputa por la radio. Gobierno, gremios y espectáculo en los inicios del peronismo (1943-1946) Lindenboim, Federico Mario radio peronism spectacle hegemony unions radiofonía peronismo espectáculo hegemonía gremios Until mid XXth Century, radio played a fundamental role in shaping hegemony, and was almost the only source of information and cultural reference point for the popular sector. It was a fundamental part in the media policy during the first peronism. However, the military government where Perón constructed its public persona and political capital remains relatively unexplored in academic studies, especially through the political actions on media.This paper aims to outline the relationship between military powers, radio owners, the star system, and radio workers unions from 1943 until the end of the radio worker’s strike in 1946. In doing so, I explore the shifting dynamics between radio worker’s unions and the military government during this period, as well as others involved in the spectacle field at the time. This paper postulates that strike ended this confrontation period, and allowed the peronist government to effectively achieved a dominant position in the field, which led to an heteronomy proces in it. Hasta mediados del siglo XX, la radiofonía tuvo un rol fundamental en la construcción de hegemonía, además de fuente de información y referencia cultural casi excluyente de los sectores populares. Fue una parte fundamental de la política mediática desarrollada por el primer peronismo. Sin embargo, el gobierno militar, donde Perón construyo su figura y capital político, permanece todavía poco analizado en trabajos académicos, principalmente en torno a las medidas hacia los medios de comunicación.Este trabajo busca problematizar las relaciones establecidas entre militares en el poder, propietarios de emisoras de radio, el sistema de estrellas y los gremios con actuación en la radiofonía, desde junio de 1943 hasta el final de la huelga de los trabajadores radiales en 1946. Para ello se trabaja la dinámica de los cambios en las posiciones de las organizaciones de trabajadores y del gobierno militar durante el período recortado, así como la de otros agentes del campo del espectáculo del período. Se propone que el resultado de dicha huelga logró cerrar un período de enfrentamientos, permitiendo al gobierno peronista posicionarse como dominante en el interior del campo, iniciando un proceso de heteronomización del mismo. Facultad de Ciencia Política y Relaciones Internacionales, Universidad Nacional de Rosario 2020-09-26 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares application/pdf https://latrama.unr.edu.ar/index.php/trama/article/view/741 10.35305/lt.v24i2.741 Journal La Trama de la Comunicación; Vol. 24 No. 2 (2020); 015-031 La Trama de la Comunicación; Vol. 24 Núm. 2 (2020); 015-031 La Trama de la Comunicación; v. 24 n. 2 (2020); 015-031 2314-2634 1668-5628 spa https://latrama.unr.edu.ar/index.php/trama/article/view/741/491
institution Universidad Nacional de Rosario
institution_str I-15
repository_str R-200
container_title_str La Trama de la Comunicación
language Español
format Artículo revista
topic radio
peronism
spectacle
hegemony
unions
radiofonía
peronismo
espectáculo
hegemonía
gremios
spellingShingle radio
peronism
spectacle
hegemony
unions
radiofonía
peronismo
espectáculo
hegemonía
gremios
Lindenboim, Federico Mario
The struggle for the radio. Government, unions and spectacle in the origins of peronism (1943-1946)
topic_facet radio
peronism
spectacle
hegemony
unions
radiofonía
peronismo
espectáculo
hegemonía
gremios
author Lindenboim, Federico Mario
author_facet Lindenboim, Federico Mario
author_sort Lindenboim, Federico Mario
title The struggle for the radio. Government, unions and spectacle in the origins of peronism (1943-1946)
title_short The struggle for the radio. Government, unions and spectacle in the origins of peronism (1943-1946)
title_full The struggle for the radio. Government, unions and spectacle in the origins of peronism (1943-1946)
title_fullStr The struggle for the radio. Government, unions and spectacle in the origins of peronism (1943-1946)
title_full_unstemmed The struggle for the radio. Government, unions and spectacle in the origins of peronism (1943-1946)
title_sort struggle for the radio. government, unions and spectacle in the origins of peronism (1943-1946)
description Until mid XXth Century, radio played a fundamental role in shaping hegemony, and was almost the only source of information and cultural reference point for the popular sector. It was a fundamental part in the media policy during the first peronism. However, the military government where Perón constructed its public persona and political capital remains relatively unexplored in academic studies, especially through the political actions on media.This paper aims to outline the relationship between military powers, radio owners, the star system, and radio workers unions from 1943 until the end of the radio worker’s strike in 1946. In doing so, I explore the shifting dynamics between radio worker’s unions and the military government during this period, as well as others involved in the spectacle field at the time. This paper postulates that strike ended this confrontation period, and allowed the peronist government to effectively achieved a dominant position in the field, which led to an heteronomy proces in it.
publisher Facultad de Ciencia Política y Relaciones Internacionales, Universidad Nacional de Rosario
publishDate 2020
url https://latrama.unr.edu.ar/index.php/trama/article/view/741
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first_indexed 2023-05-11T18:41:33Z
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