Representações de guerra nas pinturas rupestres da Serra da Capivara, Pi, Brasil

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The first archaeological investigations carried out in the Serra da Capivara National Park, southeastern Piauí-Brazil, began in the 70’s conducted by the archaeologist Niède Guidon, with the aim of contextualizing the sites with rock paintings, resulting in a hypothetical prior arrangement for a rec...

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Autores principales: da Silva Belarmino, Vanessa, Justamand, Michel, Frechiani de Oliveira, Gabriel
Formato: Artículo revista
Lenguaje:Español
Publicado: Archaeology Department of the School of Anthropology, Faculty of the Humanities and Arts, National University of Rosario 2020
Materias:
rock paintings
scenes of war
Serra da Capivara - PI
grafismos rupestres
cenas de guerra
Serra da Capivara – PI
Acceso en línea:https://revistaanuarioarqueologia.unr.edu.ar/index.php/AA/article/view/31
Aporte de:
Anuario de Arqueología de Universidad Nacional de Rosario
id I15-R197-article-31
record_format ojs
spelling I15-R197-article-312021-01-12T21:24:39Z Representações de guerra nas pinturas rupestres da Serra da Capivara, Pi, Brasil da Silva Belarmino, Vanessa Justamand, Michel Frechiani de Oliveira, Gabriel rock paintings scenes of war Serra da Capivara - PI grafismos rupestres cenas de guerra Serra da Capivara – PI The first archaeological investigations carried out in the Serra da Capivara National Park, southeastern Piauí-Brazil, began in the 70’s conducted by the archaeologist Niède Guidon, with the aim of contextualizing the sites with rock paintings, resulting in a hypothetical prior arrangement for a recognition of cultural identities and chronologies. The classificatory definition of Tradition starts from the typological similarities that are found between the graphisms. In this research, rock art is considered as a means of communication, in which it follows a pre-established code. The aggressive and violent behavior can be seen in the archaeological record in destroyed villages, human skeletons with marks of fractures and in the gestuality represented in rock drawings. This research aims at identifying graphic patterns present in war scenes, and has as a specific objective the identification of recognizable elements, such as anthropomorphs, objects of use, and cultural attributes. In the primitive groups, aggressive and violent behavior had diverse motivations, cultural rituals, conflicts between groups, or acquisition of essential resources for the survival of the group. As primeiras pesquisas arqueológicas realizadas na área do Parque Nacional Serra da Capivara, sudeste do Piauí-Brasil, iniciaram-se na década de 70, conduzidas pela arqueóloga Niède Guidon, com o objetivo de contextualizar os sítios com grafismos rupestres, resultando em um ordenamento prévio hipotético para um reconhecimento das identidades culturais e cronologias. A definição classificatória de Tradição parte das semelhanças tipológicas que são encontradas entre os grafismos. Nas pesquisas, os grafismos rupestres são considerados como um meio de comunicação que seguem um código pré-estabelecido. O comportamento agressivo e violento pode ser identificado no registro arqueológico em aldeias destruídas, tais como esqueletos humanos com marcas de fraturas e na gestualidade representada nos grafismos rupestres. Nosso artigo se refere a uma pesquisa em andamento e tem por objetivo a identificação de padrões gráficos presentes nas cenas de guerra e, como objetivo específico, a identificação de elementos reconhecíveis, como antropomorfos, objetos de usos e outros possíveis atributos culturais. Parece-nos que entre os grupos primitivos, o comportamento agressivo e violento poderia ocorrer por diversas motivações, obedecendo a ritos culturais, conflitos entre grupos, ou ainda, a aquisição de recursos essenciais para a sobrevivência do grupo. Archaeology Department of the School of Anthropology, Faculty of the Humanities and Arts, National University of Rosario 2020-06-22 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistaanuarioarqueologia.unr.edu.ar/index.php/AA/article/view/31 10.35305/aa.vi9.31 Anuario de Arqueología; Vol. 9 No. 9 (1017); 39-51 Anuario de Arqueología; Vol. 9 Núm. 9 (1017); 39-51 2684-0138 1852-8554 spa https://revistaanuarioarqueologia.unr.edu.ar/index.php/AA/article/view/31/26
institution Universidad Nacional de Rosario
institution_str I-15
repository_str R-197
container_title_str Anuario de Arqueología
language Español
format Artículo revista
topic rock paintings
scenes of war
Serra da Capivara - PI
grafismos rupestres
cenas de guerra
Serra da Capivara – PI
spellingShingle rock paintings
scenes of war
Serra da Capivara - PI
grafismos rupestres
cenas de guerra
Serra da Capivara – PI
da Silva Belarmino, Vanessa
Justamand, Michel
Frechiani de Oliveira, Gabriel
Representações de guerra nas pinturas rupestres da Serra da Capivara, Pi, Brasil
topic_facet rock paintings
scenes of war
Serra da Capivara - PI
grafismos rupestres
cenas de guerra
Serra da Capivara – PI
author da Silva Belarmino, Vanessa
Justamand, Michel
Frechiani de Oliveira, Gabriel
author_facet da Silva Belarmino, Vanessa
Justamand, Michel
Frechiani de Oliveira, Gabriel
author_sort da Silva Belarmino, Vanessa
title Representações de guerra nas pinturas rupestres da Serra da Capivara, Pi, Brasil
title_short Representações de guerra nas pinturas rupestres da Serra da Capivara, Pi, Brasil
title_full Representações de guerra nas pinturas rupestres da Serra da Capivara, Pi, Brasil
title_fullStr Representações de guerra nas pinturas rupestres da Serra da Capivara, Pi, Brasil
title_full_unstemmed Representações de guerra nas pinturas rupestres da Serra da Capivara, Pi, Brasil
title_sort representações de guerra nas pinturas rupestres da serra da capivara, pi, brasil
description The first archaeological investigations carried out in the Serra da Capivara National Park, southeastern Piauí-Brazil, began in the 70’s conducted by the archaeologist Niède Guidon, with the aim of contextualizing the sites with rock paintings, resulting in a hypothetical prior arrangement for a recognition of cultural identities and chronologies. The classificatory definition of Tradition starts from the typological similarities that are found between the graphisms. In this research, rock art is considered as a means of communication, in which it follows a pre-established code. The aggressive and violent behavior can be seen in the archaeological record in destroyed villages, human skeletons with marks of fractures and in the gestuality represented in rock drawings. This research aims at identifying graphic patterns present in war scenes, and has as a specific objective the identification of recognizable elements, such as anthropomorphs, objects of use, and cultural attributes. In the primitive groups, aggressive and violent behavior had diverse motivations, cultural rituals, conflicts between groups, or acquisition of essential resources for the survival of the group.
publisher Archaeology Department of the School of Anthropology, Faculty of the Humanities and Arts, National University of Rosario
publishDate 2020
url https://revistaanuarioarqueologia.unr.edu.ar/index.php/AA/article/view/31
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AT justamandmichel representacoesdeguerranaspinturasrupestresdaserradacapivarapibrasil
AT frechianideoliveiragabriel representacoesdeguerranaspinturasrupestresdaserradacapivarapibrasil
first_indexed 2023-05-12T14:15:44Z
last_indexed 2023-05-12T14:15:44Z
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