The parti concept in crisis

In recent years, the discourse on the architectural project –at least in certain groups of architects in Buenos Aires– have begun to step out of the enunciation of a parti idea, just as it could be expected until then. This means that it has no longer been interesting for architects to explain, in a...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: Kogan, Carolina Andrea
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Arquitectura, Planeamiento y Diseño | Universidad Nacional de Rosario 2022
Materias:
Acceso en línea:https://www.ayp.fapyd.unr.edu.ar/index.php/ayp/article/view/386
Aporte de:
id I15-R196-article-386
record_format ojs
spelling I15-R196-article-3862023-03-14T09:50:43Z The parti concept in crisis El partido en crisis Kogan, Carolina Andrea Architecture project parti process didactics arquitectura proyecto partido proceso didáctica In recent years, the discourse on the architectural project –at least in certain groups of architects in Buenos Aires– have begun to step out of the enunciation of a parti idea, just as it could be expected until then. This means that it has no longer been interesting for architects to explain, in a few words and with a synthetic sketch, the initial totalizing idea –the parti– to which all the design decisions responded. The present discourse has moved towards the narration of the design process, which is usually neither a priori nor idealistic, i.e., it has left behind the features underlying the notion of parti. From a historical perspective, this article aims to examine some changes in the project culture through the review of certain academic experiences that took place in the Faculty of Architecture, Design and Urbanism of the University of Buenos Aires at the turn of the millennium. It is argued that the crisis of the parti idea is due to several factors: the criticism of an established project didactics, the conditions of architectural production in Argentina, the wider changes in sensitivity arising after the postmodern criticism as well as the technological advances linked to information technology which, in turn, have been disrupting the design practice. En los últimos años, el discurso sobre el proyecto arquitectónico –al menos en ciertos ámbitos de Buenos Aires– comenzó a prescindir de la enunciación de un partido, como hasta entonces podía esperarse; es decir, ya no interesa que los arquitectos expliquen, a partir de unas pocas palabras y un croquis sintético, la idea totalizadora inicial –el partido– a la que todas las decisiones proyectuales debieron responder. En el presente, el discurso se ha desplazado hacia la narración de un proceso proyectual que no suele ser ni apriorístico ni idealista como el que la noción de partido supone. Desde una perspectiva histórica, este artículo pretende examinar algunos cambios que se produjeron en la cultura del proyecto, revisando sobre todo ciertas experiencias académicas que tuvieron lugar en la Facultad de Arquitectura, Diseño y Urbanismo de la Universidad de Buenos Aires hacia el cambio del milenio. Se sostiene que la crisis del partido responde a varios factores: a la crítica a una didáctica establecida, a las condiciones de producción arquitectónica en el país, a los cambios más amplios de sensibilidad que surgieron tras la crítica posmoderna y también a los avances tecnológicos vinculados a la informática, que comenzaron a trastocar la práctica proyectual. Facultad de Arquitectura, Planeamiento y Diseño | Universidad Nacional de Rosario 2022-12-12 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion text/html application/pdf application/zip https://www.ayp.fapyd.unr.edu.ar/index.php/ayp/article/view/386 10.35305/23626097v9i17.386 A&P Continuidad; Vol. 9 Núm. 17 (2022): LA FORMACIÓN EN ARQUITECTURA. REVISIONES EN SU DEVENIR 2362-6097 2362-6089 spa https://www.ayp.fapyd.unr.edu.ar/index.php/ayp/article/view/386/414 https://www.ayp.fapyd.unr.edu.ar/index.php/ayp/article/view/386/428 https://www.ayp.fapyd.unr.edu.ar/index.php/ayp/article/view/386/440 Derechos de autor 2022 A&P Continuidad http://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Rosario
institution_str I-15
repository_str R-196
container_title_str A&P Continuidad
language Español
format Artículo revista
topic Architecture
project
parti
process
didactics
arquitectura
proyecto
partido
proceso
didáctica
spellingShingle Architecture
project
parti
process
didactics
arquitectura
proyecto
partido
proceso
didáctica
Kogan, Carolina Andrea
The parti concept in crisis
topic_facet Architecture
project
parti
process
didactics
arquitectura
proyecto
partido
proceso
didáctica
author Kogan, Carolina Andrea
author_facet Kogan, Carolina Andrea
author_sort Kogan, Carolina Andrea
title The parti concept in crisis
title_short The parti concept in crisis
title_full The parti concept in crisis
title_fullStr The parti concept in crisis
title_full_unstemmed The parti concept in crisis
title_sort parti concept in crisis
description In recent years, the discourse on the architectural project –at least in certain groups of architects in Buenos Aires– have begun to step out of the enunciation of a parti idea, just as it could be expected until then. This means that it has no longer been interesting for architects to explain, in a few words and with a synthetic sketch, the initial totalizing idea –the parti– to which all the design decisions responded. The present discourse has moved towards the narration of the design process, which is usually neither a priori nor idealistic, i.e., it has left behind the features underlying the notion of parti. From a historical perspective, this article aims to examine some changes in the project culture through the review of certain academic experiences that took place in the Faculty of Architecture, Design and Urbanism of the University of Buenos Aires at the turn of the millennium. It is argued that the crisis of the parti idea is due to several factors: the criticism of an established project didactics, the conditions of architectural production in Argentina, the wider changes in sensitivity arising after the postmodern criticism as well as the technological advances linked to information technology which, in turn, have been disrupting the design practice.
publisher Facultad de Arquitectura, Planeamiento y Diseño | Universidad Nacional de Rosario
publishDate 2022
url https://www.ayp.fapyd.unr.edu.ar/index.php/ayp/article/view/386
work_keys_str_mv AT kogancarolinaandrea theparticonceptincrisis
AT kogancarolinaandrea elpartidoencrisis
AT kogancarolinaandrea particonceptincrisis
first_indexed 2023-05-11T18:38:41Z
last_indexed 2023-05-11T18:38:41Z
_version_ 1765624063693160448