Dutch Pavilion in Hannover Expo 2000 World’s Fair

Hannover Expo 2000 World’s Fair was held under the motto: Man, Nature and Technology – Origin of a New World. Almost twenty years afterwards, the Dutch Pavilion remains as the most representative image of not only the disciplinary field but also mass culture. Under the motto Holland creates space, M...

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Autor principal: Vicente, Pablo
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Arquitectura, Planeamiento y Diseño | Universidad Nacional de Rosario 2018
Materias:
architecture
criticism
Holland
space
symbolic capital
Arquitectura
critica
Holanda
espacio
capital simbólico
Acceso en línea:https://www.ayp.fapyd.unr.edu.ar/index.php/ayp/article/view/33
Aporte de:
A&P Continuidad de Universidad Nacional de Rosario
id I15-R196-article-33
record_format ojs
spelling I15-R196-article-332019-10-10T12:37:37Z Dutch Pavilion in Hannover Expo 2000 World’s Fair Pabellón holandés en la Exposición de Hannover 2000. Vicente, Pablo architecture criticism Holland space symbolic capital Arquitectura critica Holanda espacio capital simbólico Hannover Expo 2000 World’s Fair was held under the motto: Man, Nature and Technology – Origin of a New World. Almost twenty years afterwards, the Dutch Pavilion remains as the most representative image of not only the disciplinary field but also mass culture. Under the motto Holland creates space, MvRdV sought to devise a self-sustaining unit grounded on the water-cycle artificial recreation. The aim was to show the plausibility of the co-existence of both population density and quality life increase. Global culture times –which are characterized by the ceaseless flow of mass consumption images- have led to the discussion of architecture’s own role as never before because of the conditions affecting its grounds. They have also given raise to a gap between the completed object and the individual’s space experience as well as a conflict absence considered to be a cultural productive value. Criticism becomes crucial when facing the hegemonic discourse that indistinctively imposes behaviors. It should be necessary to focus on the key role played by the discipline in the development of symbolic capital which deals with environmental concerns as emerging contemporary issues. La exposición de Hannover (2000) se desarrolló bajo el lema: Hombre, naturaleza y tecnología - origen de un nuevo mundo. Casi veinte años después, el edificio del Pabellón Holandés continúa siendo su imagen más representativa, no solo en el restringido campo disciplinar, también en el campo de la cultura de masas. Bajo el lema Holanda crea espacio, MvRdV decidió la creación de una unidad autosustentable a partir de la recreación en forma artificial del ciclo del agua para evidenciar la posibilidad de coexistencia entre el crecimiento de la densidad de población y el aumento de la calidad de vida. En tiempos de cultura de la globalidad, caracterizada por la producción incesante de imágenes de consumo masivo, la Arquitectura se debate como nunca antes frente a condiciones que afectan sus propias bases. Son tiempos de distancia del objeto terminado respecto de la experiencia espacial del sujeto, de la ausencia del conflicto como un valor productivo en la cultura. El rol de la crítica se vuelve clave para enfrentar el discurso hegemónico que impone conductas en forma indiferenciada. Se torna necesario poner en foco el rol decisivo de la disciplina en la producción de capital simbólico donde la preocupación ambiental es uno de los emergentes contemporáneos.   Facultad de Arquitectura, Planeamiento y Diseño | Universidad Nacional de Rosario 2018-03-13 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://www.ayp.fapyd.unr.edu.ar/index.php/ayp/article/view/33 10.35305/23626097v4i6.33 A&P Continuidad; Vol. 4 Núm. 6 (2017): PROYECTO CONTEMPORÁNEO: EL LUGAR DE LA HISTORIA; 104-111 2362-6097 2362-6089 spa https://www.ayp.fapyd.unr.edu.ar/index.php/ayp/article/view/33/15 Derechos de autor 2017 A&P Continuidad https://creativecommons.org/licenses/by-nc-nd/4.0/
institution Universidad Nacional de Rosario
institution_str I-15
repository_str R-196
container_title_str A&P Continuidad
language Español
format Artículo revista
topic architecture
criticism
Holland
space
symbolic capital
Arquitectura
critica
Holanda
espacio
capital simbólico
spellingShingle architecture
criticism
Holland
space
symbolic capital
Arquitectura
critica
Holanda
espacio
capital simbólico
Vicente, Pablo
Dutch Pavilion in Hannover Expo 2000 World’s Fair
topic_facet architecture
criticism
Holland
space
symbolic capital
Arquitectura
critica
Holanda
espacio
capital simbólico
author Vicente, Pablo
author_facet Vicente, Pablo
author_sort Vicente, Pablo
title Dutch Pavilion in Hannover Expo 2000 World’s Fair
title_short Dutch Pavilion in Hannover Expo 2000 World’s Fair
title_full Dutch Pavilion in Hannover Expo 2000 World’s Fair
title_fullStr Dutch Pavilion in Hannover Expo 2000 World’s Fair
title_full_unstemmed Dutch Pavilion in Hannover Expo 2000 World’s Fair
title_sort dutch pavilion in hannover expo 2000 world’s fair
description Hannover Expo 2000 World’s Fair was held under the motto: Man, Nature and Technology – Origin of a New World. Almost twenty years afterwards, the Dutch Pavilion remains as the most representative image of not only the disciplinary field but also mass culture. Under the motto Holland creates space, MvRdV sought to devise a self-sustaining unit grounded on the water-cycle artificial recreation. The aim was to show the plausibility of the co-existence of both population density and quality life increase. Global culture times –which are characterized by the ceaseless flow of mass consumption images- have led to the discussion of architecture’s own role as never before because of the conditions affecting its grounds. They have also given raise to a gap between the completed object and the individual’s space experience as well as a conflict absence considered to be a cultural productive value. Criticism becomes crucial when facing the hegemonic discourse that indistinctively imposes behaviors. It should be necessary to focus on the key role played by the discipline in the development of symbolic capital which deals with environmental concerns as emerging contemporary issues.
publisher Facultad de Arquitectura, Planeamiento y Diseño | Universidad Nacional de Rosario
publishDate 2018
url https://www.ayp.fapyd.unr.edu.ar/index.php/ayp/article/view/33
work_keys_str_mv AT vicentepablo dutchpavilioninhannoverexpo2000worldsfair
AT vicentepablo pabellonholandesenlaexposiciondehannover2000
first_indexed 2023-05-11T18:38:06Z
last_indexed 2023-05-11T18:38:06Z
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