The figure of the finisher in La acabadora (2011) by Michela Murgia. Tradition and modernity

The aim of this article is to analyse the figure of the finisher, the woman who "helps" to die, embodied in the character of Bonaria Urrai in the novel La acabadora (2011), by Michela Murgia. In turn, this text will develop the conception of euthanasia in the work and the representation of...

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Autor principal: Astorquia, Aranza Belén
Formato: Artículo revista
Lenguaje:Español
Publicado: Instituto de Literaturas Modernas 2021
Materias:
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/literaturasmodernas/article/view/5493
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record_format ojs
institution Universidad Nacional de Cuyo
institution_str I-11
repository_str R-93
container_title_str Revista de literaturas modernas
language Español
format Artículo revista
topic La acabadora
Eutanasia
Tradición
Modernidad
La acabadora
Euthanasia
Tradition
Modernness
spellingShingle La acabadora
Eutanasia
Tradición
Modernidad
La acabadora
Euthanasia
Tradition
Modernness
Astorquia, Aranza Belén
The figure of the finisher in La acabadora (2011) by Michela Murgia. Tradition and modernity
topic_facet La acabadora
Eutanasia
Tradición
Modernidad
La acabadora
Euthanasia
Tradition
Modernness
author Astorquia, Aranza Belén
author_facet Astorquia, Aranza Belén
author_sort Astorquia, Aranza Belén
title The figure of the finisher in La acabadora (2011) by Michela Murgia. Tradition and modernity
title_short The figure of the finisher in La acabadora (2011) by Michela Murgia. Tradition and modernity
title_full The figure of the finisher in La acabadora (2011) by Michela Murgia. Tradition and modernity
title_fullStr The figure of the finisher in La acabadora (2011) by Michela Murgia. Tradition and modernity
title_full_unstemmed The figure of the finisher in La acabadora (2011) by Michela Murgia. Tradition and modernity
title_sort figure of the finisher in la acabadora (2011) by michela murgia. tradition and modernity
description The aim of this article is to analyse the figure of the finisher, the woman who "helps" to die, embodied in the character of Bonaria Urrai in the novel La acabadora (2011), by Michela Murgia. In turn, this text will develop the conception of euthanasia in the work and the representation of the two opposing positions in relation to this practice, taking into consideration the naturalness with which the task of Bonaria is presented in Soreni, a fictional town located in the island of Sardinia, where the story takes place. Likewise, the perception of community members and the tension / coexistence of this practice with the values ​​of the Catholic religion will be analysed. At the same time, another tradition represented in the novel will be addressed: the fillus de anima, which refers to the adoption of children agreed between particulars, avoiding the intervention of the State. Taking this exposition as a starting point, the article will reflect on the modernness and the soundness of the Sardinian traditions mentioned above, as well as on the current state of the debate about “dignified death”.
publisher Instituto de Literaturas Modernas
publishDate 2021
url https://revistas.uncu.edu.ar/ojs3/index.php/literaturasmodernas/article/view/5493
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first_indexed 2022-06-20T13:33:18Z
last_indexed 2022-06-20T13:33:18Z
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