Hilda Mundy: a "feminist" essay of the vanguardist literature in Latin America

Based on the study of bolivian ultraism and its representative, Hilda Mundy, the following work presents a rereading and critical analysis of Pirotecnia. Ensayo miedoso de la Literatura Ultraísta (1936), the first and only work published in life, by the bolivian writer. We propose to reflect, from t...

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Autor principal: Gómez Groppa, María Luz
Formato: Artículo revista
Lenguaje:Español
Publicado: Instituto de Literaturas Modernas 2019
Materias:
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/literaturasmodernas/article/view/2713
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record_format ojs
institution Universidad Nacional de Cuyo
institution_str I-11
repository_str R-93
container_title_str Revista de literaturas modernas
language Español
format Artículo revista
topic Hilda Mundy
Vanguardia
Literatura
Crítica literaria
Feminismo
Hilda Mundy
Vanguard
Literature
Literary Criticism
Feminism
spellingShingle Hilda Mundy
Vanguardia
Literatura
Crítica literaria
Feminismo
Hilda Mundy
Vanguard
Literature
Literary Criticism
Feminism
Gómez Groppa, María Luz
Hilda Mundy: a "feminist" essay of the vanguardist literature in Latin America
topic_facet Hilda Mundy
Vanguardia
Literatura
Crítica literaria
Feminismo
Hilda Mundy
Vanguard
Literature
Literary Criticism
Feminism
author Gómez Groppa, María Luz
author_facet Gómez Groppa, María Luz
author_sort Gómez Groppa, María Luz
title Hilda Mundy: a "feminist" essay of the vanguardist literature in Latin America
title_short Hilda Mundy: a "feminist" essay of the vanguardist literature in Latin America
title_full Hilda Mundy: a "feminist" essay of the vanguardist literature in Latin America
title_fullStr Hilda Mundy: a "feminist" essay of the vanguardist literature in Latin America
title_full_unstemmed Hilda Mundy: a "feminist" essay of the vanguardist literature in Latin America
title_sort hilda mundy: a "feminist" essay of the vanguardist literature in latin america
description Based on the study of bolivian ultraism and its representative, Hilda Mundy, the following work presents a rereading and critical analysis of Pirotecnia. Ensayo miedoso de la Literatura Ultraísta (1936), the first and only work published in life, by the bolivian writer. We propose to reflect, from the perspective of feminist studies and gender theories, about the tensions and debates that within the literary system produces the appearance of this work and the logic by which it is marginalized from the canon of Latin American literary avant-gardes.
publisher Instituto de Literaturas Modernas
publishDate 2019
url https://revistas.uncu.edu.ar/ojs3/index.php/literaturasmodernas/article/view/2713
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