isualizations of the Aesthetic Experience: De vuelta de Italia (1888), by Benito Pérez Galdós

Framed in the multidisciplinary and plastic facet of Benito Pérez Galdós (1843-1920), the aim of this paper is to study the importance of visual composition in his books of travel, aesthetic-cultural tours around the old continent. In particular, we will analyze some of the procedures used in De vue...

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Autor principal: Arias, Nadia
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Literatura Comparada 2021
Materias:
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/boletinliteratura/article/view/4901
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record_format ojs
institution Universidad Nacional de Cuyo
institution_str I-11
repository_str R-92
container_title_str Boletín de Literatura Comparada
language Español
format Artículo revista
topic Benito Pérez Galdós
Relato de viaje
Discurso visual
Benito Pérez Galdós
Travel Report
Visual Discourse
spellingShingle Benito Pérez Galdós
Relato de viaje
Discurso visual
Benito Pérez Galdós
Travel Report
Visual Discourse
Arias, Nadia
isualizations of the Aesthetic Experience: De vuelta de Italia (1888), by Benito Pérez Galdós
topic_facet Benito Pérez Galdós
Relato de viaje
Discurso visual
Benito Pérez Galdós
Travel Report
Visual Discourse
author Arias, Nadia
author_facet Arias, Nadia
author_sort Arias, Nadia
title isualizations of the Aesthetic Experience: De vuelta de Italia (1888), by Benito Pérez Galdós
title_short isualizations of the Aesthetic Experience: De vuelta de Italia (1888), by Benito Pérez Galdós
title_full isualizations of the Aesthetic Experience: De vuelta de Italia (1888), by Benito Pérez Galdós
title_fullStr isualizations of the Aesthetic Experience: De vuelta de Italia (1888), by Benito Pérez Galdós
title_full_unstemmed isualizations of the Aesthetic Experience: De vuelta de Italia (1888), by Benito Pérez Galdós
title_sort isualizations of the aesthetic experience: de vuelta de italia (1888), by benito pérez galdós
description Framed in the multidisciplinary and plastic facet of Benito Pérez Galdós (1843-1920), the aim of this paper is to study the importance of visual composition in his books of travel, aesthetic-cultural tours around the old continent. In particular, we will analyze some of the procedures used in De vuelta de Italia that contribute to the story’s descriptive and visual density. Also, we will verify the challenges that this discursive type poses to the Canarian writer.
publisher Centro de Literatura Comparada
publishDate 2021
url https://revistas.uncu.edu.ar/ojs3/index.php/boletinliteratura/article/view/4901
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