Bertolt Brecht, Kurt Weill and Malvinas War in a play by Abelardo Castillo

This article studies the presence of compositions by Bertolt Brecht and Kurt Weill (Die Dreigroschenoper, 1928, and Das Berliner Requiem, 1929) in the play El Señor Brecht en el Salón Dorado (1982), by Abelardo Castillo, considered unavoidable reference in the history of the reception of Brecht- Wei...

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Autor principal: Dubatti, Ricardo
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Literatura Comparada 2019
Materias:
teatro
intertextualidad
poética comparada
liminalidad
metáfora epistemológica
representación
theater
intertextuality
Comparative Poetics
liminality
epistemological metaphor
repretations
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/boletinliteratura/article/view/2185
Aporte de:
Boletín de Literatura Comparada de Universidad Nacional de Cuyo
id I11-R92article-2185
record_format ojs
institution Universidad Nacional de Cuyo
institution_str I-11
repository_str R-92
container_title_str Boletín de Literatura Comparada
language Español
format Artículo revista
topic teatro
intertextualidad
poética comparada
liminalidad
metáfora epistemológica
representación
theater
intertextuality
Comparative Poetics
liminality
epistemological metaphor
repretations
spellingShingle teatro
intertextualidad
poética comparada
liminalidad
metáfora epistemológica
representación
theater
intertextuality
Comparative Poetics
liminality
epistemological metaphor
repretations
Dubatti, Ricardo
Bertolt Brecht, Kurt Weill and Malvinas War in a play by Abelardo Castillo
topic_facet teatro
intertextualidad
poética comparada
liminalidad
metáfora epistemológica
representación
theater
intertextuality
Comparative Poetics
liminality
epistemological metaphor
repretations
author Dubatti, Ricardo
author_facet Dubatti, Ricardo
author_sort Dubatti, Ricardo
title Bertolt Brecht, Kurt Weill and Malvinas War in a play by Abelardo Castillo
title_short Bertolt Brecht, Kurt Weill and Malvinas War in a play by Abelardo Castillo
title_full Bertolt Brecht, Kurt Weill and Malvinas War in a play by Abelardo Castillo
title_fullStr Bertolt Brecht, Kurt Weill and Malvinas War in a play by Abelardo Castillo
title_full_unstemmed Bertolt Brecht, Kurt Weill and Malvinas War in a play by Abelardo Castillo
title_sort bertolt brecht, kurt weill and malvinas war in a play by abelardo castillo
description This article studies the presence of compositions by Bertolt Brecht and Kurt Weill (Die Dreigroschenoper, 1928, and Das Berliner Requiem, 1929) in the play El Señor Brecht en el Salón Dorado (1982), by Abelardo Castillo, considered unavoidable reference in the history of the reception of Brecht- Weill in the Argentine theater. From the perspective of Comparative Poetics (Comparative Theater area), the intertextuality of Brecht-Weill is analyzed in the structure of the piece, as well as its relationship with various abstract poetics (liminal theater, site specific, critical realism, theatricality, expressionism). It is maintained that the texts of Brecht-Weill, resemantized, allow Castillo to compare and connect supraterritorially the Germany of 1940 and the Argentina of the dictatorship and the Malvinas War by the experience of horror. The poetics of Castillo and his intertexts of Brecht-Weill are analyzed as representation (R. Chartier) and as an epistemological metaphor (U. Eco).
publisher Centro de Literatura Comparada
publishDate 2019
url https://revistas.uncu.edu.ar/ojs3/index.php/boletinliteratura/article/view/2185
work_keys_str_mv AT dubattiricardo bertoltbrechtkurtweillandmalvinaswarinaplaybyabelardocastillo
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first_indexed 2022-06-20T13:32:34Z
last_indexed 2022-06-20T13:32:34Z
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