Art as a manifestation of Power in Imperial Rome: the Trajan Propagation in the Monuments

Art is usually considered as a subjective and aesthetic expression of an artist whose implications are a double movement. On the one hand, the work manifests the subjectivity of the one who has executed it; but also on the other, it implies the aesthetic delight of those who observe it.However, art...

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Autor principal: Zaccaria Defferrire, Laura I.
Formato: Artículo revista
Lenguaje:Español
Publicado: Asociación de Estudios Interdisciplinarios sobre Europa (ADEISE) 2020
Materias:
Art
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/europa/article/view/3968
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id I11-R87article-3968
record_format ojs
institution Universidad Nacional de Cuyo
institution_str I-11
repository_str R-87
container_title_str Revista EUROPA
language Español
format Artículo revista
topic Imperio Romano
Trajano
Legitimación del poder
Arte
Monumentos
Roman Empire
Trajan
Legitimization of power
Art
Monuments
spellingShingle Imperio Romano
Trajano
Legitimación del poder
Arte
Monumentos
Roman Empire
Trajan
Legitimization of power
Art
Monuments
Zaccaria Defferrire, Laura I.
Art as a manifestation of Power in Imperial Rome: the Trajan Propagation in the Monuments
topic_facet Imperio Romano
Trajano
Legitimación del poder
Arte
Monumentos
Roman Empire
Trajan
Legitimization of power
Art
Monuments
author Zaccaria Defferrire, Laura I.
author_facet Zaccaria Defferrire, Laura I.
author_sort Zaccaria Defferrire, Laura I.
title Art as a manifestation of Power in Imperial Rome: the Trajan Propagation in the Monuments
title_short Art as a manifestation of Power in Imperial Rome: the Trajan Propagation in the Monuments
title_full Art as a manifestation of Power in Imperial Rome: the Trajan Propagation in the Monuments
title_fullStr Art as a manifestation of Power in Imperial Rome: the Trajan Propagation in the Monuments
title_full_unstemmed Art as a manifestation of Power in Imperial Rome: the Trajan Propagation in the Monuments
title_sort art as a manifestation of power in imperial rome: the trajan propagation in the monuments
description Art is usually considered as a subjective and aesthetic expression of an artist whose implications are a double movement. On the one hand, the work manifests the subjectivity of the one who has executed it; but also on the other, it implies the aesthetic delight of those who observe it.However, art also transmits ideas, messages, symbols, intentions, which have a high social impact; therefore the aesthetic work becomes another way of communication. In this way, the authority can use art as a propagandistic element, as a discursive resource, to install an idea that arises from the ruler (sender) to those who are governed (receiver).The intention of the present work is to analyze the imperial propaganda of Rome in the second century of our era, specifically in the figure the Emperor Trajan by means of the monuments erected in his honor.
publisher Asociación de Estudios Interdisciplinarios sobre Europa (ADEISE)
publishDate 2020
url https://revistas.uncu.edu.ar/ojs3/index.php/europa/article/view/3968
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