Crying in front of the mirror. Sexual politics of beauty in cinema

This article aims to study a set of problematics related to the representation of female beauty in contemporary Argentine cinema focusing on the history of regional beauty pageants, the way bodies are displayed, and the critique of conventional aesthetic parameters. The objective is to comparatively...

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Autor principal: Kratje, Julia
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Ciencias Políticas y Sociales 2022
Materias:
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/millca-digital/article/view/5599
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id I11-R113article-5599
record_format ojs
institution Universidad Nacional de Cuyo
institution_str I-11
repository_str R-113
container_title_str Millcayac - Revista Digital de Ciencias Sociales
language Español
format Artículo revista
topic Género
Cine argentino
Documental
Belleza
Feminismo
Gender
Argentine cinema
Documentary
Beauty
Feminism
spellingShingle Género
Cine argentino
Documental
Belleza
Feminismo
Gender
Argentine cinema
Documentary
Beauty
Feminism
Kratje, Julia
Crying in front of the mirror. Sexual politics of beauty in cinema
topic_facet Género
Cine argentino
Documental
Belleza
Feminismo
Gender
Argentine cinema
Documentary
Beauty
Feminism
author Kratje, Julia
author_facet Kratje, Julia
author_sort Kratje, Julia
title Crying in front of the mirror. Sexual politics of beauty in cinema
title_short Crying in front of the mirror. Sexual politics of beauty in cinema
title_full Crying in front of the mirror. Sexual politics of beauty in cinema
title_fullStr Crying in front of the mirror. Sexual politics of beauty in cinema
title_full_unstemmed Crying in front of the mirror. Sexual politics of beauty in cinema
title_sort crying in front of the mirror. sexual politics of beauty in cinema
description This article aims to study a set of problematics related to the representation of female beauty in contemporary Argentine cinema focusing on the history of regional beauty pageants, the way bodies are displayed, and the critique of conventional aesthetic parameters. The objective is to comparatively analyze the documentaries la Reina (2013), by Manuel Abramovich, and La más bella niña (2004), by Mariano Llinás, which demonstrate new approaches to old questions about the sexual politics of beauty.
publisher Facultad de Ciencias Políticas y Sociales
publishDate 2022
url https://revistas.uncu.edu.ar/ojs3/index.php/millca-digital/article/view/5599
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first_indexed 2022-06-20T13:48:40Z
last_indexed 2022-06-20T13:48:40Z
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