Chaos, circus and war. Instruction manual for Ana María Shua’s game

Ana María Shua's microfictions are a recreational space in which the formal and thematic features of the micro-story are squeezed to the limit. Experimentation, play and humor, metafiction and intertextuality are the pieces of a literary board in which, from a playful conception of literature,...

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Autor principal: Navarro, Rosa
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2022
Materias:
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/5563
Aporte de:
id I11-R112article-5563
record_format ojs
institution Universidad Nacional de Cuyo
institution_str I-11
repository_str R-112
container_title_str Cuadernos del CILHA
language Español
format Artículo revista
topic Microrrelato
Literatura lúdica
Ana María Shua
Metaficción
Intertextualidad
Microfiction
Playful literature
Ana María Shua
Metafiction
Intertextuality
spellingShingle Microrrelato
Literatura lúdica
Ana María Shua
Metaficción
Intertextualidad
Microfiction
Playful literature
Ana María Shua
Metafiction
Intertextuality
Navarro, Rosa
Chaos, circus and war. Instruction manual for Ana María Shua’s game
topic_facet Microrrelato
Literatura lúdica
Ana María Shua
Metaficción
Intertextualidad
Microfiction
Playful literature
Ana María Shua
Metafiction
Intertextuality
author Navarro, Rosa
author_facet Navarro, Rosa
author_sort Navarro, Rosa
title Chaos, circus and war. Instruction manual for Ana María Shua’s game
title_short Chaos, circus and war. Instruction manual for Ana María Shua’s game
title_full Chaos, circus and war. Instruction manual for Ana María Shua’s game
title_fullStr Chaos, circus and war. Instruction manual for Ana María Shua’s game
title_full_unstemmed Chaos, circus and war. Instruction manual for Ana María Shua’s game
title_sort chaos, circus and war. instruction manual for ana maría shua’s game
description Ana María Shua's microfictions are a recreational space in which the formal and thematic features of the micro-story are squeezed to the limit. Experimentation, play and humor, metafiction and intertextuality are the pieces of a literary board in which, from a playful conception of literature, the author proposes a universe in which nothing is what it seems, the rules exist to be broken them and the reading does not end at the final point. The reader, when facing the author's texts, accepts a series of codes that he must know how to interpret in order, if not to win the game, at least to enjoy all its possibilities.
publisher Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
publishDate 2022
url https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/5563
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