Performativity and Archive, based on Beatriz Catani’s Project Atlas (of) lost works

Performance and archive have defined two great fields of research in the arts throughout the 20th century. This article explores the distances and confluences between these two apparently opposite territories, taking as a starting point the Project Atlas (of) Lost Works, by argentine playwright and...

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Autor principal: Cornago Bernal, Óscar
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2021
Materias:
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/5130
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record_format ojs
institution Universidad Nacional de Cuyo
institution_str I-11
repository_str R-112
container_title_str Cuadernos del CILHA
language Español
format Artículo revista
topic Performatividad
Archivo
Fantasmas
Beatriz Catani
Aby Warburg
Performativity
Archive
Ghosts
Beatriz Catani
Aby Warburg
spellingShingle Performatividad
Archivo
Fantasmas
Beatriz Catani
Aby Warburg
Performativity
Archive
Ghosts
Beatriz Catani
Aby Warburg
Cornago Bernal, Óscar
Performativity and Archive, based on Beatriz Catani’s Project Atlas (of) lost works
topic_facet Performatividad
Archivo
Fantasmas
Beatriz Catani
Aby Warburg
Performativity
Archive
Ghosts
Beatriz Catani
Aby Warburg
author Cornago Bernal, Óscar
author_facet Cornago Bernal, Óscar
author_sort Cornago Bernal, Óscar
title Performativity and Archive, based on Beatriz Catani’s Project Atlas (of) lost works
title_short Performativity and Archive, based on Beatriz Catani’s Project Atlas (of) lost works
title_full Performativity and Archive, based on Beatriz Catani’s Project Atlas (of) lost works
title_fullStr Performativity and Archive, based on Beatriz Catani’s Project Atlas (of) lost works
title_full_unstemmed Performativity and Archive, based on Beatriz Catani’s Project Atlas (of) lost works
title_sort performativity and archive, based on beatriz catani’s project atlas (of) lost works
description Performance and archive have defined two great fields of research in the arts throughout the 20th century. This article explores the distances and confluences between these two apparently opposite territories, taking as a starting point the Project Atlas (of) Lost Works, by argentine playwright and theater director Beatriz Catani (2021-). To this end, various foundational episodes in the history of archives and performance are put into dialogue, such as Aby Warburg's Atlas Mnemosyne and the analysis by Didi-Huberman, the photographs of Jackson Pollock inventing action painting or the Allan Kaprow's ideas anticipating the future of artistic practices.
publisher Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
publishDate 2021
url https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/5130
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