The performative turn in the theatrical representations of the Malvinas War (1982): Museo Miguel Angel Boezzio (1998), de Federico León

Despite its brevity, the Malvinas War (April 2 - June 14, 1982) constitutes a historical event (Badiou, 2015) that introduces a new symbolic field still in force today in social imaginaries and their appropriations (Chartier, 1992, 2007). This presence is clear in the theater, as evidenced by the ex...

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Detalles Bibliográficos
Autor principal: Dubatti, Ricardo
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2021
Materias:
Convivio
Memoria
Posguerra
Memory
Postwar
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/5002
Aporte de:
Cuadernos del CILHA de Universidad Nacional de Cuyo
id I11-R112article-5002
record_format ojs
institution Universidad Nacional de Cuyo
institution_str I-11
repository_str R-112
container_title_str Cuadernos del CILHA
language Español
format Artículo revista
topic Convivio
Memoria
Posguerra
Convivio
Memory
Postwar
spellingShingle Convivio
Memoria
Posguerra
Convivio
Memory
Postwar
Dubatti, Ricardo
The performative turn in the theatrical representations of the Malvinas War (1982): Museo Miguel Angel Boezzio (1998), de Federico León
topic_facet Convivio
Memoria
Posguerra
Convivio
Memory
Postwar
author Dubatti, Ricardo
author_facet Dubatti, Ricardo
author_sort Dubatti, Ricardo
title The performative turn in the theatrical representations of the Malvinas War (1982): Museo Miguel Angel Boezzio (1998), de Federico León
title_short The performative turn in the theatrical representations of the Malvinas War (1982): Museo Miguel Angel Boezzio (1998), de Federico León
title_full The performative turn in the theatrical representations of the Malvinas War (1982): Museo Miguel Angel Boezzio (1998), de Federico León
title_fullStr The performative turn in the theatrical representations of the Malvinas War (1982): Museo Miguel Angel Boezzio (1998), de Federico León
title_full_unstemmed The performative turn in the theatrical representations of the Malvinas War (1982): Museo Miguel Angel Boezzio (1998), de Federico León
title_sort performative turn in the theatrical representations of the malvinas war (1982): museo miguel angel boezzio (1998), de federico león
description Despite its brevity, the Malvinas War (April 2 - June 14, 1982) constitutes a historical event (Badiou, 2015) that introduces a new symbolic field still in force today in social imaginaries and their appropriations (Chartier, 1992, 2007). This presence is clear in the theater, as evidenced by the extensive corpus produced practically since the beginning of the postwar period (2020). Within this set, a work marks a performative turn: Museo Miguel Angel Boezzio (1998), by Federico León. Inspired by the National Museum of Aeronautics, the value of this show lies not only in its scenic power but also in that it gives voice to a real former pilot who narrates his experiences in the first person. Through his body, opaque, liminal and self-fictional, Boezzio becomes a battlefield that opens the way for other shows to explore Malvinas from the critical point of view of performance.
publisher Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
publishDate 2021
url https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/5002
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