Theater and performance in the city of Mendoza. Overlaps, differences and subversions

The relations between theater and performance in the City of Mendoza are inscribed in an expanded and complex field that concerns both the performing arts and the visual arts. Noticing the ways in which both concepts are interwoven, differentiated or subverted by each other when coming into contact...

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Autor principal: Sarale, Marina
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2021
Materias:
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4915
Aporte de:
id I11-R112article-4915
record_format ojs
institution Universidad Nacional de Cuyo
institution_str I-11
repository_str R-112
container_title_str Cuadernos del CILHA
language Español
format Artículo revista
topic Perfomance
Teatro
Acción
Cuerpo
Transdiciplina
Performance
Theater
Action
Body
Transdiscipline
spellingShingle Perfomance
Teatro
Acción
Cuerpo
Transdiciplina
Performance
Theater
Action
Body
Transdiscipline
Sarale, Marina
Theater and performance in the city of Mendoza. Overlaps, differences and subversions
topic_facet Perfomance
Teatro
Acción
Cuerpo
Transdiciplina
Performance
Theater
Action
Body
Transdiscipline
author Sarale, Marina
author_facet Sarale, Marina
author_sort Sarale, Marina
title Theater and performance in the city of Mendoza. Overlaps, differences and subversions
title_short Theater and performance in the city of Mendoza. Overlaps, differences and subversions
title_full Theater and performance in the city of Mendoza. Overlaps, differences and subversions
title_fullStr Theater and performance in the city of Mendoza. Overlaps, differences and subversions
title_full_unstemmed Theater and performance in the city of Mendoza. Overlaps, differences and subversions
title_sort theater and performance in the city of mendoza. overlaps, differences and subversions
description The relations between theater and performance in the City of Mendoza are inscribed in an expanded and complex field that concerns both the performing arts and the visual arts. Noticing the ways in which both concepts are interwoven, differentiated or subverted by each other when coming into contact allows us, rather than distinguishing specificities, to re-connect transdisciplinary links and understand that the presence of the theatrical in the performance or the presence of the performative in the theatrical is presented in a differential gradation in each case, according to the conditions, purposes and contexts in which both terms are used. These considerations, in turn, open space for the formulation of new questions.
publisher Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
publishDate 2021
url https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4915
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