Words on Water: Patagonia and microfiction.

In Argentine and Chilean Patagonian literary production, water becomes a dominant element that arises in the writing in its several manifestations: as rain, dew, river, spring, streams, lagoons, lakes, sea, among others; it goes through the collective imaginary in such a way that the poetic speaker...

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Detalles Bibliográficos
Autor principal: Espinosa, Gabriela Mariel
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2011
Materias:
Microrrelato
Patagonia
Mar
Lo insular
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4155
Aporte de:
Cuadernos del CILHA de Universidad Nacional de Cuyo
id I11-R112article-4155
record_format ojs
institution Universidad Nacional de Cuyo
institution_str I-11
repository_str R-112
container_title_str Cuadernos del CILHA
language Español
format Artículo revista
topic Microrrelato
Patagonia
Mar
Lo insular
spellingShingle Microrrelato
Patagonia
Mar
Lo insular
Espinosa, Gabriela Mariel
Words on Water: Patagonia and microfiction.
topic_facet Microrrelato
Patagonia
Mar
Lo insular
author Espinosa, Gabriela Mariel
author_facet Espinosa, Gabriela Mariel
author_sort Espinosa, Gabriela Mariel
title Words on Water: Patagonia and microfiction.
title_short Words on Water: Patagonia and microfiction.
title_full Words on Water: Patagonia and microfiction.
title_fullStr Words on Water: Patagonia and microfiction.
title_full_unstemmed Words on Water: Patagonia and microfiction.
title_sort words on water: patagonia and microfiction.
description In Argentine and Chilean Patagonian literary production, water becomes a dominant element that arises in the writing in its several manifestations: as rain, dew, river, spring, streams, lagoons, lakes, sea, among others; it goes through the collective imaginary in such a way that the poetic speaker or the narrator seem to be looking for firm land or an island where to anchor his/her writing. In this paper, I am interested in inquiring into how this essential element is textualized in the minimum compositions that make up the corpus of microfictions produced in both Patagonias, especially, in the south of Chile, taking into account that the hydric and insular landscape built in the texts does not imply geographic or regional determinism but the projection of a world perception.
publisher Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
publishDate 2011
url https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4155
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first_indexed 2022-06-20T13:45:45Z
last_indexed 2022-06-20T13:45:45Z
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