The Old and the New in Jorge Luis Borges’s and Julio Cortázar’s Bestiaries.: Lo antiguo y lo nuevo en los bestiarios de Jorge Luis Borges y Julio Cortázar

Very popular in the Middle Ages, bestiaries are a literary genre of old origins, a sort of encyclopedia, blended with moralizing allegory. They recover animal symbolism of earlier traditions and are filled with real or imaginary animals and monsters. Each era and culture has developed bestiaries of...

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Autor principal: Sariols Persson, Deerie
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2012
Materias:
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4138
Aporte de:
id I11-R112article-4138
record_format ojs
institution Universidad Nacional de Cuyo
institution_str I-11
repository_str R-112
container_title_str Cuadernos del CILHA
language Español
format Artículo revista
topic Bestiario
Animal
Monstruo
Cortázar
Borges
Bestiary
Animal
Monster
Cortázar
Borges
spellingShingle Bestiario
Animal
Monstruo
Cortázar
Borges
Bestiary
Animal
Monster
Cortázar
Borges
Sariols Persson, Deerie
The Old and the New in Jorge Luis Borges’s and Julio Cortázar’s Bestiaries.: Lo antiguo y lo nuevo en los bestiarios de Jorge Luis Borges y Julio Cortázar
topic_facet Bestiario
Animal
Monstruo
Cortázar
Borges
Bestiary
Animal
Monster
Cortázar
Borges
author Sariols Persson, Deerie
author_facet Sariols Persson, Deerie
author_sort Sariols Persson, Deerie
title The Old and the New in Jorge Luis Borges’s and Julio Cortázar’s Bestiaries.: Lo antiguo y lo nuevo en los bestiarios de Jorge Luis Borges y Julio Cortázar
title_short The Old and the New in Jorge Luis Borges’s and Julio Cortázar’s Bestiaries.: Lo antiguo y lo nuevo en los bestiarios de Jorge Luis Borges y Julio Cortázar
title_full The Old and the New in Jorge Luis Borges’s and Julio Cortázar’s Bestiaries.: Lo antiguo y lo nuevo en los bestiarios de Jorge Luis Borges y Julio Cortázar
title_fullStr The Old and the New in Jorge Luis Borges’s and Julio Cortázar’s Bestiaries.: Lo antiguo y lo nuevo en los bestiarios de Jorge Luis Borges y Julio Cortázar
title_full_unstemmed The Old and the New in Jorge Luis Borges’s and Julio Cortázar’s Bestiaries.: Lo antiguo y lo nuevo en los bestiarios de Jorge Luis Borges y Julio Cortázar
title_sort old and the new in jorge luis borges’s and julio cortázar’s bestiaries.: lo antiguo y lo nuevo en los bestiarios de jorge luis borges y julio cortázar
description Very popular in the Middle Ages, bestiaries are a literary genre of old origins, a sort of encyclopedia, blended with moralizing allegory. They recover animal symbolism of earlier traditions and are filled with real or imaginary animals and monsters. Each era and culture has developed bestiaries of all kinds. This genre has had a boom in the twentieth century, recycling many influences of the past and reconciling many aesthetic and philosophical directions, mostly imitating its brief form, and not the religious admonition, already obsolete at that time. In Argentina, Jorge Luis Borges and Julio Cortázar, combining tradition, art and personal references, wrote works such as Handbook of Fantastic Zoology (The Book of Imaginary Beings), and Bestiary and Cronopios and Famas. They propose a contemporary approach to medieval perception of the world, appropriating the ancient symbolism of biological wonders of dubious reality and real animals to renew and give them new life. Mythological and literary figures, in the case of Borges (the Golem, the amphisbaena, the Minotaur, Kafkaesque beings, etc.), original creations, in the case of Cortázar (cronopios, famas, mancuspias...), both authors often treat real animals (tigers, rabbits, axolotl ...) assigning them mysterious qualities which show the anguish and difficulty of living in a world as complex as ours.
publisher Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
publishDate 2012
url https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4138
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