The biographical illusion and the search for Argentinean and Latin American significance in the autobiography of Libertad Lamarque

Starting from the idea that biography as a form of representation of the subject constructed from the relationship between memory and identity, both ephemeral and defined from their relationship with a particular historical context, as proposed by authors such as Pierre Bourdieu and Roger Chartier,...

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Autor principal: Kerber, Alessander
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2014
Materias:
National identity
Biography
Libertad Lamarque
Identidade nacional
Biografia
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4084
Aporte de:
Aportado por : Cuadernos del CILHA de Universidad Nacional de Cuyo .
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spelling I11-R112article-40842020-11-09T12:06:59Z The biographical illusion and the search for Argentinean and Latin American significance in the autobiography of Libertad Lamarque A ilusão biográfica e a busca de um sentido argentino ou latino-americano na autobiografia de Libertad Lamarque Kerber, Alessander National identity Biography Libertad Lamarque Identidade nacional Biografia Libertad Lamarque Starting from the idea that biography as a form of representation of the subject constructed from the relationship between memory and identity, both ephemeral and defined from their relationship with a particular historical context, as proposed by authors such as Pierre Bourdieu and Roger Chartier, we propose an analysis of biographies of Libertad Lamarque, in particular his autobiography published after 60 year career, in 1986. Libertad was one of the most successful artists in theater, radio, cinema and music industry in Argentina between 1920s and 1945, when, for alleged conflicts with Eva Peron, did not get more work in this country and migrate to Mexico. In his autobiography, the artist used different discursive strategies to make a certain version about the Argentine national identity and the identities of the Latin American nations and associate their identity with these versions. We intended to contribute to discussions about how they were make and massed on certain versions of the national identities of the countries of Latin America focusing on the struggles of representations present in these processes. Partindo-se da abordagem acerca da biografia como uma forma de representação do sujeito construída a partir das relações entre a memória e a identidade, ambas efêmeras e definidas a partir de sua relação com determinado contexto histórico, como proposto por autores como Pierre Bourdieu e Roger Chartier, propõe-se uma análise das biografias de Libertad Lamarque, em especial, de sua autobiografia publicada aos 60 anos de carreira, em 1986. Libertad foi uma das artistas de maior sucesso no teatro, rádio, cinema e indústria fonográfica na Argentina entre o final dos anos 1920 e 1945, quando, por supostos conflitos com Eva Perón, não obteve mais trabalho neste país e mudou-se para o México. Em sua autobiografia, a artista utilizou-se de diversas estratégias discursivas para construir determinada versão acerca da identidade nacional argentina e de identidades de nações latino-americanas e associar a sua própria identidade a estas versões. Pretende-se, desta forma, contribuir para as discussões acerca de como foram construídas e massificadas determinadas versões acerca das identidades nacionais de países da América Latina enfocando as lutas de representações presentes nestes processos. Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2014-06-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4084 Cuadernos del CILHA; Vol. 15 Núm. 1 (2014); 43-72 1852-9615 1515-6125 spa https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4084/2945
institution Universidad Nacional de Cuyo
institution_str I-11
repository_str R-112
container_title_str Cuadernos del CILHA
language Español
format Artículo revista
topic National identity
Biography
Libertad Lamarque
Identidade nacional
Biografia
Libertad Lamarque
spellingShingle National identity
Biography
Libertad Lamarque
Identidade nacional
Biografia
Libertad Lamarque
Kerber, Alessander
The biographical illusion and the search for Argentinean and Latin American significance in the autobiography of Libertad Lamarque
topic_facet National identity
Biography
Libertad Lamarque
Identidade nacional
Biografia
Libertad Lamarque
author Kerber, Alessander
author_facet Kerber, Alessander
author_sort Kerber, Alessander
title The biographical illusion and the search for Argentinean and Latin American significance in the autobiography of Libertad Lamarque
title_short The biographical illusion and the search for Argentinean and Latin American significance in the autobiography of Libertad Lamarque
title_full The biographical illusion and the search for Argentinean and Latin American significance in the autobiography of Libertad Lamarque
title_fullStr The biographical illusion and the search for Argentinean and Latin American significance in the autobiography of Libertad Lamarque
title_full_unstemmed The biographical illusion and the search for Argentinean and Latin American significance in the autobiography of Libertad Lamarque
title_sort biographical illusion and the search for argentinean and latin american significance in the autobiography of libertad lamarque
description Starting from the idea that biography as a form of representation of the subject constructed from the relationship between memory and identity, both ephemeral and defined from their relationship with a particular historical context, as proposed by authors such as Pierre Bourdieu and Roger Chartier, we propose an analysis of biographies of Libertad Lamarque, in particular his autobiography published after 60 year career, in 1986. Libertad was one of the most successful artists in theater, radio, cinema and music industry in Argentina between 1920s and 1945, when, for alleged conflicts with Eva Peron, did not get more work in this country and migrate to Mexico. In his autobiography, the artist used different discursive strategies to make a certain version about the Argentine national identity and the identities of the Latin American nations and associate their identity with these versions. We intended to contribute to discussions about how they were make and massed on certain versions of the national identities of the countries of Latin America focusing on the struggles of representations present in these processes.
publisher Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
publishDate 2014
url https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4084
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first_indexed 2022-06-20T13:45:25Z
last_indexed 2022-06-20T13:45:25Z
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