You write when you can no longer work: the role of the intellectual in the trilogy of Augusto Roa Bastos

The genocides committed by dictatorships put in place to allow Condor mend ties and collective identity in both American history and literature of each country. Thus, the narrative of exile Augusto Roa Bastos figure is understood as a political denunciation military fascism not only in Paraguay but...

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Autor principal: Honorio, Gisela Paola
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2013
Materias:
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4070
Aporte de:
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record_format ojs
institution Universidad Nacional de Cuyo
institution_str I-11
repository_str R-112
container_title_str Cuadernos del CILHA
language Español
format Artículo revista
topic Augusto Roa Bustos
Intelectual
Dictadura
Augusto Roa Bustos
Intellectual
Dictatorship
spellingShingle Augusto Roa Bustos
Intelectual
Dictadura
Augusto Roa Bustos
Intellectual
Dictatorship
Honorio, Gisela Paola
You write when you can no longer work: the role of the intellectual in the trilogy of Augusto Roa Bastos
topic_facet Augusto Roa Bustos
Intelectual
Dictadura
Augusto Roa Bustos
Intellectual
Dictatorship
author Honorio, Gisela Paola
author_facet Honorio, Gisela Paola
author_sort Honorio, Gisela Paola
title You write when you can no longer work: the role of the intellectual in the trilogy of Augusto Roa Bastos
title_short You write when you can no longer work: the role of the intellectual in the trilogy of Augusto Roa Bastos
title_full You write when you can no longer work: the role of the intellectual in the trilogy of Augusto Roa Bastos
title_fullStr You write when you can no longer work: the role of the intellectual in the trilogy of Augusto Roa Bastos
title_full_unstemmed You write when you can no longer work: the role of the intellectual in the trilogy of Augusto Roa Bastos
title_sort you write when you can no longer work: the role of the intellectual in the trilogy of augusto roa bastos
description The genocides committed by dictatorships put in place to allow Condor mend ties and collective identity in both American history and literature of each country. Thus, the narrative of exile Augusto Roa Bastos figure is understood as a political denunciation military fascism not only in Paraguay but also the rest of the countries of the Southern Cone. This article focuses its analysis on cosmetic procedures which uses Augusto Roa Bastos to use their literature as a tool of transformation and complaint to absolute power. From the trilogy that make Son of man, I am the supreme and the prosecutor investigatesmodes of travel in the realistic narrative of the author, ie building processes that perform a break away from mimesis to strengthen aesthetic questioning ethical questioning. Similarly, we explore the structural differences of each of the novels that respond not only to the period in which they were produced, but also to the various conceptions of intellectual work that the author wielded during the Stroessner dictatorship extended. Cognitive function in the narrative of Augusto Roa Bastos lies in accounting for the "political changes" in his native country that made hegemony not only in economic terms but also in terms ofconsciousness.
publisher Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
publishDate 2013
url https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4070
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