The Status of the Poetic Subject Penetrates Literary Genres

The poetic subject is an elusive concept for critical and theoretical reflection, given its complexity and ambivalent relation with the author’s figure. Maurice Blanchot and Michel Foucault have meditated on the problematic condition of the literary enunciation subject in relation to other issues su...

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Autor principal: Moure, Cleila
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2013
Materias:
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4062
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id I11-R112article-4062
record_format ojs
institution Universidad Nacional de Cuyo
institution_str I-11
repository_str R-112
container_title_str Cuadernos del CILHA
language Español
format Artículo revista
topic Sujeto poético
Escritura
Exterior
Géneros literarios
Teoría
Poetic subject
Writing
Outside
Literary genres
Theory
spellingShingle Sujeto poético
Escritura
Exterior
Géneros literarios
Teoría
Poetic subject
Writing
Outside
Literary genres
Theory
Moure, Cleila
The Status of the Poetic Subject Penetrates Literary Genres
topic_facet Sujeto poético
Escritura
Exterior
Géneros literarios
Teoría
Poetic subject
Writing
Outside
Literary genres
Theory
author Moure, Cleila
author_facet Moure, Cleila
author_sort Moure, Cleila
title The Status of the Poetic Subject Penetrates Literary Genres
title_short The Status of the Poetic Subject Penetrates Literary Genres
title_full The Status of the Poetic Subject Penetrates Literary Genres
title_fullStr The Status of the Poetic Subject Penetrates Literary Genres
title_full_unstemmed The Status of the Poetic Subject Penetrates Literary Genres
title_sort status of the poetic subject penetrates literary genres
description The poetic subject is an elusive concept for critical and theoretical reflection, given its complexity and ambivalent relation with the author’s figure. Maurice Blanchot and Michel Foucault have meditated on the problematic condition of the literary enunciation subject in relation to other issues such as the nature of poetical meaning and the specificity of literary genres. Following the abovementioned authors, I put forward that the thought from outside and its discourse correlate, the writing of the disaster, can be adequate starting points to reconsider the problematic relationship between writing and subjectivity, as well as theoretical devices to question the feeble distinction between literary genres. According to this line of thought, I consider the series poetry/letters/diary/essay/chronicle as terms or singularities that share the same condition; "the movement from which the text comes" is the problematic aspect. This movement is neither an inner part nor a content of the text but its outside, the outside that determines and goes through it.
publisher Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
publishDate 2013
url https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4062
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