Vallejo and the cinema: the renewal of indigenist fiction in Escalas

This article reviews the relationships between narrative techniques and resources considered cosmopolitan and an imaginary of the Andean in César Vallejo Escalas. With this objective, we emphasize the use of an illustrative compositional method of the influence that cinema had as a renovating aesthe...

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Detalles Bibliográficos
Autor principal: Di Benedetto, Matías
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2020
Materias:
Vallejo
Montaje
Vanguardia
Narrativa
Cine
Montage
Vanguard
Narrative
Cinema
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/2307
Aporte de:
Cuadernos del CILHA de Universidad Nacional de Cuyo
id I11-R112article-2307
record_format ojs
institution Universidad Nacional de Cuyo
institution_str I-11
repository_str R-112
container_title_str Cuadernos del CILHA
language Español
format Artículo revista
topic Vallejo
Montaje
Vanguardia
Narrativa
Cine
Vallejo
Montage
Vanguard
Narrative
Cinema
spellingShingle Vallejo
Montaje
Vanguardia
Narrativa
Cine
Vallejo
Montage
Vanguard
Narrative
Cinema
Di Benedetto, Matías
Vallejo and the cinema: the renewal of indigenist fiction in Escalas
topic_facet Vallejo
Montaje
Vanguardia
Narrativa
Cine
Vallejo
Montage
Vanguard
Narrative
Cinema
author Di Benedetto, Matías
author_facet Di Benedetto, Matías
author_sort Di Benedetto, Matías
title Vallejo and the cinema: the renewal of indigenist fiction in Escalas
title_short Vallejo and the cinema: the renewal of indigenist fiction in Escalas
title_full Vallejo and the cinema: the renewal of indigenist fiction in Escalas
title_fullStr Vallejo and the cinema: the renewal of indigenist fiction in Escalas
title_full_unstemmed Vallejo and the cinema: the renewal of indigenist fiction in Escalas
title_sort vallejo and the cinema: the renewal of indigenist fiction in escalas
description This article reviews the relationships between narrative techniques and resources considered cosmopolitan and an imaginary of the Andean in César Vallejo Escalas. With this objective, we emphasize the use of an illustrative compositional method of the influence that cinema had as a renovating aesthetic proposal of the ways of narrating such as the montage. This procedure is useful for reflecting on it not only as the basis of an experimental writing practice but rather as a metaphor for the processes of cultural assimilation of the Peruvian narrative vanguard of the twenties.
publisher Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
publishDate 2020
url https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/2307
work_keys_str_mv AT dibenedettomatias vallejoandthecinematherenewalofindigenistfictioninescalas
AT dibenedettomatias vallejoyelcinelarenovaciondelaficcionindigenistaenescalas
first_indexed 2022-06-20T13:45:04Z
last_indexed 2022-06-20T13:45:04Z
bdutipo_str Revistas
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