Neither they nor us: a revulsionary look at Latin American literature

The focus of this article is the lack of a look a nd of the European matrix by the Latin American. In this way, the book Asco by Horacio Castellano Moya emerges that, in transit of the undecidability, prepares its game of politically a esthetic différance around San Salvador. With the name of the wr...

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Detalles Bibliográficos
Autores principales: Ribeiro, Helano, Costa do Lago, Thalyta Bruna
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2019
Materias:
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/1943
Aporte de:
id I11-R112article-1943
record_format ojs
institution Universidad Nacional de Cuyo
institution_str I-11
repository_str R-112
container_title_str Cuadernos del CILHA
language Español
format Artículo revista
topic Asco
Literatura latinoamericana
Política.
Asco
Latin American literatura
Politics
spellingShingle Asco
Literatura latinoamericana
Política.
Asco
Latin American literatura
Politics
Ribeiro, Helano
Costa do Lago, Thalyta Bruna
Neither they nor us: a revulsionary look at Latin American literature
topic_facet Asco
Literatura latinoamericana
Política.
Asco
Latin American literatura
Politics
author Ribeiro, Helano
Costa do Lago, Thalyta Bruna
author_facet Ribeiro, Helano
Costa do Lago, Thalyta Bruna
author_sort Ribeiro, Helano
title Neither they nor us: a revulsionary look at Latin American literature
title_short Neither they nor us: a revulsionary look at Latin American literature
title_full Neither they nor us: a revulsionary look at Latin American literature
title_fullStr Neither they nor us: a revulsionary look at Latin American literature
title_full_unstemmed Neither they nor us: a revulsionary look at Latin American literature
title_sort neither they nor us: a revulsionary look at latin american literature
description The focus of this article is the lack of a look a nd of the European matrix by the Latin American. In this way, the book Asco by Horacio Castellano Moya emerges that, in transit of the undecidability, prepares its game of politically a esthetic différance around San Salvador. With the name of the writer Thomas Bernhard and his aesthetics of repetition, Moya walks for the deconstruction of the binomials, thus deconstructing the dependence between the original and its copy. This is, a bove all, a political gesture . In the archaeological work proposed in this article the original jump [Ursprung] to the narrator's memories is revealed redeeming from the moment that Moya resolves to tell the story of the losers.
publisher Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
publishDate 2019
url https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/1943
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