Close Up: The Audiovisual Landscape in 21st-Century Cuba

Cuban cinema has changed dramatically since 1990. The reverberations of the so-called Special Period coupled with the intensification of globalizing forces and the emergence of new technologies have had repercussions in the film world. A new generation of cineastes, propel...

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Autor principal: Stock, Ann Marie
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2015
Materias:
Cine cubano
Cultura audiovisual
Nuevos realizadores
Cuban Cinema
Cuban Audiovisual Culture
New Filmmakers
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/1541
Aporte de:
Cuadernos del CILHA de Universidad Nacional de Cuyo
id I11-R112article-1541
record_format ojs
institution Universidad Nacional de Cuyo
institution_str I-11
repository_str R-112
container_title_str Cuadernos del CILHA
language Español
format Artículo revista
topic Cine cubano
Cultura audiovisual
Nuevos realizadores
Cuban Cinema
Cuban Audiovisual Culture
New Filmmakers
spellingShingle Cine cubano
Cultura audiovisual
Nuevos realizadores
Cuban Cinema
Cuban Audiovisual Culture
New Filmmakers
Stock, Ann Marie
Close Up: The Audiovisual Landscape in 21st-Century Cuba
topic_facet Cine cubano
Cultura audiovisual
Nuevos realizadores
Cuban Cinema
Cuban Audiovisual Culture
New Filmmakers
author Stock, Ann Marie
author_facet Stock, Ann Marie
author_sort Stock, Ann Marie
title Close Up: The Audiovisual Landscape in 21st-Century Cuba
title_short Close Up: The Audiovisual Landscape in 21st-Century Cuba
title_full Close Up: The Audiovisual Landscape in 21st-Century Cuba
title_fullStr Close Up: The Audiovisual Landscape in 21st-Century Cuba
title_full_unstemmed Close Up: The Audiovisual Landscape in 21st-Century Cuba
title_sort close up: the audiovisual landscape in 21st-century cuba
description Cuban cinema has changed dramatically since 1990. The reverberations of the so-called Special Period coupled with the intensification of globalizing forces and the emergence of new technologies have had repercussions in the film world. A new generation of cineastes, propelled by the changes, have picked up their cameras and begun documenting their context and introducing new visions. As a result, a once concertedly national project has become a decidedly transnational practice. To trace this transformation is to focus on some of the new modes of making and marketing films in Cuba today.
publisher Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
publishDate 2015
url https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/1541
work_keys_str_mv AT stockannmarie closeuptheaudiovisuallandscapein21stcenturycuba
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first_indexed 2022-06-20T13:44:46Z
last_indexed 2022-06-20T13:44:46Z
bdutipo_str Revistas
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