The value of a "Cartonero" on the Cultural Market: Argentine Iconographies

Through a number of cultural accounts that manage the experiences of cartoneros in the argentine postcrisis, more specifically, works by artists such as Matthijs de Bruijne, Liliana Maresca as well as thecollective Escombros, Eloisa Cartonera Publishing project and the wri...

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Autor principal: Bilbija, Ksenija
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2014
Materias:
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/1537
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record_format ojs
institution Universidad Nacional de Cuyo
institution_str I-11
repository_str R-112
container_title_str Cuadernos del CILHA
language Español
format Artículo revista
topic Eloísa Cartonera
Matthijs de Bruijne
Liliana Maresca
Washington Cucurto
Colectivo Escombros
Eloísa Cartonera
Matthijs de Bruijne
Liliana Maresca
Washington Cucurto
spellingShingle Eloísa Cartonera
Matthijs de Bruijne
Liliana Maresca
Washington Cucurto
Colectivo Escombros
Eloísa Cartonera
Matthijs de Bruijne
Liliana Maresca
Washington Cucurto
Bilbija, Ksenija
The value of a "Cartonero" on the Cultural Market: Argentine Iconographies
topic_facet Eloísa Cartonera
Matthijs de Bruijne
Liliana Maresca
Washington Cucurto
Colectivo Escombros
Eloísa Cartonera
Matthijs de Bruijne
Liliana Maresca
Washington Cucurto
author Bilbija, Ksenija
author_facet Bilbija, Ksenija
author_sort Bilbija, Ksenija
title The value of a "Cartonero" on the Cultural Market: Argentine Iconographies
title_short The value of a "Cartonero" on the Cultural Market: Argentine Iconographies
title_full The value of a "Cartonero" on the Cultural Market: Argentine Iconographies
title_fullStr The value of a "Cartonero" on the Cultural Market: Argentine Iconographies
title_full_unstemmed The value of a "Cartonero" on the Cultural Market: Argentine Iconographies
title_sort value of a "cartonero" on the cultural market: argentine iconographies
description Through a number of cultural accounts that manage the experiences of cartoneros in the argentine postcrisis, more specifically, works by artists such as Matthijs de Bruijne, Liliana Maresca as well as thecollective Escombros, Eloisa Cartonera Publishing project and the writing of Washington Cucurto and Danilo Samoilovich, thisarticlesdiscussesthefollowingquestions: How does argentine culture construct, produce and account for this subaltern, societal residue emblematically called cartonero? What kind of voice and agency is given to economically deprived and politically neglected cartoneros through cultural practices? Do these practices allow them to gain visibility and become social and political agents or do they only serve to contribute to the sense of social fulfillment of the consumer? How is the cartonero experience packaged for global as well as local consumption? What kind of representational discourse has been adopted in accounting for the poor in post 2001 Argentina?
publisher Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
publishDate 2014
url https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/1537
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